
much--must lie helpless, bound by that cord. It is then that I shall need you, priest, for this man who will
come...."
The voices faded. Slowly the blackness within which she lay began to lighten. Slowly, slowly, a luminous
greyness replaced it. She thought, desperately: I am going to be born! I don't want to be born!
Implacably, the light increased. Now within the greyness was a nimbus of watery emerald. The nimbus
became brighter, brighter...
She was lying upon a low bed, in a nest of silken cushions. Close to her was an immense and ancient
bronze vessel, like a baptismal font. The hands of thousands of years had caressed it, leaving behind them
an ever deepening patina like a soft green twilight. A ray of the sun shone upon it, and where the ray
rested, the patina gleamed like a tiny green sun. Upon the sides of the great bowl were strange geometric
patterns, archaic, the spirals and meanders of the Lei-wen--the thunder patterns. It stood upon three
legs, tripodal...why, it was the ancient ceremonial vessel, the Tang font which Martin had brought home
from Yunnan years ago...and she was back home...she had dreamed that she had been in China and that
Martin...that Martin...
She sat up abruptly and looked through wide, opened doors into a garden. Broad steps dropped
shallowly to an oval pool around whose sides were lithe willows trailing green tendrils in the blue water,
wisterias with drooping ropes of blossoms, white and pale azure, and azaleas like flower flames. Rosy
lilies lay upon the pool's breast. And at its far end was a small pagoda, fairy-like, built all of tiles of
iridescent peacock blue and on each side a stately cypress, as though they were its ministers...why, this
was their garden, the garden of the blue pagoda which Martin had copied from that place in Yunnan
where lived his friend, the wise old priest...
But there was something wrong. These mountains were not like those of the ranch. They were conical,
their smooth bare slopes of rose-red stone circled with trees..they were like huge stone hats with green
brims...
She turned again and looked about the room. It was a wide room and a deep one, but how deep she
could not see, because the sun streaming in from a high window struck the ancient vessel and made a
curtain, veiling it beyond. She could see that there were beams across its ceiling, mellow with age, carved
with strange symbols. She caught glimpses of ivory and of gleaming lacquer. There was a low altar of
what seemed green jade, curiously carved and upon which were ceremonial objects of unfamiliar shape,
a huge ewer of bronze whose lid was the head of a fox.. ..
A man came toward her, walking out of the shadows beyond the ancient Tang vessel. He was clothed
from neck to feet in a silken robe of silvery-blue upon which were embroidered, delicately as though by
spiders, Taoist symbols and under them, ghostly in silver threads, a fox's head. He was bald, his face
heavy, expressionless, skin smooth and faded yellow as some antique parchment. So far as age went he
might have been sixty--or three hundred. But it was his eyes that held Jean Meredith. They were large
and black and, liquid, and prodigiously alive. They were young eyes, belying the agelessness of the heavy
face; and it was as though the face was but a mask from which the eyes had drawn all life into
themselves. They poured into her strength and calmness and reassurance, and from her mind vanished all
vagueness, all doubts, all fears. Her mind for the first time since the ambush was clear, crystal clear, her
thoughts her own.
She remembered--remembered everything. But it was as though all had happened to another self. She
felt pity for that self, but it had left no heritage of sorrow. She was tranquil. The black, youthful eyes
poured tranquillity into her.
She said: "I know you. You are Yu Ch'ien, the wise priest my husband loved. This is the Temple of the