There was a large conference desk in the front part of the office with a setup for videophone
conferences. Yarnada doubted that Xavier would want the contents of this particular conference
broadcast over any line, no matter how secure.
“Please. Be seated. Drink?” Yamada shook his head no, accepting the invitation to sit. Xavier
busied himself at a small wetbar, coming back with a short glass of ice and clear liquid garnished
with a twisted slice of lime.
He sat across from Yamada, sipped his drink and gazed at him speculatively. Yamada felt
naked, stripped to the skin and then flensed to the bone. Xavier probed and examined and
weighed, finally laying the meat arid organs back in place, slipping the skin back onto the body.
No Japanese would have stared so. The room’s silence was oppressive, and Yamada fought
to escape that gaze, to break contact with those bottomless black eyes. He found a painting to
look at, a garish thing of oranges and blacks. Concentric rings of color surrounded plastic
bubbles that rose inches out from the canvas, sprays of yellow arcing through the black
background like comets through space.
A name clicked in his mind. “This is your Mr. Castellar’s work, is it not?”
Xavier smiled, some of the coolness leaving his face. “Yes. You know our painters? He was
one of the finest. Emilio Castellar dreamed of space when much of our country was trying
merely to enter the industrial age. A man of vision.”
The office door opened, and two men entered, followed a moment later by a third. One of
them was Xavier’s height, a fraction over six feet, but heavy in the stomach and thighs. He
nodded without speaking. Xavier filled the silence. “This is Mr. da Silva. Edson da Silva.”
The second was a small, neat man with a beard that had been trimmed to a razor point. His
hazel eyes seemed to be in constant quick movement. His skin was lighter than Xavier’s or da
Silva’s. He sized Yamada up in two intense seconds, then stretched out his hand. “Djalma
Costa,” he said. “Djalma with a D.”
“Takayuki Yamada.” Yamada turned to the third man, noting the limp, and the silver wolf’s
head cane that corrected it. “And of course you are Mr. Giorgi. Lucio Giorgi.”
Giorgi was as tall as da Silva, but much thinner. His eyes were hollow, and the skin on his
face was stretched taut over the bones, as if a long illness had stripped away the fat. Giorgi
nodded with satisfaction and spoke with excellent, though accented, English. “I see that news of
my accident precedes me.”
“We were interested in your work on the Parana Dam project. Of course, when the scaf-
folding collapsed, we knew that the famous Giorgi had been the only survivor.”
“I am perhaps too old to continue on-site inspections.”
“If this project is as successful as we hope, we will definitely desire your expertise.” They
shook hands, and all five men were seated.
There was a moment of uncomfortable tension. Then Xavier cleared his throat and slapped
his palms on the table. “Well, Mr. Yamada. If you would be so kind as to share your information
with us.”
“Certainly.” All hesitation had left him now. He swung his briefcase up to the table and
dialed its five-digit combination. There was a sharp click, and Yamada eased it open and re-
moved a thin folder of papers. He locked the case and set it on the floor.
Yamada thumbed through the folder, talking to himself in barely audible Japanese. “Ah, yes.
I trust that I do not have to fill you three gentlemen,” nodding in the direction of the newcomers,
“in on much, of the background material?”
“Skim through to today’s business,” Xavier suggested.
“Agreed. The item of interest is a cable recently extruded by Falling Angel Enterprises. Put
as simply as possible, the cable is a strand of single-crystal iron filaments locked in an epoxy
matrix.” He looked up at them with a distracted look on his face. “It is eight-tenths of a
millimeter thick and fourteen hundred kilometers long. All preliminary tests indicate that it is
much stronger than Kevlar, at least ten or twenty times stronger.”