
The manuscripts had lain gathering dust in the Conservatoire Library for countless years: a suite of
ancient ayres and dances; mystical songs of an antique and piquante melancholy...
The name of the composer, inscribed in an ornate, old-fashioned hand, was unfamiliar.
Rueil Serafin.
Yet when I sat down to analyse the music, it defied my skills. I could describe the harmonic
progressions, the form, the architectural proportions according to the differing theories of several eminent
musicologists. The closer I penetrated to the heart of the mystery, the more elusive it became. It was
almost as if Serafin had opened a casement into another dimension.
Cilia and I gave the first performance of my transcriptions at court that summer... the songs suited my
Cilia’s glowing voice as if they had been written for her.
Prince Ilsevir summoned me to his privy chambers after the concert. His eyes were red-rimmed and
when he spoke, his voice trembled with emotion. “You have unearthed a rare talent, Professor Capelian.
A unique voice, speaking straight to the heart from the dusty shadows of the past.” A keen amateur
player, he begged me to transcribe more of Serafin’s work. He opened the Royal Libraries to me. I
searched and searched... but to no avail. No portraits. No documents. Not even a record of the man’s
decease.
I set Marles, my secretary-valet, to sift through the court annals whilst I attended on the Prince.
“I’ve been thinking, Capelian.” The Prince looked up at me from the frets of his theorbo. “Next summer
I shall be twenty-one. I want to commission an Ode to celebrate my birthday: drums, trumpets, double
choir, you know the kind of thing...”
My hand stilled as I reached to turn a page of the score; my fingers trembled slightly. Such a commission
would establish the fortunate composer as the most eminent in Bel’Esstar - “By rights the commission
should go to old Talfiere at the Conservatoire but I don’t like his style. Indigestible, dry counterpoints.”
He made a moue of displeasure. “So I’ve decided to award the commission to you.”
My brain was ablaze with grandiose themes and soaring fanfares as I hurried home to my apartments. At
last - the recognition I had been waiting for so long.
In Bel’Esstar if one lacks ‘connections’, one might as well abandon all hopes of a musical career. My
slow rise from obscurity had been hampered by setbacks and disappointments; I had no illustrious patron
to protect me. I watched in frustration as fellow student after student - significantly less talented than
myself - rose to positions of esteem within the Prince’s household, whilst I was forced to eke out some
kind of a living tutoring the spoilt children of the petty nobility and laboriously transcribing the scores in
the Conservatoire Library. Maybe it was thought that, as a foundling child, I must in some way make
reparation for my dead mother’s shame... whoever she had been...
When I emerged from the Prince’s appartments next day, Marles was waiting for me.
He had copied out an obscure entry from the court annals. The first clue in a long, frustrating search:
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