were the lions and tigers, with which the citizens of Earth were already quite familiar. More unusual were
such specimens as the braknel, two meters high at the shoulder with a loud roar and sharper claws; the
twin gorjas, a hunting team with fifteen centimeter-long fangs that injected into their victims the deadliest
natural poison known to Man; the liltheran, whose eyes had been known to paralyze its prey with hypnotic
effects; the swifter, a beast capable of attaining speeds greater than a hundred and seventy kilometers an
hour, and of killing a full-grown great-ox with one swipe of its powerfully muscled paws; and other
creatures, less impressive to look at but equally lethal in abilities. Yet this entire array of animal savagery
could be controlled by what looked to be a little slip of a DesPlainian girl named Jeanne d'Alembert who,
at only age sixteen, was acknowledged as the greatest animal trainer in all the Galaxy.
Closer still to the main tent was the pavilion of Marcel d'Alembert, Illusionist Extraordinaire. One of the
most popular attractions of the whole Circus, his act always drew crowds. 'You have to watch a magician
closely,' he told his overflow audience. Holding up one deft hand, he said, 'You see this? Well, you should
have been watching this one,' and from his other hand sprouted a large bouquet of flowers, which he
tossed to a pretty girl in the front row. 'Misdirection is the key. I tell you to watch one hand and something
pops out in the other. Suppose you watch both hands?' He held them up for the audience's inspection,
and while their gaze was riveted on his extremities an orange popped out of his mouth. His act continued
on in that vein for thirty minutes, with misdirection both subtle and blatant. Even when he told his
watchers exactly what he was going to do, they still couldn't see how he did it. But of course, that was to
be expected - Marcel d'Alembert was one of the best in the business.
Along the midway, clowns performed continuously. Merry-Andrews male and female, in outlandish garb
and exaggerated makeup played throughout the throngs, taking pratfalls, miming and, in general,
managing to be everywhere and do everything wrong. The children laughed at their outrageous stunts,
and even the adults found it hard not to discard their masks of urbanity and guffaw with the youngsters.
But all these attractions, as colorful and exciting as they certainly were, were merely hors d'oeuvres for
the thrilling drama that was now playing inside the enormous, jam-packed main tent.
For twenty-eight minutes, The Flying d'Alemberts - the greatest troupe of aerialists in the entire Empire of
Earth for the last two centuries - had held its audience silent. Spellbound. Entranced. For twenty-eight
minutes both side rings had been empty and dark. The air over the center ring, from the hard-packed,
imitation-sawdust-covered earth floor up to the plastic top forty-five meters above that floor, had been full
of flying white-clad forms - singles and pairs and groups doing free head stands on trapezes and sway
poles, double trapeze catches, juggling on tightropes, aerial somersaults and other stunts, all utterly
breathtaking ... and all without a safety net.
Suddenly, in perfect unison, eighteen of the twenty d'Alemberts then performing swung to their perches,
secured their apparatuses, and stood motionless, each with his or her right arm pointing upward at the
highest part of the Big Top.
As all those arms pointed up at her, Yvette d'Alembert moved swiftly and gracefully out to the middle of
her high wire-and that wire was high indeed, being forty-one meters above the floor of the ring. She
carried not even so much as a fan for balance, maintaining her equilibrium by almost imperceptible
movements of her hands, feet and body. Reaching the center of the span, she stopped and posed. As far
as the audience could tell, she was as motionless as a statue.
Like all the other d'Alemberts, she was dressed in a silver spangled leotard and tights that clung to every
delicious curve of her body, neck to toes, like a second skin. Thus, while she was too short - one hundred
and sixty-three centimeters - and too wide and too thick - massing a hefty seventy kilos - to be acceptable
as an Earthly fashion model, the sleek lines of her flamboyantly female figure made a very striking and
attractive picture - at a distance. Close up, however, that picture changed.
Although her face was lovely enough to tempt any portrait painter, her ankles were much larger than any
Earthwoman's should have been. Her wrists were those of a two meter, hundred and ten kilo lumberjack.