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repose, there was a sweetness to him. With sweet melancholy, he sighed.
"Ah, poor thing," they said. "What troubles him this evening, our Oloru?"
Oloru said, "An answer, which has no question." "A riddle!" cried the other young men. They
grinned and shouted: "Make us laugh, Oloru."
And all at once the eyes of Oloru glittered like the eyes of a night-hunting fox. He sprang to his
feet, curled over, next dropped in a ball, next lifted his whole body straight in the air,
supporting himself by one hand, palm down, on the roof. Then he began, on this one hand, to hop
about, crying out all the while in a raucous irritated voice: "Oh, how tiresome this is. You would
think by now the gods could have invented a better way for a man to travel."
13
14
DELIRIUM'S MISTRESS
The companions, duly diverted, laughed, applauded, and called the entertainer names. Oloru went on
hopping, though one of his fine silk gloves was by now probably quite ruined. He hopped to the
western parapet, and here his slim upside-down body wavered, so the stars seemed juggled between
his feet. "Behold," said Oloru, "here the sun fell over." And he toppled sideways through blue
dusk and stars, and right across the parapet, and vanished.
The remaining young men on the tavern roof leapt to their feet with yells of horror, upsetting
wine jars and other paraphernalia. Oloru was a favorite of their lord, one of the magician-princes
of this city. To take this powerful man the tale of said Oloru, smashed on the cobbles seven
stories below, was not a charming notion.
But rushing to the parapet and leaning over, they could be sure of nothing in the narrow alley but
the gathering of darkness.
Elsewhere, the city spread around them under the sky, its terraces pearl-strung with lamps, its
towers bright-eyed with lit windows. Nowhere in that city could they be safe if they once angered
their prince, Lak Hezoor. While close at hand rose the palace of this very lord, each of its
spires made into a somber candle by the cresset ablaze on its roof, and each cresset seeming now
to glare over at them intently.
Consternation. Some ran onto the stair, meaning to descend and search the street on foot. Others
were already making up excuses for a violent death that had nothing whatever to do with them. In
the midst of this, suddenly Oloru stepped out of a climbing fruit tree that spread its branches
along the eastern parapet.
"Yes, love is madness," said Oloru. "As all things are madness. Piety, wickedness, pleasure,
sorrow—every one an insanity. Indeed, to live at all—"
"Oloru!" cried the young men. Two of them ran forward as if to thrash him.
Oloru shrank back against the tree. He lifted both hands in their gemmed gloves, to shield
himself. "No—forgive me, my friends—what have I done to anger you?"
The friends gathered menacingly. Oloru was at all times the veriest coward. They knew he would be
terrified by a
Sovaz: Mistress of Madness
15
threat or a raised fist. So they berated him, and he grew paler and paler and shrank back into the
slender arms of the fruit tree. He explained, stammering somewhat, that he had caught the
stonework under the parapet and thus eased himself along the side of the building, unseen, to the
tree. Here he had clambered once more to safety. He had not meant to annoy them, only to amuse.
They allowed him to go on and on, enjoying his faltering musical voice, his eyes swimming and full
of tears of anxiety. In the end, when they had squeezed him sufficiently, and it seemed only the
fragile tree kept him on his feet, they relented, flung their arms around him, kissed him and
smoothed his golden hair, swearing they forgave him anything, he was so dear to them. Then he
tremblingly laughed. He thanked them. When they asked, he took up a lyre of gilded wood and sang
for them exquisitely. His voice was so beautiful, in fact, that here and there round about
shutters opened quietly. Lovers and losers together leaned into the night, to catch the flavor of
Oloru's song.
' 'In the lyre-land, string and chord, Bring me music in a word. Bring me magic in a look; For
your eyes are like a sword, And your smile is like a bird Singing from an ancient book. ..."
And "How you flatter me, Oloru," someone said. "But you always do flatter better than any other,
and perfectly in key."
Lak Hezoor the magician-prince, clad in dark finery, and with two guards behind him, had come up
on the roof very silently. He and his minions could move most quietly, when they wished, and such
noiseless arrivals were a habit of his. In this way he often happened on his courtiers at their
various and more intimate games. All had grown careful, even in the most frenzied acts of the
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