
you win, but if you stop, even for just a second, I do. Understand?”
I said I did.
“Good. I know you’re a bright boy. As a matter of fact, Mr Million has sent me
all the examinations he has given you and the tapes he makes when he talks with you.
Did you know that? Did you ever wonder what he did with them?”
I said, “I thought he threw them away,” and my father, I noticed, leaned forward
as I spoke, a circumstance I found flattering at the time.
“No, I have them here.” He pressed a switch. “Now remember, you must not stop
talking.”
But for the first few moments I was much too interested to talk.
There had appeared in the room, as though by magic, a boy considerably younger
than I, and a painted wooden soldier almost as large as I was myself, which when I
reached out to touch them proved as insubstantial as air. “Say something,” my father
said. “What are you thinking about, Number Five?”
I was thinking about the soldier, of course, and so was the younger boy, who
appeared to be about three. He toddled through my arm like mist and attempted to
knock it over.
They were holographs—three-dimensional images formed by the interference of
two wave fronts of light—things which had seemed very dull when I had seen them
illustrated by flat pictures of chessmen in my physics book; but it was some time
before I connected those chessmen with the phantoms who walked in my father’s
library at night. All this time my father was saying, “Talk! Say something! What do
you think the little boy is feeling?”
“Well, the little boy likes the big soldier, but he wants to knock him down if he
can, because the soldier’s only a toy, really, but it’s bigger than he is . . .” And so I
talked, and for a long time, hours I suppose, continued. The scene changed and
changed again. The giant soldier was replaced by a pony, a rabbit, a meal of soup and
crackers. But the three-year-old boy remained the central figure. When the hunched
man in the shabby coat came again, yawning, to take me back to my bed, my voice
had worn to a husky whisper and my throat ached. In my dreams that night I saw the
little boy scampering from one activity to another, his personality in some way
confused with my own and my father’s so that I was both at once observer, observed,
and a third presence observing both.
The next night I fell asleep almost at the moment Mr Million sent us up to bed,
retaining consciousness only long enough to congratulate myself on doing so. I woke
when the hunched man entered the room, but it was not me whom he roused from the
sheets but David. Quietly, pretending I still slept (for it had occurred to me, and
seemed quite reasonable at the time, that if he were to see I was awake he might take
both of us), I watched as my brother dressed and struggled to impart some sort of
order to his tangle of fair hair. When he returned I was sound asleep, and had no
opportunity to question him until Mi Million left us alone, as he sometimes did, to eat
our breakfast. I had told him my own experiences as a matter of course, and what he
had to tell me was simply that he had had an evening very similar to mine. He had
seen holographic pictures, and apparently the same pictures: the wooden soldier, the
pony. He had been forced to talk constantly, as Mr Million had so often made us do in
debates and verbal examinations. The only way in which his interview with our father
had differed from mine, as nearly as I could determine, appeared when I asked him by
what name he had been called.
He looked at me blankly, a piece of toast half-raised to his mouth.
I asked again, “What name did he call you by when he talked to you?”
“He called me David. What did you think?”