
In the morning the rain has stopped though it’s foggy. Cora goes out (with
Father’s walking stick, and wearing Father’s boots and battered canvas hat) to the
far end of the orchard. Something has certainly been there. It had pulled down
perfectly good, live, apple branches to make the nests. Cora doesn’t like the way it
ate apples, either, one or two bites out of lots of them, and then it looks as if it had
made itself sick and threw up not far from the fire. Cora cleans everything so it looks
like no one has been there. She doesn’t want Janice to have the satisfaction of
knowing anything about it.
That afternoon, when Cora has gone off to have their pickup truck greased,
Janice goes out to take a look. She, also, takes Father’s walking stick, but she wears
Mother’s floppy, pink hat. She can see where the fire’s been by the black smudge,
and she can tell somebody’s been up in the tree. She notices things Cora hadn’t:
little claw marks on a branch, a couple of apples that had been bitten into still
hanging on the tree near the nesting place. There’s a tiny piece of leathery stuff stuck
to one sharp twig. It’s incredibly soft and downy and has a wet-dog smell. Janice
takes it, thinking it might be an important clue. Also she wants to have something to
show that she’s been down there and seen more than Cora has.
Cora comes back while Janice is upstairs taking her nap. She sits down in the
front room and reads an article in the Reader’s Digest about how to help your
husband communicate. When she hears Janice come down the stairs, Cora goes up
for her nap. While Cora naps, Janice sets out grapes and a tangerine, and scrambles
one egg. As she eats her early supper, she reads the same article Cora has just read.
She feels sorry for Cora who seems to have nothing more exciting than this sort of
thing to read (along with her one hundred great books) whereas Janice has been
reading: HOW FAMOUS COUPLES GET THE MOST OUT OF THEIR SEX
LIVES. Just one of many such books that she keeps locked in her bedside cabinet.
When she finishes eating, she cleans up the kitchen so it looks as if she hadn’t been
there.
Cora comes down when Janice is in the front parlor (sliding doors shut)
listening to music. She has it turned so low Cora can hardly make it out. Might be
Vivaldi. It’s as if Janice doesn’t want Cora to hear it in case she might enjoy it. At
least that’s how Cora takes it. Cora opens a can of spaghetti. For desert she takes a
couple of apples from the “special” tree. She eats on the closed-in porch, watching
the clouds. It looks as if it’ll rain again tonight.
About eight-thirty they each look out their different windows and see that the
flickering light is there again. Cora says, “Damn it to hell,” so loud that Janice hears
from two rooms away. At that moment Janice begins to like the little light. Thinks it
looks inviting. Homey. She forgets that she found that funny piece of leather and
those claw marks. Thinks most likely there’s a young couple in love out there. Their
parents disapprove and they have no place else to go but her orchard. Or perhaps
it’s a young person. Teenager, maybe, cold and wet. She has a hard time sleeping,
worrying and wondering about whoever it is, though she’s still glad she locked the