hearts-and-flowers devotion for life . . . just sad disappointment. And acceptance. That was the amazing
part of it. He accepted her decision and off she went.
She'd finally met a man who understood her need for freedom and by the time she comprehended the
rarity of that quality it was too late to go back to him. She boarded the plane and returned to her previous
existence, giving herself a wobbly inner congratulation of having made a successful escape.
A rather narrow escape. He was one hell of a man, after all.
But no regrets she'd told herself. Richard was a warm and happy pause in her life, nothing more. If they
ever met again, they would still be friends, and, if he was still available, perhaps again become lovers.
For a time. Always and only for a time. She neither needed nor desired anything permanent. "Wandering
Star," her Irish gram had pronounced over her more than once, smiling.
It was only after Sharon had left Richard that she came to realize his crashing and unexpected impact on
her life. That little adventure they'd shared had changed her. Seeing auras wasn't the half of it.
After auras on people, she began to see them associated with places. It took a bit of practice and study to
sort out the accumulation of colors, feelings, and even shapes. Some were terrifying, while others were a
delight. That spot in Canterbury Cathedral where Thomas á Becket had been cut down—nasty place, all
muddy black and blood red, but then there was that lovely shining glow around the main altar, as though
in some way they balanced each other out.
So she'd taken to visiting other historical sites, reading the truth of messages absorbed by earth, brick,
stone, and wood, seeing the feelings left behind by thousands of others. She liked the holy sites the best;
it didn't matter what religion, they all had something going for them, like . . . well, like different flavors
of ice cream. She wanted to sample them all.
Then toward dusk only yesterday she'd gone to Stonehenge on a whim. She'd been there before, drinking
gratefully from its energy, and finding comfort in its ancient strength. Having finished up a minor
problem for Lloyd's of London ahead of schedule she could spare the time from her freelancing to loaf.
It was on her route back, so why not? She pulled off the A303 into the car park and walked in with other
late arrivals to the monument, her inner senses open and receptive.
But she'd found something was happening there, a wrong kind of something. The sonorous visual music
coming from the ancient stones competed with a powerful instrument playing determinedly out of tune.
An alien element had been introduced into their chorus that made her skin crawl. She first took it to be a
weather problem, having seen similar disturbances before, but soon concluded this was nothing to do
with the voice of wind and cloud over the land. There was a specific source to the problem, which she
eventually tracked to one of the lingering tourists, a stockily built balding man standing casually next to
a Saracen stone. His hair, combed straight back from his high brow, was shot through with gray and not
a few streaks of pure white, the same as his beard and moustache.
His black eye patch and the scars under it were the most immediately noticeable differences setting him
apart from the crowd. Then she noticed his crooked right arm, as though it had been badly broken and
never properly set. The shape of the twisted bone showed through the sweater he wore.
That's what tripped her memory. She'd never seen him, but knew him from Richard Dun's description.
The man could only be Neal Rivers, professor, an expert on Arthurian legend—the Holy Grail in
particular—and when going by the name of Charon, one of the most successful and deadly assassins on
the planet. He'd spooked even the mostly unflappable Richard, which was saying a lot.
Rivers in person was quite a few steps beyond what she'd heard about him. The impact of his presence
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