she paint the ravening monsters that were the souls of human beings, herself included?
She could try; it might work this time. To make visible the ego of the human omnivore... but to do
that she would have to put down the egg...
Then she saw the tracks. Veg's footprints led away from the camp, partly obscured by something he
must have been dragging. Had he gone exploring? He should have stayed nearby, securing the camp
against possible dangers, not gallivanting about the countryside. Not that there was much countryside
to see; this was about as gaunt a locale as she cared to endure. Sand and boulders...
But what would account for the destruction of supplies? Someone or something had vandalized them,
and she knew Veg would not have done that. The cuts were peculiar, almost like the marks of a
rampant power-saw. Strange, strange.
She was worried now. If something had attacked, Veg would have fought. That was the omnivore in
him despite his vegetarianism. That could account for the mess. If he had won, why wasn't he here? If
he had lost, why were his footprints leading away? Veg was stubborn; he would have died fighting.
He would never have run.
She had thought she loved Veg at one time. Physically, sexually. She had tried to be a vegetarian like
him. But somehow it hadn't worked out. She still cared for him deeply, however, and his unexplained
absence troubled her.
She contemplated the prints. Could he have lost—and been taken captive? If someone held a gun on
him, even Veg would not have been so foolish as to resist. Yet where were the prints of his captor?
There were only the treadlike marks of whatever he had been hauling... No, she still didn't have it.
First, there would be no one here to hold a gun or any other weapon on Veg. This was an uninhabited
wilderness desert on an unexplored alternate world. They were the first human beings to set foot on
it. Second, the prints diverged in places, sometimes being separated by several yards. If Veg had been
dragging or hauling anything, the marks would have been near his own prints, always.
She stooped to examine the other marks more carefully, cradling the big egg in one arm. She touched
the flattened sand with one finger. Substantial weight had been here—a ton or more, considering the
breadth of the track and the depression of the sand. Like tire marks but wider, and there was only one
line instead of parallel lines. What sort of vehicle had made that? Not a human artifact...
The obvious thing to do was to follow the tracks and find out. But she wasn't supposed to leave the
campsite until Cal and the mantas were through the aperture, and she didn't want to walk into the
clutches—treads?—of whatever had followed Veg. There was no real cover here apart from the
boulders; as soon as she got close enough to see it, it would see her. And if it had made Veg move
out, there was no way she could fight it. Veg was an extraordinarily able man physically.
So she would have to stay here, keeping a sharp lookout, and clean up the mess. If she were lucky,
nothing would happen until Cal arrived. If she were luckier, Veg would return unharmed.
She turned, letting the bright sunlight fall on the egg, warming it. Ornet was inside that egg, the
embryo of a bird that possessed a kind of racial memory: perhaps a better tool for survival than man's
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