she had no languor. Instead, there was such a tension of concentration
about her small, thin body as reminded me disturbingly of that I had seen
Lazk Volk display on occasion. Her hair was twisted back from her face,
which came to a point with a small, sharp chin, with silver cords that
gleamed the more because the hair they confined was dead black. She had
very well-marked brows, which met over her nose, so they formed a solid bar
across her face. And her eyelashes were unusually thick about eyes, almost
as deeply sable as her hair. In contrast, her skin was pale, having no
trace of color in the cheeks and only a faint tinting of lips.
Her dress was dark green, an odd color for a child, yet one I would always
thereafter associate with Bartare. With a strip of material of the same
color, she was now wrapping one of the small carven images the country folk
set up in their kitchens for protection against the powers of darkness,
only this one, crude in its beginning, had several refinements. Metallic
wires had been twisted around the head to form a crown - for one.
Watching his sister robe the image was Oomark. Though he was the younger in
years, he was perhaps a finger's breadth the taller, big-framed and
solid-looking. His face had still a babyish roundness, and now it wore an
odd expression, almost as if he were both fascinated and alarmed by what
his sister was doing, too unusual a look to accompany the dressing of a
doll.
He glanced up at me. Then he leaned over and touched his sister on the arm,
almost diffidently, suggesting he was in awe of her and yet knew he must
attract her attention.
"Look, Bartare - " He pointed one finger at me.
Bartare raised her head. Her stare was deep, measuring, and somehow very
disturbing. I felt almost as shaken as if I had encountered, behind the
outer shell of a small girl-child, something old, authoritative, and
faintly malicious. But that was gone in a flash. Bartare laid down her doll
with the care of one putting aside an important piece of handiwork and came
away from the table to sketch one of those curtsies used by children of her
class as a polite greeting.
"I'm Bartare, and this is Oomark." Her voice was clear and pleasant. It was
only when she shot a sudden glance at me from beneath that eyebrow bar that
I was a little chilled.
"I'm Kilda c' Rhyn," I answered. "Your mother asked me-"
"To see us and let us see you. I know." She nodded. "That means you're the
one going to go to Dylan with us. I think - " She hesitated a moment and
then used an expression that was rather odd. "I think we may suit." But was
there or was there not a stress on the word "may" that hinted at
reservations and could be a warning?
I cannot remember now much of what we spoke about at that first meeting.
After his recognition of my being in the room, Oomark never spoke at all.
However, his sister displayed not only excellent manners but also the fact
that she was a child of superior intelligence and poise. She- well, I could
have said nothing but good of her. Yet I had reservations, an uneasiness
all the time we were together, as if we were both acting parts.
Once I saw a tape from Lazk Volk's files portraying a theatrical production
on another world. The actors and actresses carried elaborate ceremonial
masks mounted on sticks. Each had several of these, fastened by fine chains
to their girdles. In time for their speeches, they chose one or another of
these masks and held them before, but not directly against their faces, as
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