Dean R. Koontz - The Black Pumpkin

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2024-11-24 0 0 102.48KB 9 页 5.9玖币
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THE BLACK PUMPKIN By Dean R. Koontz 1 THE PUMPKINS WERE CREEPY, BUT THE
MAN WHO CARVED THEM WAS far stranger than his creations. He appeared to have
baked for ages in the California sun, until all the juices had been cooked out
of his flesh. He was stringy, bony, and leather skinned. His head resembled a
squash, not pleasingly round like a pumpkin, yet not shaped like an ordinary
head, either: slightly narrower at the top and wider at the chin than was
natural. His amber eyes glowed with a sullen, smoky, weak - but dangerous -
light. Tommy Sutzmann was uneasy the moment that he saw the old pumpkin
carver. He told himself that he was foolish, overreacting again. He had a
tendency to be alarmed by the mildest signs of anger in others, to panic at
the first vague perception of a threat. Some families taught their
twelve-year-old boys honesty, integrity, decency, and faith in God. By their
actions, however, Tommy's parents and his brother, Frank, had taught him to be
cautious, suspicious, and even paranoid. In the best of times, his mother and
father treated him as an outsider; in the worst of times, they enjoyed
punishing him as a means of releasing their anger and frustration at the rest
of the world. To Frank, Tommy was simply - and always - a target.
Consequently, deep and abiding uneasiness was Tommy Sutzmann's natural
condition. Every December this vacant lot was full of Christmas trees, and
during the summer, itinerant merchants used the space to exhibit DayGlo
stuffed animals or paintings on velvet. As Halloween approached, the half-acre
property, tucked between a supermarket and a bank on the outskirts of Santa
Ana, was an orange montage of pumpkins: all sizes and shapes, lined in rows
and stacked in neat low pyramids and tumbled in piles, maybe two thousand of
them, three thousand, the raw material of pies and jack-o'-lanterns. The
carver was in a back corner of the lot, sitting on a tube-metal chair. The
vinyl-upholstered pads on the back and seat of the chair were darkly mottled,
webbed with cracks - not unlike the carver's face. He sat with a pumpkin on
his lap, whittling with a sharp knife and other tools that lay on the dusty
ground beside him. Tommy Sutzmann did not remember crossing the field of
pumpkins. He recalled getting out of the car as soon as his father had parked
at the curb - and the next thing he knew, he was in the back of the lot just a
few feet from the strange sculptor. A score of finished jack-o'-lanterns
were propped atop mounds of other pumpkins. This artist did not merely hack
crude eye holes and mouths. He carefully cut the skin and the rind of the
squash in layers, producing features with great definition and surprising
subtlety. He also used paint to give each creation its own demonic
personality: Four cans, each containing a brush, stood on the ground beside
his chair - red, white, green, and black. The jack-o'-lanterns grinned and
frowned and scowled and leered. They seemed to be staring at Tommy. Every one
of them. Their mouths were agape, little pointy teeth bared. None had the
blunt, goofy dental work of ordinary jack-o'-lanterns. Some were equipped with
long fangs. Staring, staring. And Tommy had the peculiar feeling that they
could see him. When he looked up from the pumpkins, he discovered that the
old man was also watching him intently. Those amber eyes, full of smoky light,
seemed to brighten as they held Tommy's own gaze. "Would you like one of my
pumpkins?" the carver asked. In his cold, dry voice, each word was as crisp as
October leaves wind-blown along a stone walk. Tommy could not speak. He
tried to say, No, sir, thank you, no, but the words stuck in his throat as if
he were trying to swallow the cloying pulp of a pumpkin. "Pick a favorite,"
the carver said, gesturing with one withered hand toward his gallery of
grotesques - but never taking his eyes off Tommy. "No, uh ... no, thank
you." Tommy was dismayed to hear that his voice had a tremor and a slightly
shrill edge. What's wrong with me? he wondered. Why am I hyping myself into
a fit like this? He's just an old guy who carves pumpkins. "Is it the price
you're worried about?" the carver asked. "No." "Because you pay the man
out front for the pumpkin, same price as any other on the lot, and you just
give me whatever you feel my work is worth." When he smiled, every aspect
of his squash-shaped head changed. Not for the better. The day was mild.
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分类:外语学习 价格:5.9玖币 属性:9 页 大小:102.48KB 格式:PDF 时间:2024-11-24

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