file:///F|/rah/Michael%20Moorcock/Moorcock,%20Michael%20-%20Runestaff%201%20-%20The%20Jewel%20in%20the%20Skull.txt
On his rides, Count Brass always came to the ruin. He felt
a kind of fellowship with it, for, like him, it was old; like him,
it had survived much turmoil, and, like him, it seemed to have
been strengthened rather than weakened by the ravages of
time. The hill on which the ruin stood was a waving sea of tall
tough grass, moved by the wind. The hill was surrounded by
the rich, seemingly infinite marshlands of the Kamarg-a
lonely landscape populated by wild white bulls, herds of horn-
ed horses, and the giant scarlet flamingoes so large that they
could easily lift a grown man.
The sky was a light gray, carrying rain, and from it shone
sunlight of watery gold, touching the Count's armor of bur-
nished brass and making it glow like flame. The Count wore a
huge broadsword at his hip, and a plain helmet, also of brass,
was on his head. His whole body was sheathed in heavy brass,
and even his gloves and boots were of brass links sewn upon
leather. The Count's body was broad, sturdy and tall, and he
had a great, strong head on his shoulders, with a tanned face
that might also have been molded of brass. From this head
stared two steady eyes of golden brown. His heavy mustache
was red, as was his hair. In the Kamarg, as well as beyond it,
it was not unusual to hear the legend that the Count was, in
fact, not a true man at all but a living statue in brass, a Titan,
invincible, indestructible, immortal.
But those who knew Count Brass well enough knew that he
was a man in every sense - a loyal friend, a terrible foe, given
much to laughter yet capable of ferocious anger, a drinker of
enormous capacity, a trencherman of not indiscriminate
tastes, a wit, a swordsman and a horseman without par, a
sage in the ways of men and history, a lover at once tender
and savage. Count Brass, with his rolling, warm voice and his
rich vitality, could not help but be a legend, for if the man was
exceptional, then so were his deeds.
Count Brass stroked the head of his horse, rubbing his
gauntlet between the sharp, spiral horns of the animal and
looking to the south, where the sea and sky met far away. The
horse grunted with pleasure, and Count Brass smiled, leaned
back in his saddle, and flicked the reins to make the horse de-
scend the hill and head along the secret marsh path that led
toward the northern towers beyond the horizon.
The sky was darkening when he reached the first tower and
saw its guardian, an armored silhouette against the skyline,
keeping his vigil. Though no attack had been made on the
Kamarg since Count Brass had come to replace the former,
corrupt Lord Guardian, there was now a slight danger that
roaming armies, made up of those whom the Dark Empire of
the west had defeated, might wander into the domain looking
for towns and villages to loot. The guardian, like all his fel-
lows, was equipped with a flame-lance of baroque design, a
sword four feet long, a tamed riding flamingo tethered to one
side of the battlements, and a heliograph device to signal in-
formation to the other towers. There were other weapons in
the towers, weapons the Count himself had built and in-
stalled, but the guardians knew only their method of opera-
tion; they had never seen them in action. Count Brass had
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