
equipped to shovel coal. Annie was artistic. Annie was, exactly speaking, an artiste. An artiste, says
Webster, is a performer whose work shows unusual aesthetic qualities. That was Annie, and certainly she
could never really have, in her heart, given a damn whether the United Household Appliance Company
could sell more of its super-duper refrigerators in the Philippines, or whether it should stick to pots and
pans and whisk-brooms—which was partially what an Economic Planning Representative in the Pacific
Area was supposed to find out.
Actually, Annie's Uncle Jessup, her money-making uncle, was president of United Household Appliance,
and Annie had hit him up for a job that would take her somewhere where there was, or lately had been, a
war. She didn't at the moment have the Pacific in mind, although she had been agreeable when it was
mentioned, overlooking the proportions of the Pacific Ocean, and the fact that the war had not exactly
stood still. The Pacific? Oh, goody! Marines, sailors, soldiers, excitement!
In due course of time, Annie found that the Philippines, as a war theater, had become well-fizzled. This
would have delighted a true Economic Planning Representative, but for Annie, it was hell.
Annie had even shortened her name from Miss Angelica Carstair-Flinders to plain Annie Flinders to
make people think she was vigorous and two-fisted and entitled to get around and see a war. She could
have saved this psychological touch. The war, the Philippine part of it, was a strangled duck.
This was very discouraging, because Annie had been trying since Pearl Harbor to see a war. On
December 8, the day after Pearl Harbor, she joined the Red Cross. She was assigned to Iceland. She
got out of Iceland finally, joined the WACS, and was assigned a desk job in St. Joseph, Missouri. It had
taken her the intervening two years to persuade them the war was near enough over that they could
afford to discharge her from the WAC.
All of this is by way of explaining that Annie Flinders was in the Philippines, was an artiste, was a
thwarted excitement-lover, and hence the sort of a person who would become quite excited when she
saw Clark Savage, Jr., who was also known as Doc Savage.
Also Annie was a delicious-looking package herself. Marines whistled loudly when she passed.
Sometimes they stood on their hands.
WHEN Annie Flinders first saw Doc Savage—technically, it was the second time she'd seen him—she
grabbed the arm of the Lieutenant, j.g., who was escorting her, and spoke with unsubdued excitement:
“Am I,” said Annie, “dreaming? Or is that Clark Savage? I'm dreaming, aren't I? Luck can't have caught
up with me this late in life.”
The Lieutenant, j.g., looked at the hand she had clamped on his arm, and considered grabbing the hand's
owner right then and there. The j.g. had been under the impression he was in love with a carrot-haired
girl in Gillette, Wyoming, until that afternoon, when he'd met Annie.
“Forget Clark Gable,” he said, sounding a little as if he were panting.
“Not Gable. Savage. Clark Savage.” Annie sounded a bit short of normal breath herself.
“Good,” said the j.g.
“Surely,” said Annie, “I'm not mistaken.”
“Hey.”