
work at sea. The vast quantity of illumination showed the nature of the Harpoon. It was a whaling ship,
one of the modern type, a gigantic pot-bellied thing, with a runway aft where the whales could be hauled
up to the processing plant in the innards of the craft.
Captain Wapp and the others on the Harpoon, having found nothing, stood at the rail, muttered, and
looked very puzzled indeed.
UNKNOWN to those aboard the Harpoon, a sinister, fantastic figure stood and watched. The form,
huge and black, stood in the shadows of the pier, beyond the floodlight glare. The strange being had
gotten off the whaling ship before the search was well under way.
Not for long did the personage of darkness linger to observe. He moved away, and the silence of his
going was almost supernatural, eerie.
Some moments later, the giant of blackness stopped at the spot where the one-armed man - rather the
man who had pretended to have only one arm - had been left, securely bound. The monster of the night
paused there, rigidly, and there came into the darkness around him a fantastic sound.
It was low, that sound, and eerie, a note defying definition by word. It was not a whistle; it did not seem
the product of vocal cords. It had the qualities of a trilling.
Probably most fantastic of all was the way the sound seemed to come from no definite source, but to
come from the very air itself, as if it were the ventriloquial note of some exotic tropical bird. Certain it
was that the note had a musical quality which was inspiring to an appreciable degree.
Certain also was the fact that the strange one of the darkness was making the sound. And undoubtedly
the strange trilling denoted surprise over a discovery which had just been made.
The one-armed man was gone.
The lengths of very stout-tarred marline rope which had bound the one-armed man lay on the warehouse
floor. Some had been untied. Most had been cut.
The giant of darkness produced his flashlight which projected the thin, infinitely white beam. He searched.
There was no visible sign to show whence the one-armed man had gone, or how he had managed to get
free.
After a bit, the dark titan moved out of the warehouse and down a side street which was full of the
thunder's muttering and occasional small drops of rain. It was very dark.
The giant of the night reached a parked car. No glimmer of light showed from the machine, but when he
opened the door, light spilled out. It was a sedan, a very well-curtained car. Bathed in the illumination,
the giant began changing his appearance.
He stripped off a dull-black rubber cape and hood combination which served the double purpose of
keeping off the rain and making him almost invisible in the night. He removed black gloves.
It was an amazing individual who stood revealed, a giant man, a Herculean figure, whose remarkable
body might have been cast from hard bronze.
The sedan was large, yet as the man stood beside it, the car seemed none too ample. The man was not
fat. His body was a huge machine of sinew.
There was more of the unusual about the bronze man than his physique. His eyes, for instance, were like