
his right foot, as if he might be booting away at an invisible dog, were fewer.
Presently the dying young man threw a great chestful of air out of his lungs. It whistled past his parched
lips. He was now done. He was dead. It was his last breath, his last pulse. He had proved that the young
die hard, even the immoral young.
The hangar, which would now be described in all the newspapers, became a repository for cavernous
silence. It was a vast building made of corrugated iron nailed to a skeleton of yellow pine two-by-eights,
achieving a naked, horribly ugly effect. Large sliding doors in the south end were closed. A row of small
windows dotted across the north end were unwashed and fly-specked, and the spider webs in them held
a trapping of fly skeletons.
The English sparrows roosting high on the cross braces looked down now in fright, their eyes pin-pointed
by the banana-yellow light that came from the string of a dozen fly-specked light bulbs down the middle
of the slatternly cavern of a structure.
Six planes stood on the oil-spotted concrete floor, like rigid, frightened dragonflies, and at first glance
they differed but slightly in size, color, minor details. Actually there was considerable difference in what
they had cost their owners.
Patricia Savage began to cry. It was a dry kind of sobbing, the sound and movement were there, but no
tears, for terror had frozen the tear ducts. Terror had dried them. And she cried, after a few moments,
without sound either, only with strangled, frenzied heavings of breast and twistings of lips.
Finally she pressed both hands against the hangar wall, shoved, broke the grisly spell that held her, and
thus got herself moving. Once started, she kept going all right. But she walked strangely. She looked
down at her feet and placed one foot ahead of the other with infinite care as if just learning how.
She was a bronzy-blonde in her twenties, oval-faced, trim, with rather striking looking light brown eyes
that, when they were less blanched by horror, were more gold than brown. Her figure had a good deal in
the right places, particularly for slacks. Her slacks were sand-tan. Her leather flight jacket, the muffler of
white parachute silk tied peasant style over her head and under her chin, was the sort of thing the younger
set wears around an airport.
She moved with horrifying care, although all she was trying to do now was leave the hangar. Then she
stopped. She did not look back at the dead man, but her attention went back to him, and, after a lot of
awfully hard trying, she went back also.
The magazine on the dead young man's lap was open at an advertisement. It was merely an
advertisement that happened to be in the magazine, but it featured a round black spot.
She took the magazine.
There was one small door in the north end of the hangar. She opened this. The ground, several feet
below, was reached by a flight of wooden steps between two wooden handrails.
She prepared to go down the steps to the ground. The preparation consisted mostly of gathering together
her jangling, flapping, screaming nerves, and of holding her teeth tightly together so they wouldn't clatter.
She held the magazine. It was still folded back, open at the advertisement with the spot. There was an
arrow pointing to the spot, and the copy said: This black spot represents the spot we were on when
conversion began at the end of the war. At the other end of the arrow was a group of pictures
representing the company's present product, what it had achieved in, according to the advertisement,