Kage Baker - Company 5 - The Life of the World to Come

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The Life of the World to Come
KAGE BAKER
Copyright (c) 2004 Kage Baker
Teaser copyright (c) 1997 by Kage Baker
ISBN 0-765-35432-2 EAN 978-0-765-35432-7
First edition: December 2004
First mass market edition: November 2005
EXTRACT FROM THE JOURNAL OF
THE BOTANIST MENDOZA
150,000 BCE (more or less)
Rain comes on the west wind, ice out of the blue north. The east wind brings
hazes, smokes, the exhalation of the desert on the distant mainland; and hot
winds come out of the south, across the wide ocean.
The corn and tomatoes like the west wind. The tall corn gleams wet like
cellophane, the tomato leaves pearl and bow down. The onions and garlic, on
the other hand, get sullen and shreddy and threaten mold in the rain. Poor old
cyborg with a few screws missing-me-sits watching them in fascination.
When I find myself giving my vegetables personalities, it's a sign I've been
sitting here watching the rain too long. Or the bright ice. Or the hazes or
the hot thin stripes of cloud. Accordingly then, I put on a coat or hat,
depending on which way me wind is blowing, and walk out to have a look at the
world.
What I have of the world. When I rise, I can walk down the canyon to my brief
stony beach to see if anything interesting has washed up there. Nothing ever
has. Out on the rocks live sea lions, and they groan and howl so like old men
that a mortal would be deceived. I ignore them.
Or I can walk up the canyon and climb high narrow hills, through the ferny
trees, until I stand on rimrock in the wind. I can look along the spine of my
island in every direction. Ocean all around, the horizon vanishing in cloud.
No ships ever, of course-hominids haven't yet progressed beyond
clinging to floating logs, when they venture to sea at all.
And I begin my day. Much to do: the planting or the harvest, all the
greenhouse work, the tasks of replacing irrigation pipes and cleaning out
trenches. A little work on projects of my own, maybe planing wood to replace
such of my furniture as has fallen apart with age. I take a meal, if I
remember to. I wander back down to the beach in the evening, to watch the
little waves run up on the shore, and sometimes I forget to go home.
One day a small resort town will be built on this stony beach, palm trees and
yellow sand brought in on barges, to make a place as artificial as I am. The
water will be full of excursion boats, painted bright. Out there where that
big rock is, me one that looks like a sugarloaf, a great ballroom will stand.
I would dearly love to go dancing there, if he were with me.
Sometimes I torment myself by walking along and imagining the crescent of
street lined with shops and cafes, gracious hotels. I can almost see the
mortal children with their ice cream. I can almost hear the music. I sit down
where there will be a terrace someday, complete with little tables and striped
umbrellas. Sometimes a waiter has materialized at my elbow, white napkin over
his arm, deferentially leaning from the waist to offer me a cocktail. He's
never really there, of course, nor will he ever be.
But the other man will be here, the one I see only in my dreams, or behind my
eyes as I watch the quiet water in the long hours. I have waited for him,
alone on this island, for three thousand years. I think.
I'm not certain, though, and this is the reason I have bound more paper into
my book, vandalized another label printer cartridge, cut myself another pen:
it may be that if I write things down I can keep track of the days. They have
begun to float loose in an alarming way, like calendar leaves fluttering off
the wall.
I walked out this morning in the full expectation of thinning my tomato
seedlings and-imagine my stupefaction! Row upon row of big well-grown plants
stretched away as far as the eye could see, heavy with scarlet fruit.
Well-watered, weeded, cared for by someone. Me? I swear I can't recall, nor
does my internal chronometer record any unusual forward
movement; but something, my world or me, is slipping out of time's proper
flow.
What does it mean, such strangeness? Some slow deterioration of consciousness?
Supposedly impossible in a perfectly designed immortal. But then, I'm not
quite mechanically sound, am I? I'm a Crome generator, one of those aberrant
creatures the mortals call psychic, or second-sighted. I'm the only one on
whom the Company ever conferred immortality, and I'll bet they're sorry now.
Not that they meant to do it, of course. Somebody made a mistake when I was
being evaluated for the honor of eternal service, didn't catch the latent
flaw, and here I am like a stain in permanent ink. No way to erase me. Though
marooning me at this station has undoubtedly solved a few problems for them.
Yet my prison is actually a very nice place, quite the sort of spot I'd choose
to live, if I'd ever had a choice: utterly isolated, beautifully green, silent
in all its valleys and looming mountains, even the sea hushed where it breaks
and jumps up white on the windward cliffs.
Only one time was there ever noise, terrible sounds that echoed off the
mountains. I hid indoors all that day, paced with my hands over my ears,
hummed to myself to shut out the tumult. At least it was over in a few hours.
I have never yet ventured back over into Silver Canyon to see if the little
people there are all dead. I knew what would happen to them when I sent that
signal, alerting Dr. Zeus to their presence. Were they refugees from Company
persecution? Did I betray them? Well-more blood on my soul. I was only
following orders, of course.
(Which is another reason I don't mind being an old field slave here, you see.
Where else should I be? I've been responsible for the deaths of seven mortal
men and unknown numbers of whatever those little pale things were.)
What the eyes can't see, the heart doesn't grieve over, isn't that what they
say? And no eyes can see me here, that's for sure, if I generate the blue
radiation that accompanies a fit of visions, or do some other scary and
supposedly impossible thing like move through time spontaneously. I am far too
dangerous to be allowed to run around loose, I know. Am I
actually a defective! Will my fabulous cyborg super-intelligence begin to
wane? It might be rather nice, creeping oblivion. Perhaps even death will
become possible. But the Company has opted to hide me rather than study me, so
there's no way to tell.
I have done well, for a cast-off broken tool. Arriving, I crawled from my
transport box with just about nothing but the prison uniform I wore. Now I
have a comfortable if somewhat amateurish house I built myself, over long
years, with a kitchen of which I am particularly proud. The fireplace draws
nicely, and the little sink is supplied by a hand pump drawing on the well I
drilled. I have a tin tub in my back garden, in which I bathe. Filled before
midday heat rises, the water is reasonably warm by nightfall, and serves to
water the lawn afterward. So very tidy, this life I've built.
Do I lack for food and drink? No indeed. I grow nearly everything I consume.
About all I receive from the Company anymore are its shipments of Proteus
brand synthetic protein.
(Lately the Proteus only seems to come in the assortment packs, four flavors:
Breakfast Bounty, Delicate and Savory, Hearty Fare, and Marina. The first two
resemble pork and/or chicken or veal, and are comparatively inoffensive. I
quite like Hearty Fare. It makes the best damned tamale filling I've ever
found. Marina, on the other hand, is an unfortunate attempt to simulate
seafood. It goes straight into my compost heap, where it most alarmingly fails
to decompose. There has been no response to my requests for a change, but this
is a prison, after all.)
Have I written that before, about the Proteus? I have a profound sense of deja
vu reading it over, and paused just now to thumb back through the book to see
if I was duplicating a previous entry. No. Nothing in the first part, about
England, and nothing in the afterword I wrote on my trial transcript. More of
this slipping time business. Nothing has again been so bad as that day I
paused in weeding to wipe my sweating face and looked up to see the row just
cleared full of weeds again, and the corn a full foot taller than it had been
a moment before. But nothing else out of whack! No sign of dust or cobwebs in
my house, no conflicting chronometers.
Yes, I really must try to anchor myself here and now. It may be a bit late for
mental health, but at least I might keep from sinking into the rock of this
island, buried under centuries, preserved like a fossil in a strata of
unopened Proteus Marina packets. I suppose it wouldn't have come to this pass
if I'd seen another living soul in three thousand years who wasn't a dream or
a hallucination.
If only he'd come for me.
I don't know if I should write about him. The last time I did that I was
depressed for years, roamed this island in restless misery end to end. Not a
good thing to summon up a ghost when you're all alone, especially when you'd
sell your soul-if you had one-to join him in his long grave. But men, perhaps
misery is what's needed to fasten me securely to the world. Perhaps this
curiously painless existence is the problem.
If I look across the table I can see him standing there, as I saw him first in
England in 1554: a tall mortal in the black robe of a scholar, staring at me
in cold and arrogant dislike. We weren't enemies long. I was very young and so
fascinated by the mortal's voice, and his fine big hands... I wake at night
sometimes, convinced I can feel his mortal flesh at my side, hot as the fire
in which he was martyred.
So I look away: but there he is in the doorway, just as he stood in the
doorway of the stagecoach inn in the Cahuenga Pass, when he walked back into
my life in 1863. He was smiling then, a Victorian gentleman in a tail hat,
smooth and subtle to conceal his deadly business. If he'd succeeded in what
he'd been sent from England to do, the history of nations would have been
drastically different. I was only an incidental encounter that time, entering
late at the last act in his life; but I held him as he lay dying, and I
avenged his death.
Barbaric phrase, avenged his death. I was educated to be above such mortal
nonsense, yet what I did was more than barbaric. I don't remember tearing six
American Pinkerton agents limb from limb, but it appears I did just that,
after they'd emptied their guns into my lover.
But when he lay there with blood all over his once-immaculate clothes, my poor
secret agent man, he agreed to come back for me. He knew something I didn't,
and if he'd lived for even thirty more seconds he might have let me in on the
secret.
I really should ponder the mystery, but now that I've summoned my ghost again
all I can think of is the lost grace of his body. I should have let well
enough alone. The dreams will probably begin again now. I am impaled on his
memory like an insect on a pin. Or some other metaphor ...
I've spent the last few days damning myself for an idiot, when I haven't been
crying uncontrollably. I am so tired of being a tragic teenager in love,
especially after having been one for over thirty centuries. I think I'll damn
someone else for a change.
How about Dr. Zeus Incorporated, who made me the thing I am? Here's the
history: the Company began as a cabal of adventurers and investors who found
somebody else's highly advanced technology. They stole it, used it to develop
yet more advanced technology (keeping all this a secret from the public, of
course), and became very very wealthy.
Of course, once they had all the money they needed, they must have more; so
they developed a way to travel into the past and loot lost riches, and came up
with dodgy ways to convey them into the future, to be sold at fabulous
profits.
Along the way, they developed a process for human immortality.
The only problem with it was, once they'd taken a human child and put it
through the painful years of transformation, what emerged at the end wasn't a
human adult but a cyborg, an inconveniently deathless thing most mortals
wouldn't want to dine at one table with. But that's all right: cyborgs make a
useful workforce to loot the past. And how can we rebel against our service,
or even complain? After all, Dr. Zeus saved us from death.
I myself was dying in the dungeons of the Spanish Inquisition when I was
rescued by a fast-talking operative named Joseph, damn his immortal soul.
Well, little girl, what'll it
be? Stay here and be burned to death, or come work for a kindly doctor who'll
give you eternal life? Of course, if you'd rather die...
I was four years old.
The joke is, of course, that at this precise moment in time none of it's even
happened yet. This station exists in 150,000 BCE, millennia before Joseph's
even born, to say nothing of everyone else I ever knew, including me.
Paradox? If you view time as a linear flow, certainly. Not, however, if you
finally pay attention to the ancients and regard time (not eternity) as a
serpent biting its own tail, or perhaps a spiral. Wherever you are, the
surface on which you stand appears to be flat, to stretch away straight behind
you and before you. As I understand temporal physics, in reality it curves
around on itself, like the coiled mainspring in a clock's heart. You can cross
from one point of the coil to another rather than plod endlessly forward, if
you know how. I was sent straight here from 1863. If I were ever reprieved I
could resume life in 1863 just where I left it, three thousand years older
than the day I departed.
Could I go forward beyond that, skip ahead to 1963 or 2063? We were always
told that was impossible; but here again the Company has been caught out in a
lie. I did go forward, on one memorable occasion. I got a lungful of foul air
and a brief look at the future I'd been promised all my immortal life. It
wasn't a pleasant place at all.
Either Dr. Zeus doesn't know how to go forward in time, or knows how and has
kept the information from its immortal slaves, lest we learn the truth about
the wonderful world of the twenty-fourth century. Even if I were to tell the
others what I know, though, I doubt there'd be any grand rebellion. What point
is there to our immortal lives but the work?
Undeniably the best work in the world to be doing, too, rescuing things from
destruction. Lost works by lost masters, paintings and films and statues that
no longer exist (except that they secretly do, secured away in some Company
warehouse). Hours before the fires start, the bombs fall, doomed libraries
swarm with immortal operatives, emptying them like ants looting a sugar bowl.
Living things saved from extinction by Dr. Zeus's immortals, on hand to
collect them for
its ark. I myself have saved rare plants, the only known source of cures for
mortal diseases.
More impressive still: somewhere there are massive freezer banks, row upon row
of silver tubes containing DNA from races of men that no longer walk the
earth, sperm and ova and frozen embryos, posterity on ice to save a dwindling
gene pool.
Beside such work, does it really matter if there is mounting evidence, as we
plod on toward the twenty-fourth century, that our masters have some plan to
deny us our share of what we've gathered for them up there?
I wear, above the Company logo on all my clothing, an emblem: a clock face
without hands. I've heard about this symbol, in dark whispers, all my life.
When I was sent to this station I was informed it's the badge of my penal
servitude, but the rumor among immortals has always been that it's the sign
we'll all be forced to wear when we do finally reach the future, so our mortal
masters can tell us from actual persons. Or worse ...
I was exiled to this hole in the past for a crime, but there are others of us
who have disappeared without a trace, innocent of anything worse than
complaining too loudly. Have they been shuffled out of the deck of time as I
have been, like a card thrown under the table? It seems likely. Sentenced to
eternal hard labor, denied any future to release them.
What little contact we've had with the mortals who actually live in the future
doesn't inspire confidence, either un-appreciative of the treasures we bring
them, afraid to venture from their rooms, unable to comprehend the art or
literature of their ancestors. Rapaciously collecting Shakespeare's first
folios but never opening them, because his plays are full of objectionable
material and nobody can read anymore anyway. Locking Mozart sonatas in
cabinets and never playing them, because Mozart had disgusting habits: he ate
meat and drank alcohol. These same puritans are able, mind you, to order the
massacre of those little pale people to loot their inventions.
But what's condemnation from the likes of me, killer cyborg drudging along
here in the Company's fields, growing occasional lettuce for rich fools who
want to stay at a fine re-
sort when they time-travel? The Silence is coming for us all, one day, the
unknown nemesis, and perhaps that will be justice enough. If only he comes for
me before it does.
He'll come again! He will. He'll break my chains. Once he stood bound to a
stake and shouted for me to join him there, mat the gate to paradise was
standing open for us, that he wouldn't rest until I followed him. I didn't go;
and he didn't rest, but found his way back to me against all reason three
centuries later.
He very nearly succeeded that time, for by then I'd have followed him into any
fire God ever lit. History intervened, though, and swatted us like a couple of
insects. He went somewhere and I descended into this gentle hell, this other
Eden that will one day bear the name of Avalon. He won't let me rest here,
though. His will is too strong.
Speak of the fall of Rome and it occurs!
Or the fall of Dr. Zeus, for that matter.
He has come again.
And gone again, but alive this time! No more than a day and a night were given
us, but he did not die!
I still can't quite believe this.
He's shown me a future that isn't nearly as dark as the one I glimpsed. There
is a point to all this, there is a reason to keep going, there is
even-unbelievably-the remote possibility that... no, I'm not even going to
think about that. I won't look at that tiny bright window, so far up and far
off, especially from the grave I've dug myself.
But what if we have broken the pattern at last?
Must put this into some kind of perspective. Oh, I could live with seeing him
once every three thousand years, if all our trysts went as sweetly as this one
did. And it started so violently, too.
Not that there was any forewarning that it would, mind you. Dull morning spent
in peaceful labor in the greenhouse, tending my latest attempt at Mays
mendozaii. Sweaty two hours oiling the rollers on the shipping platform. Had
set out for the high lake to dig some clay for firing when there came the roar
of a time shuttle emerging from its transcendence field.
It's something I hear fairly frequently, but only as a distant boom, a sound
wave weak with traveling miles across the channel from Santa Cruz Island,
where the Company's Day Six resort is located. However, this time the blast
erupted practically over my head.
I threw myself flat and rolled, looking up. There was a point of silver
screaming away from me, coming down fast, leveling out above the channel,
heading off toward the mainland. I got to my feet and stared, frowning, at its
spiraled flight. This thing was out of control, surely! There was a faint
golden puff as its gas vented and abruptly the shuttle had turned on its path,
was coming back toward the station.
I tensed, watching its trajectory, ready to run. Oh, dear, I thought, there
were perhaps going to be dead twenty-fourth-century millionaires cluttering up
my fields soon. I'd have a lot of nasty work to do with body bags before the
Company sent in a disaster team. Did I even have any body bags? Why would I
have body bags? But there, the pilot seemed to have regained a certain amount
of control. His shuttle wasn't spinning anymore and its speed was decreasing
measurably, though he was still coming in on a course that would take him
straight up Avalon Canyon. Oh, no; he was trying to land, swooping in low and
cutting a swath through my fields. I cursed and ran down into the canyon,
watching helplessly the ruination of my summer corn.
There, at last the damned thing was skidding to a halt. Nobody was going to
die, but there were doubtless several very frightened Future Kids puking their
guts up inside that shuttle just now. I paused, grinning to myself. Did I
really have to deal with this problem? Should I, in fact? Wasn't my very
existence here a Company secret? Oughtn't I simply to stroll off in a discreet
kind of way and let the luckless cyborg pilot deal with his terrified mortal
passengers?
But I began to run again anyway, sprinting toward the shuttle that was still
sizzling with the charge of its journey.
I circled it cautiously, scanning, and was astounded to note
that there were no passengers on board. Stranger still, the
lone pilot seemed to be a mortal man; and that, of course,
was impossible. Only cyborgs can fly these things.
But then, he hadn't been doing all that expert a job, had he?
So I came slowly around the nose of the shuttle, and it was exactly like mat
moment in The Wizard of Oz when Dorothy, in black and white, moves so warily
toward the door and looks across me threshold: then grainy reality shifts into
Technicolor and she steps through, into that hushed and shocked moment full of
cellophane flowers and the absolute unexpected.
I looked through the window of the shuttle and saw a mortal man slumped
forward in his seat restraints, staring vacantly out at me.
Him, of course. Who else would it be?
Tall as few mortals are, and such an interesting face: high, wide cheekbones
flushed with good color, long broken nose, deep-set eyes with colorless
lashes. Fair hair lank, pushed back from his forehead. Big rangy body clad in
some sort of one-piece suit of black stuff, armored or sewn all over with
overlapping scales of a gunmetal color. Around his neck he wore a collar of
twisted golden metal, like a Celtic torque. The heroic effect was spoiled
somewhat by the nosebleed he was presently having. He didn't seem to be
noticing it, though. His color was draining away.
Oh, dear. He was suffering from transcendence shock. Must do something about
that immediately.
The strangest calm had seized me, sure sign, I fear, that I really have gone a
bit mad in this isolation. No cries from me of "My love! You have returned to
me at last!" or anything like that. I scanned him in a businesslike manner,
realized that he was unconscious, and leaned forward to tap on the window to
wake him up. Useless my trying to break out the window to pull him through.
Shuttle windows don't break, ever.
After a moment or two of this he turned his head to look blankly at me. No
sign of recognition, of course. Goodness, I had no idea whence or from when
he'd come, had I? He might not even be English in this incarnation. I pulled a
crate marker from my pocket and wrote on my hand do you speak cinema standard?
and held it up in his line of sight.
His eyes flickered over the words. His brow wrinkled in confusion. I leaned
close to the glass and shouted:
"You appear to require medical assistance! Do you need help getting out of
there?"
That seemed to get through to him. He moved his head in an uncertain nod and
fumbled with his seat restraints. The shuttle hatch popped open. He stood up,
struck his head on the cabin ceiling and fell forward through the hatchway.
I was there to catch him. He collapsed on me, I took the full weight of his
body, felt the heat of his blood on my face. His sweat had a scent like fields
in summer.
He found his legs and pulled himself upright, looking down at me groggily. His
eyes widened as he realized he'd bled all over me.
"Oh. Oh, I'm so sorry-" he mumbled, aghast. English! Yes, of course. Here he
was again and I didn't mind the blood at all, since at least this time he
wasn't dying. Though of course I'd better do something about that nosebleed
pretty fast.
So I led him back to my house. He leaned on me the whole way, only
semiconscious most of the time. Unbelievable as it seemed, he'd apparently
come through time without first taking any of the protective drugs that a
mortal must have to make the journey safely. It was a miracle his brain wasn't
leaking out his ears.
Three times I had to apply the coagulator wand to stop his bleeding. He
drifted in and out of consciousness, and my floaty calm began to evaporate
fast. I talked to him, trying to keep his attention. He was able to tell me
that his name was Alec Checkerfield, but he wasn't sure about time or place.
Possibly 2351? He did recognize the Company logo on my coveralls, and it
seemed to alarm him. That was when I knew he'd stolen the shuttle, though I
didn't acknowledge this to myself because such a thing was impossible. Just as
it was impossible that a mortal being should be able to operate a time shuttle
at all, or survive a temporal journey without drugs buffering him.
So I told him, to calm him down, that I was a prisoner here. That seemed to
be the right thing to say, because he became confidential with me at once. It
seems he knows all about the Company, has in fact some sort of grudge against
them, something very mysterious he can't tell me about; but Dr. Zeus has, to
use his phrase, wrecked his life, and he's out to bring them to their knees.
This was so demonstrably nuts that I concluded the crash had addled his brain
a bit, but I said soothing and humoring things as I helped him inside and got
him to stretch out on my bed, pushing a bench to the end so his feet wouldn't
hang over. Just like old times, eh? And there he lay.
My crazed urge was to fall down weeping beside him and cover him with kisses,
blood or no; but of course what I did was bring water and a towel to clean him
up, calm and sensible. Mendoza the cyborg, in charge of her emotions, if not
her mind.
It was still delight to stroke his face with the cool cloth, watch his pupils
dilate or his eyes close in involuntary pleasure at the touch of the water.
When I had set aside the basin I stayed with him, tracing the angle of his jaw
with my hand, feeling the blood pulsing under his skin.
"You'll be all right now," I told him. "Your blood pressure and heart rate are
normalizing. You're an extraordinary man, Alec Checkerfield."
"I'm an earl, too," he said proudly. "Seventh earl of Fins-bury."
Oh, my, he'd come up in the world. Nicholas had been no more than secretary to
a knight, and Edward-firmly shut out of the Victorian ruling classes by the
scandal of his birth- had despised inherited privilege. "No, really, a British
peer?" I said. "I don't think I've ever met a real aristocrat before."
"How long have you been stuck here?" he said. What was that accent of his? Not
the well-bred Victorian inflection of last time; this was slangy,
transatlantic, and decidedly limited in vocabulary. Did earls speak like this
in the twenty-fourth century? Oh, how strange.
"I've been at this station for years," I answered him unguardedly. Oops. "More
years than I remember." He looked understandably confused, since my immortal
body stopped changing when I was twenty.
"You mean they marooned you here when you were just a kid? Bloody hell, what'd
you do? It must have been something your parents did."
How close could I stick to the truth without frightening him?
"Not exactly. But I also knew too much about something I shouldn't have. Dr.
Zeus found a nicely humane oubliette and
dropped me out of sight or sound. You're the first mortal"-oops again-"soul
I've spoken with in all this time."
"My God." He looked aghast. Then his eyes narrowed, I knew that look, that was
his righteous wrath look. "Well, listen-er-what's your name, babe?"
Rosa? Dolores? No. No aliases anymore. "Mendoza," I said.
"Okay, Mendoza. I'll get you out of here," he said, all stern heroism. "That
time shuttle out there is mine now, babe, and when I've finished this other
thing I'll come back for you." He gripped my hand firmly.
Oh, no, I thought, what has he gotten himself into now? At what windmill has
he decided to level his lance?
Summoning every ounce of composure, I frowned delicately and enunciated: "Do I
understand you to say that you stole a time shuttle from Dr. Zeus
Incorporated?"
"Yup," he said, with that sly sideways grin I knew so terribly well.
"How, in God's name? They're all powerful and all knowing, too. Nobody steals
anything from the Company!" I said.
"I did," he said, looking so smug I wanted to shake him. "I've got sort of an
advantage. At least, I had," he amended in a more subdued voice. "They may
have killed my best friend. If he'd been with me, I wouldn't have crashed. I
don't know what's happened to him, but if he's really gone... they will pay."
Something had persuaded this man that he could play the blood and revenge game
with Dr. Zeus and win. He couldn't win, of course, for a number of reasons;
not least of which was that every time shuttle has a theft intercept program
built into it, which will at a predetermined moment detonate a hidden bomb to
blow both shuttle and thief to atoms.
This was the fate Alec had been rushing to meet when he'd detoured into my
field. I could see it now so clearly, it was sitting on his chest like a
scorpion, and he was totally unaware it was there. I didn't even need to sit
through the play this time; I'd been handed the synopsis in terrible brevity.
"But what do you think you can do?" I said.
"Wreck them. Bankrupt them. Expose what they've been doing. Tell the whole
world the truth," Alec growled, in just
the same voice in which Nicholas had used to rant about the Pope. He squeezed
my hand more tightly.
I couldn't talk him out of it. I never can. I had to try, though.
"But-Alec. Do you have any idea what you're going up against? These people
know everything that's ever happened, or at least they know about every event
in recorded history. That's why I can't think for a second you were really
able to steal that shuttle from them. They must have known about it in
advance, don't you see? And if they knew, it means they allowed you to steal
it, and then-"
"No," he said, with grim and unshakable certainty. "See, I can't explain-just
take it on trust, babe, they may know everything but they don't know
everything about me. I found the chink in their armor. You could say I am the
chink in their armor."
It was going to be the same old story, gallant Englishman going to his gallant
death. Nothing I could do to change it at all.
Was there?
Was there?
I shook my head. "Don't say any more. I don't want to know."
"You don't need to," he said, giving me that brief cocksure grin again. "Just
wait here, and I'll be back to rescue you. On my word of honor as a gentleman,
Mendoza." He widened his eyes for emphasis.
"It's a kind offer, senor," I said. "But if I were to leave this station, the
Company would know instantly. Besides, where would I go? I have no family. I
have no legal identity."
Alec blinked. "But you've got to have a birth record at Global ID, at least."
Damned twenty-fourth-century databases. "Undoubtedly," I lied, "but the
Company had it erased when I was sent here. They're that powerful, you know."
"That's true." He scowled. "We can fake you up an identification disc. I know
people who do that kind of thing. It wouldn't get you through customs
anywhere, but... I know what'd do it! I could just marry you. Peers get
everything waived, see?"
I couldn't think what to say. He got a slightly panicked look in his eyes.
"A-and then afterward we could just get a divorce. They're easy. I could find
you a place to live and a job or something."
"Perhaps we could give it a try," I said carefully. He cleared his throat.
"I'm not just making the offer out of kindness, either. We could have some fun
together."
I leaned down, unable to keep myself from his mouth any longer, and I kissed
him. Actually I was going to do a lot more than kiss him-if I was going to
throw my immortal life away for Alec, I'd have such an epic game of lust with
him first as would make the fires of Hell seem lukewarm when I got there.
He still kissed like an angel of God, making little surprised and pleased
noises and groping feebly at my behind, but I felt his blood pressure going
up, his heartbeat speeding dangerously, and the red numbers in my peripheral
vision warned me to stop or I'd kill him. I pulled away, sitting up and
stroking back his hair. "Don't you go dying on me," I gasped.
"I won't," he promised. He had got hold of the end of my braid and was tugging
at it in a plaintive way. "But I'd really, really like to have sex with you.
If you've no objections or anything."
Caramba! Did he use that line on other women? But I'd bet it worked for him
every time. Who could resist that earnest look in his eyes when he said it?
How was I going to stop myself from ripping open that suit of fish-mail he was
wearing and murdering him with carnal bliss?
Meteorological data coming in. Had that been thunder, or God snarling at me? I
babbled out some kind of promise to Alec and went to the window to confirm
visually.
Disturbed air. Domed clouds racing down the sky, all my surviving corn plants
staggering and fluttering as a gust of hot wind came rushing across them,
carrying a smell of wetness and electricity. Crickets began to sing.
"There's a cloud front advancing," I told Alec. "Have you brought rain, like
the west wind? I think we're going to have a summer storm."
"Cool," said Alec. Christ, I wanted to jump him then and there.
But he was ill and he needed protein, needed fluids, needed rest. I do have
some basic programming that insists I serve the mortal race, even if I bypass
it now and then to kill one of the poor little things; so I poured Alec a
glass of iced tea and set about preparations for feeding him.
"What do you do here, all the time?" Alec said, as I returned from the garden
with some produce.
"I grow vegetables," I said.
"Who eats 'em all? Not you all alone." He sipped his tea and looked at it in
surprise. "This is real tea!"
"Thank you. You obviously know about Dr. Zeus; do you know anything about the
Day Six resorts?" I unloaded what I was carrying onto my kitchen table:
tomatoes, corn, peppers, cilantro, garlic, onions. He knitted his brows.
"They're like one of those urban myths, only they're really real," he said.
"Like Dr. Zeus. Everybody knows there's supposed to be some company that has
time travel and can get you absolutely anything you want, but it's just a
rumor. Which is what they probably want us to think! And the Day Six places
are the same way. Somebody did a Weird Stories thing on holo about one. This
guy goes back in time to party and screws up history by stepping on a bug or
something." He had another sip of his tea.
"Ah. Well, that's a fable, because history can't be changed." I worked the
hand pump to rinse off the tomatoes and peppers. "But the resorts do exist,
just as Dr. Zeus exists. In fact, Dr. Zeus owns them. Nice little string of
hotels, rather unexceptional except that they're all located in 150,000 BCE.
Or thereabouts. All of them in virgin wildernesses where long-extinct mammals
can be observed gamboling, from behind the safety of an electronic perimeter
field.
"You're from the future, Alec, you must have lived in steel canyons all your
life. How much would you pay to be able to swim in waters that had never been
polluted, or watch a herd of mammoths grazing?"
"In all the stories, time travelers wind up as lunch for velociraptors," he
said.
"All the dinosaurs are extinct in this time. Anyway: Dr. Zeus has quietly
built up a select secret clientele in the twenty-fourth century. They pay
fortunes, annual incomes of small countries, I'm told, to be rocketed backward
through time to carefully landscaped virgin paradises where they can relax by
the pool and breathe clean, clean air." I selected a knife and began slicing
up the tomatoes.
"The only problem is-time travel is hard on the human body. Even the drugs
that protect people make them ill. So when they arrive from the dismal future,
these millionaires and heiresses can do no more than nibble at a lettuce leaf
or two. Therefore Dr. Zeus makes damned sure the resort keeps all manner of
trendy greens for salad on hand, and therefore I labor in the sun on this
agricultural station." I whacked a beefsteak tomato in half, imagining it was
some Company CEO's head.
"But that's awful." Alec tried to sit up, looking outraged. "That means you're
not only their prisoner, you're their
slave!"
He was an idealist, then. Disapproved of slavery, did he? And him a titled
gentleman. Just the sort of wealthy young man who comes to loathe his
birthright and goes off to die for somebody else's freedom.
"I suppose I am," I said carefully. "But I may as well be of some use to
somebody, don't you think? And it's not so bad. They don't call for produce
very often. I have a lot of time to work on my own private research."
"What's your research?" Alec said.
I told him all about my quest to perfect maize plants. I don't think he
understood one word in three of botany talk, and when he wrinkled his forehead
and attempted to follow my lecture he looked like a puzzled dog. But he was
awfully polite about it, unlike the other Future Children I've known, and said
gallant things about how worthwhile my project was.
We talked for a little while on the subject of making one's life count for
something, and I expected a manifesto from him on the need to actively oppose
the evils of Dr. Zeus. I was surprised; he just talked about his life. Despite
his grand title, it appears there were some unfortunate circumstances
attending his birth again. Some poor girl seduced by the sixth earl
and then abandoned? I'd hardly have thought the wretched Future Children had
enough blood in them to carry on like that, but apparently mortal nature
hasn't changed so much.
As near as I could make out, the girl went mad and was locked up. Alec seems
to have grown to manhood with a devastating sense of his own worthlessness,
not surprisingly. I wonder if Nicholas and Edward carried similar burdens of
unearned guilt on their backs? Was that what fueled Nicholas's drive to
martyrdom, Edward's selfless work for an empire that abandoned him? I was too
young and foolish to see this in Nicholas, too rushed to see it in Edward; but
I see it now. And Alec's failed at two marriages, apparently, and has steered
through his life in increasing emotional isolation. Is that why he's always
alone when I meet the man?
When he saw he'd affected me, blurting out his wretched story, he made amends
by changing the subject entirely and told me about the adventures he's had, as
I kneaded the masa for our commonplace supper of tamales.
And what adventures he's had! I begin to see that I have been somewhat
mistaken about Future World. It seems he hasn't grown up in steel canyons at
all. It seems that there are still wild places in the twenty-fourth century,
still gardens and forests that don't stink of machine exhaust. Best of all, it
seems that the mortal race has not entirely followed the crabbed and fearful
lead of its Company scientists, people like Mr. Bugleg of loathsome memory.
Though they are, all of them, undeniably childish. Future Children indeed. My
own dearest love has bought himself a pirate ship, if you please, and spends
most of his time sailing around in the Caribbean and other ports of call on
what we used to call the Spanish Main! And there he indulges his urge to be
virile and bad, like pirates in every film he's ever seen, and he's become a
摘要:

TheLifeoftheWorldtoComeKAGEBAKERCopyright(c)2004KageBakerTeasercopyright(c)1997byKageBakerISBN0-765-35432-2EAN978-0-765-35432-7Firstedition:December2004Firstmassmarketedition:November2005EXTRACTFROMTHEJOURNALOFTHEBOTANISTMENDOZA150,000BCE(moreorless)Raincomesonthewestwind,iceoutofthebluenorth.Theeas...

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