Glen Cook, whose "Severed Heads" is one of the three tales of "rape and revenge" which I mentioned
in the introduction to this volume, has here told an unusual and moving story of this universal
theme. When I began reading for this anthology, I admit to being prejudiced against male authors
writing heroic fantasy; I felt I had read too many mindless stories of the old-style heroic
fiction, and my attitude was quite simply:
"Blood and thunder, guts and gore;
Hero tales are such a bore."
But such writers as Charles Saunders, Charles de Lint, Steve Burns and Robin Bailey—to name only
men represented in this anthology—quickly changed my mind.
When first I read "Severed Heads" I thought Cook a new writer; a query to his agent informed me
that he is an unusually prolific newcomer, having written and sold eleven novels in the last three
or four years, as well as a couple of dozen stories to virtually every magazine in existence,
including F&SF, Asimov's, Whispers, Night Voyages, and many others.
Narriman, perhaps the youngest heroine in this anthology, lives the truth mentioned in the story;
that without our fellow man, we are no more than severed heads which roll alone through the
desert. Can it be that one reason for the mindless bias to uninvolved, blood-and-thunder old-time
sword and sorcery fiction—which gave it such a bad name—was that the early writers, writing only
of their fellow man, fell into the trap of using the women in the story only as narrative devices,
objects, cardboard figures without even such small dimensions of emotional existence as were
granted to the men? Thus the male characters, too, were only "severed heads" rolling around in the
desert of "thud and blunder" fiction, with plenty of blood and guts but no emotional reality. Glen
Cook does not fall into that trap. Not once.—MZB
SEVERED HEADS
by Glen Cook
I
Narriman was ten when the black rider came to Wadi al Hamamah. He rode tall and arrogant upon a
courser as white as his djellaba was black. He looked neither right nor left as he passed among
the tents. Old men spat at his horse's hooves. Old women made warding signs. Children and dogs
whined and fled. Makram's ass set up a horrible braying.
Narriman was not frightened, just confused. Who was this stranger? Why were her people frightened?
Because he wore black? No tribe she knew wore black. Black was the color of ifrits and djinn, of
the Masters of Jebal al Alf Dhulquarneni, the high, dark mountains brooding over Wadi al Hamamah
and the holy place of the al Muburak.
Narriman was a bold one. Her elders warned her often, but she would not behave as fit her sex. The
old ones shook their heads and said that brat of Mowfik's would be no good. Mowfik himself was
suspect enough, what with having gone to the great wars of the north. What business were those of
the al Muburak?
Narriman stayed and watched the rider.
He reined in before her father's tent, which stood apart, drew a black rod from his javelin case,
breathed upon it. Its tips glowed. He set that glow against the tent, sketched a symbol, (Symbol)
. The old folks muttered and cursed and told one another they'd known despair would haunt Mowfik's
tent.
Narriman ran after the stranger, who rode down the valley toward the shrine. Old Farida shouted
after her. She pretended not to hear. She dodged from shadow to shadow, rock to rock, to the
hiding place from which she spied on the rites of her elders.
She watched the rider pass through the Circle with arrogance unconquered. He did not glance at
Karkur, let alone make obeisance and offerings. She expected the Great Death to strike him ere he
left the Circle, but he rode on, untouched. She watched him out of sight.
Narriman stared at the god. Was Karkur, too, a frightened antique? She was shaken. Karkur's anger
was a constant. Each task, each pleasure, had to be integrated with his desires. He was an angry
god. But he had sat there like a red stone lump while a heathen defiled his Circle.
The sun was in the west when she returned to camp. Old Farida called for her immediately. She
related what she had seen. The old folks muttered and whispered and made their signs.
"Who was he, Farida? What was he? Why were you afraid?"
Farida spat through the gap in her teeth. "The Evil One's messenger. A shaghun out of the Jebal."
Farida turned her old eyes on the Mountains of A Thousand Sorcerers. She made her magic sign.
"It's a mercy your mother didn't live to see this."
"Why?"
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