file:///F|/rah/Arkady%20&%20Boris%20Strugatsky/Strugatsky,%20Arkady%20and%20Boris%20-%20Time%20Wanderers,%20The.txt
However, if I were asked to explain how I do it, and on top of that asked to
draw or explain in words the image - that is created in my mind, I would
find myself in a very difficult position. Like every practicing
psychologist, I would be forced to turn to analogies from the world of art
or literature. I would refer to the characters of Shakespeare, or Strogov,
or Michelangelo, or Johann Sourd.
So Toivo Glumov reminded me of the Mexican Rivers. I mean from the
oft-anthologized story by Jack London. Twentieth century. Or even
nineteenth... I don't remember exactly.
By profession, Toivo Glumov was a Progressor. Specialists told me that
he could have been a Progressor of the highest class, a Progressor ace. He
had brilliant qualifications. He had wonderful self-control, he was
extraordinarily cool, had truly unusually fast reflexes, and was a born
actor and master of impersonation. And having worked as a Progressor for
over three years, without any apparent reasons he retired and returned to
Earth. No sooner had he finished reconditioning than he got on the BVI and
learned without any great difficulty that the only organization on our
planet that had anything to do with his new aims was COMCON-2.
He appeared before me in December of 94, imbued with icy preparedness
to answer questions over and over: why he, such a promising, absolutely
healthy, and highly valued man was quitting his job, his mentors, his
comrades, destroying carefully worked-out plans, squashing the hopes that
had been placed in him... Naturally, I did not ask him anything of the sort.
In general, I was not interested in why he did not want to be a Progressor
anymore. I was interested in why he suddenly wanted to be a
Counter-Progressor, if you can put it that way.
His reply was memorable. He felt hostility for the very concept of
Progressorism. If possible, he would not dwell on details. It was just that
he, a Progressor, had negative feelings about Progressorism. And over there
(he jerked his thumb over his shoulder), he had a very trivial thought:
while he was tramping along the cobblestones of Arkanara's squares, shaking
his staff and brandishing his sword, here (he pointed his index finger at
the ground beneath his feet) some trickster in a fashionable rainbow cape
and a metavisor over his shoulder was strolling on Sverdlov Square. As far
as he knew, that simple thought rarely occurs to anyone, and if it does,
then as an incongruously silly or romantic one. But he, Toivo Glumov, had no
peace from that thought: no gods should be allowed to intervene in our
affairs; the gods had no place on earth, for "the good of the gods is the
wind -- it fills sails, but it also raises storms." (I later found the
source of this citation with great difficulty -- it's from Verbliben.)
My naked eye could see that before me was a Catholic who was far more
Catholic than the Pope. Without further discussion, I took him into my group
and started him in on the theme "A Visit from an Old Lady."
He turned out to be a marvelous worker. He was energetic, he had
initiative, he did not know the meaning of tired, and -- this was a very
rare quality at his age -- he was not disappointed by failure. There were no
negative results for him. Moreover, negative results of his research made
him just as happy as the rare positive ones. He had seemed to set his mind
from the beginning that nothing definite would be learned in his lifetime,
and know how to find pleasure horn the actual (often rather dreary)
procedure of analyzing the least-bit-suspicious incident. Amazingly, my old
workers - Grisha Serosovin, Sandro Mbvevari, Andryusha Kikin, and others -
shaped up around him, stopped wasting time, and grew much less ironic and
much more efficient. And it wasn't as if they were following his example,
there could be no question of that; he was too young for them, too green.
But he seemed to have infected them with his seriousness, his concentration
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