
Chapter One
Timshel
THE PLANET HUNGin the blackness of space like a jeweled ornament on a celestial Christmas tree.
Bathed in the white-yellow glow of its G2 sun 145 million kilometers away, Timshel turned slowly in its
orbit, a blue-and-white oasis in a dark desert of desolation, an exquisite anomaly in the lifeless void that
was the average condition of the universe.
As visiting interstellar vessels slowed from their headlong pace across the galaxy and spiraled in toward
planetary orbit, the world before them became even more inviting. Polar ice caps shone like beacons,
and then landmasses, slowly turning green, appeared beneath the swirling clouds.
Five continents, set in azure like green and brown patches in a blue quilt, swam into view as the planet
turned, and then the sprinkles of islands and island groups. From the arctic regions to the temperate
zones to the tropics, the colors and shapes of the land and sea blended from one into another to make a
seamless whole.
[4]A shuttlecraft, descending, would adjust its course toward the northern temperate zone. From its
windows or viewscreens passengers would see mountains capped with snow thrusting their way through
forests, and they, in turn, would open on plains carved by the brown traceries of rivers and streams.
Finally, where the rivers merged or the oceans stopped at the land, collections of buildings and highways
would appear, ivory models in the day, a handful of scattered jewels by night, that provided the only
proofs of human habitation, the subtle answer to the question: Is there life on Timshel?
The shuttle coming in for a landing at the port near the largest collection of structures on the planet,
Timshel City, would see, beside the deep blue of the western ocean, a glistening patch of white enclosed
by a verdant ring in which the dominant green was dotted with red and yellow, like an impressionist
painting. As the shuttle got closer, the patches and dots would resolve into buildings and flowering trees.
The buildings were mostly low structures like villas, each nestled in its own garden privacy. Toward the
center of the city, the height of the buildings gradually increased, although none was taller than five stories.
Here, too, gardens were more formal and set between wide expanses of pavement, as if people walking
across the man-made plazas in their pursuit of business or sociability might wish to pause and enjoy the
fragrance and color of the natural world.
The buildings themselves, as newly disembarked visitors would discover, were graceful structures built
with an eye for art as well as function. The city, with its seaside location and its mild climate, was like a
year-round vacation resort. Columns and pedestals supporting arched and airy roofs might remind
historically minded visitors of ancient Greece, as well as the statues placed here and there in the plazas
and the gardens where they could be seen from a distance or[5]come upon as a delightful surprise. The
statues, by a variety of hands in a variety of styles, had one element in common: their subjects were not
ordinary humans and aliens and animals but idealized creatures like Michelangelo’s David or the Venus of
Melos, as if Timshel City and its inhabitants were reaching for the perfection inherent in every being.
That, in fact, was the planet Timshel, known throughout the galaxy as a garden world and the favorite
leave station for starship crews. Timshel itself was what the mother planet Earth had once aspired to be,
the Garden of Eden before the Fall. A bit closer to its primary, less eccentric in its orbital inclination, a bit
warmer on the average with less seasonal variation, a bit less massive so that people accustomed to the
gravitational tug of a heavier planet felt a bit stronger and more vigorous on Timshel, air with a percent or