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moved toward a row of filing cabinets. In the dim illumination, the
beehive of Manhattan's lights began to glow through the window behind
her. Although the newspaper offices were quiet after the close of
business, Polly moved with unnecessary furtiveness. She slid open the
top drawer of the filing cabinet and reached inside as far as her arm
would go to rummage behind the file folders. From the back she withdrew
a gilded oak box and brought it to her desk, where she moved pencils and
notepads aside. With the fingernail of her index finger, she popped open
the catch and lifted the lid of the case.
"I've got a job for you tonight - I hope," she said to the small
camera that rested neatly inside the padding. Polly gingerly lifted the
camera out of the box, expertly checked the mechanism, loaded fresh
film, clicked the shutter, and adjusted the lens cap. Satisfied, she
slung the leather camera strap over her shoulder. The camera was a vital
tool of the trade, her secret weapon to be used only for the most
important stories. And if this strange message in Newton's book had
anything to do with the missing scientists, she didn't want to take any
chances...
With the Leica ready to go, Polly dug even deeper in the back of the
filing cabinet and pulled out a .45 caliber Colt service revolver and a
small box of bullets. She suspected there might be some shooting tonight
- either with the camera or the revolver.
She swung open the revolver's cylinder and casually spun it. She had
loaded two of the six empty chambers when someone suddenly flipped on
the lights. Momentarily blinded but moving with swift reflexes, Polly
spun around, holding the revolver ready.
Standing in the doorway was a gray-haired man in his late sixties.
Completely undisturbed by the gun pointed at him, Editor Paley let out a
long, slow sigh and shook his head. "Polly, why do you do this to me?
Where did I go wrong as your editor?"
Nonchalantly, Polly continued to feed bullets into the revolver.
"This?" She raised the heavy gun. "Colt New Service M1917. It's just a
toy. My grandma gave it to me."
"I'm sending one of the boys with you. I don't like this business
you're getting yourself into." He gestured to the revolver. "And that
stays here. No arguments."
Polly didn't have any intention of arguing... or listening. "I'll be
fine, Mr. Paley. You know what a careful girl I am." She spun the
cylinder shut and stuffed the Colt into her shoulder bag.
"My mouth moves, words come out, and you don't hear them."
"Oh, I hear them." She caught a glimpse of the big clock on the
wall, then grabbed her bag and headed for the door. "I'm late for a
movie. The Wizard of Oz - have you seen it?"
"I hear it's good, but I doubt it can compete with Gone with the
Wind. My wife liked that one." Editor Paley had three grown daughters,
none of whom had ever given him any trouble; Polly, though, wasn't
anything like them. When she flashed a smile that made him flinch, he
said, "Polly, I don't like it when you smile at me."
"You don't like my smile?" She smiled again, brighter this time.
"I don't like what's behind it." He stopped her at the door, but he
knew he couldn't block her way when she was determined. As a last
resort, he tried to be reasonable. "Six scientists are missing, Polly -
probably dead. Someone out there means business, and I don't want you in
the middle of it. It's time you leave the detective work to the police."
"I'm only going to a movie, Mr. Paley. Munchkins, cowardly lions,
tin woodsmen -"
"Uh-huh. With a gun and a camera."
"A girl can't be too careful these days. You don't have to worry
about me."
"I'm worried for me. If you get yourself killed, there's a lot of
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