Samuel R. Delaney - Nova

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NOVA -- SAMUEL R. DELANY -- August, 1968
A passion for vengeance drove Captain Lorq Von Ray to dare what no mortal had ever done -- to sail
through the splintering core of a disintegrating sun.
Von Ray's obsession drew aimless souls into the vortex of his madness -- wandering adventurers who
would plug into any ship that promised escape:
MOUSE: A young gypsy, he created blindingly beautiful visions on the syrynx, an instrument of
sensor projection.
IDAS and LYNCEOS: Twins from the outer colonies, one black, one albino.
SEBASTIAN: A golden-haired man who traveled the stars with his Tarot-reading mate and six black-
taloned beasts.
KATIN: The scholar who loved the silent moons of the universe above all the powerful suns and
gaudy planets.
To Bernard and Iva Kay
ACKNOWLEDGMENT
The author gratefully acknowledges the invaluable aid of Helen Adam and Russell FitzGerald with
problems of Grail and Tarot lore. Without their help NOVA would cast much dimmer light.
Chapter One
Draco, Triton, Hell3, 3172
"Hey, Mouse! Play us something," one of the mechanics called from the bar.
"Didn't get signed on no ship yet?" chided the other. "Your spinal socket'll rust up. Come on,
give us a number."
The Mouse stopped running his finger around the rim of his glass. Wanting to say "no" he began a
"yes." Then he frowned.
The mechanics frowned too:
He was an old man.
He was a strong man.
As the Mouse pulled his hand to the edge of the table, the derelict lurched forward. Hip banged
the counter. Long toes struck a chair leg: the chair danced on the flags.
Old. Strong. The third thing the Mouse saw: blind.
He swayed before the Mouse's table. His hand swung up; yellow nails hit the Mouse's cheek.
(Spider's feet?) "You, boy ..."
The Mouse stared at the pearls behind rough, blinking lids.
"You, boy. Do you know what it was like?"
Must be blind, the Mouse thought. Moves like blind. Head sits forward so on his neck. And his
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eyes --
The codger flapped out his hand, caught a chair, and yanked it to him. It rasped as he fell on
the seat. "Do you know what it looked like, felt like, smelt like -- do you?"
The Mouse shook his head; the fingers tapped his cheek.
"We were moving out, boy, with the three hundred suns of the Pleiades glittering like a puddle of
jeweled milk on our left, and all blackness wrapped around our right. The ship was me; I was the
ship. With these sockets -- " he tapped the insets in his wrists against the table: click " -- I
was plugged into my vane-projector. Then -- " the stubble on his jaw rose and fell with the words
" -- centered on the dark, a light! It reached out, grabbed our eyes as we lay in the projection
chambers and wouldn't let them go. It was like the universe was torn and all day raging through.
I wouldn't go off sensory input. I wouldn't look away. All the colors you could think of were
there, blotting the night. And finally the shock waves: the walls sang! Magnetic inductance
oscillated over our ship, nearly rattled us apart. But then it was too late. I was blind." He
sat back in his chair. "I'm blind, boy. But with a funny kind of blindness; I can see you. I'm
deaf; but if you talked to me, I could understand most of what you said. Olfactory endings all
dead, and the taste buds over my tongue." His hand went flat on the Mouse's cheek. "I can't feel
the texture of your face. Most of the tactile nerve endings were killed too. Are you smooth, or
are you bristly and gristly as I am?' He laughed on yellow teeth in red, red gums. "Dan is blind
in a funny way." His band slipped down the Mouse's vest, catching the laces. "A funny way, yes.
Most people go blind in blackness. I have a fire in my eyes. I have that whole collapsing sun in
my head. The light lashed the rods and cones of my retina to constant stimulation, balled up a
rainbow and stuffed each socket full. That's what I'm seeing now. Then you, outlined here,
highlighted there, a solarized ghost across hell from me. Who are you?"
"Pontichos," the Mouse offered. His voice sounded like wool with sand, grinding. "Pontichos
Provechi."
Dan's face twisted. "Your name is ... What did you say? It's shaking my head apart. There's a
choir crouched in my ears, shouting down into my skull twenty-six hours a day. The nerve ends,
they're sending out static, the death rattle that sun's been dying ever since. Over that, I can
just hear your voice, like an echo of something shouted a hundred yards off." Dan coughed and sat
back, hard. "Where are you from?" He wiped his mouth.
"Here in Draco," the Mouse said. "Earth."
"Earth? Where? America? You come from a little white house on a tree-lined street, with a
bicycle in the garage?"
Oh yes, the Mouse thought. Blind, and deaf too. The Mouse's speech was good, but he'd never even
tried to correct his accent.
"Me. I'm from Australia. From a white house. I lived just outside Melbourne. Trees. I had a
bicycle. But that was a long time ago. A long time, wasn't it, boy? You know Australia, on
Earth?"
"Been through." The Mouse squirmed in his chair and wondered how to get away.
"Yes. That's how it was. But you don't know, boy! You can't know what it's like to stagger
through the rest of your life with a nova dug into your brain, remembering Melbourne, remembering
the bicycle. What did you say your name was?"
The Mouse looked left at the window, right at the door.
"I can't remember it. The sound of that sun blots out everything."
The mechanics, who had been listening till now, turned to the bar.
"Can't remember a thing any more!"
At another table a black-haired woman fell back to her card game with her blond companion.
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"Oh, I've been sent to doctors! They say if they cut out the nerves, optic and aural, slice them
off at the brain, the roaring, the light -- it might stop! Might?" He raised his hands to his
face. "And the shadows of the world that come in, they'd stop too. Your name? What's your
name?"
The Mouse got the words ready in his mouth, along with, excuse me, huh? I gotta go.
But Dan coughed, clutched at his ears.
"Ahhh! That was a pig trip, a dog trip, a trip for flies! The ship was the Roc and I was a
cyborg stud for Captain Lorq Von Ray. He took us" -- Dan leaned across the table -- "this close"
-- his thumb brushed his forefinger -- "this close to hell. And brought us back. You can damn
him, and damn Illyrion for that, boy, whoever you are. Wherever you're from!" Dan barked, flung
back his head; his hands jumped on the table.
The bartender glanced over. Somebody signaled for a drink. The bartender's lips tightened, but
he turned off, shaking his head.
"Pain," Dan's chin came down, "after you've lived with it long enough, isn't pain any more. It's
something else. Lorq Von Ray is mad! He took us as near the edge of dying as he could. Now he's
abandoned me, nine-tenths a corpse, here at the rim of the Solar System. And where's he gone -- "
Dan breathed hard. Something flapped in his lungs. "Where's blind Dan going to go now?"
Suddenly he grabbed the sides of the table.
"Where is Dan going to go!"
The Mouse's glass tumbled, smashed on the stone.
"You tell me!"
He shook the table again.
The bartender was coming over.
Dan stood, overturning his chair, and rubbed his knuckles on his eyes. He took two staggering
steps through the sunburst that rayed the floor. Two more. The last left long maroon prints.
The black-haired woman caught her breath. The blond man closed the cards.
One mechanic started forward, but the other touched his arm.
Dan's fists struck the swinging doors. He was gone.
The Mouse looked around. Glass on stone again, but softer. The bartender had plugged the sweeper
into his wrist and the machine hissed over dirt and bloody fragments. "You want another drink?"
"No," the Mouse's voice whispered from his ruined larynx. "No, I was finished. Who was that?"
"Used to be a cyborg stud on the Roc. He's been making trouble around here for a week. Lots of
places throw him out as soon as he comes in the door. How come you been having such a hard time
getting signed on?"
"I've never been on a star-run before," came the Mouse's rough whisper. "I just got my
certificate two years back. Since then I've been plugged in with a small freight company working
around inside the Solar System on the triangle run."
"I could give you all kinds of advice." The bartender unplugged the sweeper from the socket on
his wrist. "But I'll restrain myself. Ashton Clark go with you." He grinned and went back
behind the bar.
The Mouse felt uncomfortable. He hooked a dark thumb beneath the leather strap over his shoulder
and started for the door.
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"Eh, Mouse, come on. Play something for us -- "
The door closed behind him.
Draco, Earth, Istanbul, 3164
The shrunken sun lay jagged gold on the mountains. Neptune, huge in the sky, dropped mottled
light on the plain. The star-ships hulked in the repair pits half a mile away.
The Mouse started down the strip of bars, cheap hotels, and eating places. Unemployed and
despondent, he had bummed in most of them, playing for board, sleeping in the corner of somebody's
room when he was pulled in to entertain at an all-night party. That wasn't what his certificate
said he should be doing. That wasn't what he wanted.
He turned down the boardwalk that edged Hell3.
To make the satellite's surface habitable, Draco Commission had planted Illyrion furnaces to melt
the moon's core. With surface temperature at mild autumn, atmosphere generated spontaneously from
the rocks. An artificial ionosphere kept it in. The other manifestations of the newly molten
core were Hells 1 to 55, volcanic cracks that had opened in the crust of the moon. Hell3 was
almost a hundred yards wide, twice as deep (a flaming worm broiled on its bottom), and seven miles
long. The canon flickered and fumed under pale night.
As the Mouse walked by the abyss, hot air caressed his cheek. He was thinking about blind Dan.
He was thinking about the night beyond Pluto, beyond the edge of the stars called Draco. And was
afraid. He fingered the leather sack against his side.
When the Mouse was ten years old, he stole that sack. It held what he was to love most.
Terrified, he fled from the music stalls beneath white vaults, down between the stinking booths of
suede. He clutched the sack to his belly, jumped over a carton of meerschaum pipes that had
broken open, spilling across the dusty stone, passed under another arch, and for twenty meters
darted through the crowds roaming the Golden Alley where velvet display windows were alive with
light and gold. He sidestepped a boy treading the heels of his shoes and swinging a three-handled
tray of tea glasses and coffee cups. As the Mouse dodged, the tray went up and over; tea and
coffee shook, but nothing spilled. The Mouse fled on.
Another turn took him past a mountain of embroidered slippers.
Mud splattered the next time his canvas shoes hit the broken flooring. He stopped, panting,
looked up.
No vaults. Light rain drifted between the buildings. He held the sack tighter, smeared his damp
face with the back of his hand, and started up the curving street.
The Burnt Tower of Constantine, rotten, ribbed, and black, jutted from the parking lot as he
reached the main street, people hurried about him, splashing in the thin slip covering the stones.
The leather had grown sweaty on his skin.
Good weather? He would have romped down the back-street shortcut but this: he kept to the main
way, taking some protection from the monorail. He pushed his way among the businessmen, the
students, the porters.
A sledge rumbled on the cobbles. The Mouse took a chance and swung up on the yellow running
board. The driver grinned -- gold-flecked crescent in a brown face -- and let him stay.
Ten minutes later, heart still hammering, the Mouse swung off and ducked through the courtyard of
New Mosque. In the drizzle a few men washed their feet in the stone troughs at the wall. Two
women came from the flapping door at the entrance, retrieved their shoes, and started down the
gleaming steps, hastening in the rain.
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Once, the Mouse had asked Leo just when New Mosque was built. The fisherman from the Pleiades
Federation -- who always walked with one foot bare -- had scratched his thick, blond hair as they
gazed at the smoky walls rising to the domes and spiking minarets. "About a thousand years ago,
was. But that only a guess is."
The Mouse was looking for Leo now.
He ran out the courtyard and dodged between the trucks, cars, dolmushes, and trollies crowding the
entrance of the bridge. On the crosswalk, under a street-lamp, he turned through an iron gate and
hurried down the steps. Small boats clacked together in the sludge. Beyond the dinghies, the
mustard water of the Golden Horn heaved about the pilings and the hydrofoil docks. Beyond the
Horn's mouth, across the Bosphorus, the clouds had torn.
Beams slanted through and struck the wake of a ferry plowing toward another continent. The Mouse
paused on the steps to stare over the glittering strait as more and more light fell through.
Windows in foggy Asia flashed on sand-colored walls. It was the beginning of the effect that had
caused the Greeks, two thousand years before, to call the Asian side of the city Chrysopolis --
Gold City. Today it was Uskudar.
"Hey, Mouse! Leo hailed him from the red, doffing deck. Leo had built an awning over his boat,
set up wooden tables, and placed barrels around for chairs. Black oil boiled in a vat, heated by
an ancient generator caked with grease. Beside it, on a yellow slicker, was a heap of fish. The
gills had been hooked around the lower jaws so that each fish had a crimson flower at its head.
"Hey, Mouse, what you got?"
In better weather fishermen, dock workers, and porters lunched here. The Mouse climbed over the
rail as Leo threw in two fish. The oil erupted yellow foam.
"I got what ... what you were talking about. I got it ... I mean I think it's the thing you told
me about." The words rushed, breathy, hesitant, breathy again.
Leo, whose name, hair, and chunky body had been given him by German grandparents (and whose speech
pattern had been lent by his childhood on a fishing coast of a world whose nights held ten times
as many stars as Earth's), looked confused. Confusion became wonder as the Mouse held out the
leather sack.
Leo took it with freckled hands. "You sure, are? Where you -- "
Two workmen stepped on the boat. Leo saw alarm cross the Mouse's face and switched from Turkish
to Greek. "Where did you this find?" The sentence pattern stayed the same in all languages.
"I stole it." Even though the words came with gushes of air through ill-anchored vocal cords, at
ten the orphaned gypsy spoke some half dozen of the languages bordering the Mediterranean much
more facilely than people like Leo who had learned his tongues under a hypno-teacher.
The construction men, grimy from their power shovels (and hopefully limited to Turkish) sat down
at the table, massaging their wrists and rubbing their spinal sockets on the smalls of their backs
where the great machines had been plugged into their bodies. They called for fish.
Leo bent and tossed. Silver flicked the air, and the oil roared.
Leo leaned against the railing and opened the drawstring. "Yes." He spoke slowly. "None on
Earth, much less here, I didn't know was. Where it from is?"
"I got it from the bazaar," the Mouse explained. "If it can be found on Earth, it can be found in
the Grand Bazaar." He quoted the adage that had brought millions on millions to the Queen of
Cities.
"So I'd heard," Leo said. Then in Turkish again: "These gentlemen their lunch you give."
The Mouse took up the ladle and scooped the fish into plastic plates. What had gone in silver
came out gold. The men pulled chunks of bread from the baskets under the table and ate with their
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hands.
He hunted the two other fish from the oil and brought them to Leo who was still sitting on the
rail, smiling into the sack. "Coherent image out of this thing, can I get? Don't know. Since
fishing for methane squid in the Outer Colonies, I was, not in my hands one of these is. Back
then, pretty well this I could play." The sack fell away and Leo sucked his breath between his
teeth. "It pretty is!"
On his lap in crumpled leather, It might have been a harp, it might have been a computer. With
inductance surfaces like a theremin, with frets like a guitar, down one side were short drones as
on a sitar. On the other were the extended bass drones of a guitarina. Parts were carved from
rosewood. Parts were cast from stainless steel. It had insets of black plastic, and was
cushioned with plush.
Leo turned it.
The clouds had torn even further.
Sunlight ran the polished grain, flashed in the steel. At the table the workmen tapped their
coins, then squinted. Leo nodded to them. They put the money on the greasy boards and, puzzled,
left the boat.
Leo did something with the controls. There was a clear ringing; the air shivered; and cutting out
the olid odor of wet rope and tar was the scent of ... orchids? A long time ago, perhaps at five
or six, the Mouse had smelled them wild in the fields edging a road. (Then, there had been a big
woman in a print skirt who may have been Mama, and three barefoot, heavily mustachioed men, one of
whom he had been told to call Papa; but that was in some other country ...) Yes, orchids.
Leo's hand moved; shivering became shimmering. Brightness fell from the air, coalesced in blue
light whose source was somewhere between them. The odor moistened to roses.
"It works!" rasped the Mouse.
Leo nodded. "Better than the one I used to have. The Illyrion battery almost brand-new is.
Those things I on the boat used to play, can still play, I wonder." His face furrowed. "Not too
good going to be is. Out of practice am." Embarrassment rearranged Leo's features into an
expression the Mouse had never seen. Leo's hand closed to the tuning haft.
Where light had filled the air, illumination shaped to her, till she turned and stared at them
over her shoulder.
The Mouse blinked.
She was translucent; yet so much realer by the concentration he needed to define her chin, her
shoulder, her foot, her face, till she spun, laughing, and tossed surprising flowers at him.
Under the petals the Mouse ducked and closed his eyes. He'd been breathing naturally, but on this
inhalation, he just didn't stop. He opened his mouth to the odors, prolonging the breath till his
diaphragm stretched sharply from the bottom of his ribs. Then pain arched beneath his sternum and
he had to let the breath out. Fast. Then began the slow return --
He opened his eyes.
Oil, the yellow water of the Horn, sludge; but the air was empty of blossoms. Leo, his single
boot on the bottom rung of the rail, was fiddling with a knob.
She was gone.
"But ..." The Mouse took a step, stopped, balancing on his toes, his throat working. "How ...?"
Leo looked up. "Rusty, I am! I once pretty good was. But it a long time is. Long time. Once,
once, this thing I truly could play."
"Leo ... could you ...? I mean you said you ... I didn't know ... I didn't think ..."
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"What?"
"Teach! Could you teach ... me?"
Leo looked at the dumbfounded gypsy boy whom he had befriended here on the docks with tales of his
wanderings through the oceans and ports of a dozen worlds. He was puzzled.
The Mouse's fingers twitched. "Show me, Leo! Now you've got to show me!" The Mouse's mind
tumbled from Alexandrian to Berber Arabic and ended up in Italian as he searched for the word.
"Bellissimo, Leo! Bellissimo!"
"Well -- " Leo felt what might have been fear at the boy's avidity, had Leo been more used to
fear.
The Mouse looked at the stolen thing with awe and terror.
"Can you show me how to play it?' Then he did something brave. He took it, gently, from Leo's
lap. And fear was an emotion that the Mouse had lived with all his short, shattered life.
Reaching, however, he began the intricate process of becoming himself. Wondering, the Mouse
turned the sensory-syrynx around and around.
At the head of a muddy street that wound on a hill behind an iron gate, the Mouse had a night job
carrying trays of coffee and salep from the tea house through the herds of men who roamed back and
forth by the narrow glass doors, crouching to stare at the women passing inside.
Now the Mouse came to work later and later. He stayed on the boat as long as possible. The
harbor lights winked down the mile-long docks, and Asia flickered through the fog while Leo showed
him where each projectable odor, color, shape, texture, and movement hid in the polished syrynx.
The Mouse's eyes and hands began to open.
Two years later, when Leo announced that he had sold his boat and was thinking of going to the
other side of Draco, perhaps to New Mars to fish for dust skates, the Mouse could already surpass
the tawdry illusion that Leo had first shown him.
A month later the Mouse himself left Istanbul, waiting beneath the dripping stones of the
Edernakapi till a truck offered him a ride toward the border town of Ipsala. He walked across the
border into Greece, joined a red wagon full of gypsies, and for the duration of the trip fell back
into Romany, the tongue of his birth. He'd been in Turkey three years. On leaving, all he had
taken besides the clothes he wore was a thick silver puzzle ring too big for any of his fingers --
and the syrynx.
Two and a half years later when he left Greece, he still had the ring. He had grown one little
fingernail three quarters of an inch long, as did the other boys who worked the dirty streets
behind the Monasteraiki flea market, selling rugs, brass gewgaws, or whatever tourists would buy,
just outside the edge of the geodesic dome that covered the square mile of Athenas Market; and he
took the syrynx.
The cruise boat on which he was a deck hand left Piraeus for Port Said, sailed through the canal
and on toward its home port in Melbourne.
When he sailed back, this time to Bombay, It was as an entertainer in the ship's nightclub:
Pontichos Provechi, recreating great works of art, musical and graphic, for your pleasure, with
perfumed accompaniment. In Bombay he quit, got very drunk (he was sixteen now), and stalked the
dirty pier by moonlight, quivering and ill. He swore he would never play purely for money again
("Come on, kid! Give us the mosaics on the San Sophia ceiling again before you do the Parthenon
frieze -- and make 'em swing!"). When he returned to Australia, it was as a deck hand. He came
ashore with the puzzle ring, his long nail, and a gold earring in his left ear. Sailors who
crossed the equator on the Indian Ocean had been entitled to that earring for fifteen hundred
years. The steward had pierced his earlobe with ice and a canvas needle. He still had the
syrynx.
In Melbourne again, he played on the street. He spent a lot of time in a coffee shop frequented
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by kids from the Cooper Astronautics Academy. A twenty-year-old girl he was living with suggested
he sit in on some classes.
"Come on, get yourself some plugs. You'll get them eventually somewhere, and you might as well
get some education on how to use them for something other than a factory job. You like to travel.
Might as well run the stars as operate a garbage unit."
When he finally broke up with the girl, and left Australia, he had his certificate as a cyborg
stud for any inter -- and intra -- system ship. He still had his gold earring, his little
fingernail, his puzzle ring -- and the syrynx.
Even with a certificate, it was hard to sign onto a star-run straight from Earth. For a couple of
years he plugged into a small commercial line that ran the Shifting Triangle run: Earth to Mars,
Mars to Ganymede, Ganymede to Earth. But by now his black eyes were a-glitter with stars. A few
days after his eighteenth birthday (at least it was the day the girl and he had agreed would be
his birthday back in Melbourne), the Mouse hitched out to the second moon of Neptune, from which
the big commercial lines left for worlds all over Draco, for the Pleiades Federation, and even the
Outer Colonies. The puzzle ring fit him now.
Draco, Triton, Hell3, 3172
The Mouse walked beside Hell3, his boot heel clicking, his bare foot silent (as in another city on
another world, Leo had walked). This was his latest travel acquisition. Those who worked under
free-fall in the ships that went between planets developed the agility of at least one set of
toes, sometimes both, till it rivaled world-lubbers' hands, and ever after kept that foot free.
The commercial interstellar freighters had artificial gravity, which discouraged such development.
As he ambled beneath a plane tree, the leaves roared in the warm wind. Then his shoulder struck
something. He staggered, was caught, was whirled around.
"You clumsy, rat-faced little -- "
A hand clamped his shoulder and jammed him out to arm's length. The Mouse looked up at the man
blinking down.
Someone had tried to hack the face open. The scar zagged from the chin, neared the cusp of heavy
lips, rose through the cheek muscles -- the yellow eye was miraculously alive -- and cut the left
brow; where it disappeared into red, Negro hair, a blaze of silkier yellow flamed. The flesh
pulled into the scar like beaten copper to a vein of bronze.
"Where do you think you're going, boy?"
"Sorry -- "
The man's vest bore the gold disk of an officer.
"Guess I wasn't looking -- "
A lot of muscles in the forehead shifted. The back of the jaw got thicker. Sound started behind
the face, spilled. It was laughter, full and contemptuous.
The Mouse smiled, hating it. "I guess I wasn't looking where I was going."
"I guess you weren't." The hand fell twice again on his shoulder. The captain shook his head and
strode off.
Embarrassed and alert, the Mouse started walking again.
Then he stopped and looked back. The gold disk on the left shoulder of the captain's vest had
been bossed with the name Lorq Von Ray. The Mouse's hand moved on the sack under his arm.
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He flung back black hair that had fallen down his forehead, looked about, then climbed to the
railing. He hooked boot and foot behind the lower rung, and took out the syrynx.
His vest was half laced, and he braced the instrument against the small, defined muscles of his
chest. The Mouse's face lowered; long lashes closed. His hand, ringed and bladed, fell toward
the inductance surfaces.
The air was filled with shocked images --
Chapter Two
Draco, Triton, Hell3, 3172
Katin, long and brilliant, shambled toward Hell3, eyes on the ground, mind on moons aloft.
"You, boy!"
"Huh?"
The unshaven derelict leaned on the fence, clutching the rail with scaly hands.
"Where you from?" The derelict's eyes were fogged.
"Luna," Katin said.
"From a little white house on a tree-lined street, with a bicycle in the garage? I had a
bicycle."
"My house was green," Katin said. "And under an air dome. I had a bicycle, though."
The derelict swayed by the rail. "You don't know, boy. You don't know."
One must listen to madmen, Katin thought. They are becoming increasingly rare. And remembered to
make a note.
"So long ago ... so long!" The old man lurched away.
Katin shook his head and started walking again.
He was gawky and absurdly tall; nearly six foot nine. He'd shot to that height at sixteen. Never
really believing he was so big, ten years later he still tended to hunch his shoulders. His huge
hands were shoved beneath the belt of his shorts. He strode with elbows flapping.
And his mind went back to moons.
Katin, born on the moon, loved moons. He had always lived on moons, save for the time he had
convinced his parents, stenographers for the Draco court on Luna, to let him take his university
education on Earth at that center of learning for the mysterious and inscrutable West, Harvard,
still a haven for the rich, the eccentric, and the brilliant -- the last two of which he was.
The changes that vary a planet's surface, Himalayan heights to gentle, blistering Sahara dunes, he
knew only by report. The freezing lichen forests of the Martian polar caps or the raging dust
rivers at the red planet's equator; or Mercurian night versus Mercurian day -- these he had
experienced only through psychorama travelogs.
These were not what Katin knew, what Katin loved.
Moons?
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file:///F|/rah/Samuel%20R.%20Delaney/Delany,%20Samuel%20R%20-%20Nova.TXT
Moons are small. A moon's beauty is in variations of sameness, From Harvard, Katin had returned
to Luna, and from there gone to Phobos Station where he'd plugged in to a battery of recording
units, low-capacity computers, and addressographs -- a glorified file clerk. On time off, in
tractor suit with polarized lenses, he explored Phobos, while Demos, a bright hunk of rock ten
miles wide, swung by the unnervingly close horizon. He finally got up a party to land on Demos
and explored the tiny moon as only a worldlet can be explored. Then he transferred to the moons
of Jupiter. Io, Europa, Ganymede, Callisto turned beneath his brown eyes. The moons of Saturn,
under the diffuse illumination of the rings, rotated before his solitary inspection as he wandered
out from the land compounds where he was stationed. He explored the gray craters, the gray
mountains, valleys, and canons through days and nights of blinding intensity. Moons are the same?
Had Katin been placed on any of them, and blindfold suddenly removed, petrological structure,
crystalline formation, and general topography would have identified it for him immediately. Tall
Katin was used to making subtle distinctions in both landscape and character. The passions that
come through the diversity of a complete world, or a whole man, he knew -- but did not like.
He dealt with this dislike two ways.
For the inner manifestations, he was writing a novel.
A jeweled recorder that his parents had given him when he won his scholarship hung from a chain at
his waist. To date it contained some hundred thousand words of notes. He had not begun the first
chapter.
For the outer manifestations, he had chosen this isolate life below his educational capacity, not
even particularly in keeping with his temperament. He was slowly moving further and further away
from the focus of human activity, which for him was still a world called Earth. He had completed
his course as a cyborg stud only a month ago. He had arrived on this last moon of Neptune -- the
last moon in the Solar System -- that morning.
His brown hair was silky, unkempt, and long enough to grab in a fight (if you were that tall).
His hands, under the belt, kneaded his flat belly. As he reached the walkway, he stopped.
Someone was sitting on the railing playing a sensory-syrynx.
Several people had stopped to watch.
Colors sluiced the air with fugal patterns as a shape subsumed the breeze and fell, to form
further on, a brighter emerald, a duller amethyst. Odors flushed the wind with vinegar, snow,
ocean, ginger, poppies, rum. Autumn, ocean, ginger, ocean, autumn; ocean, ocean, the surge of
ocean again, while light foamed in the dimming blue that underlit the Mouse's face. Electric
arpeggios of a neo-raga rilled.
Perched on the railing, the Mouse looked between the images, implosions on bright implosion, and
at his own brown fingers leaping on the frets, as light from the machine flowed on the backs of
his hands. And his fingers fell. Images vaulted from under his palms.
Some two dozen people had gathered. They blinked, they turned their heads. Light from the
illusion shook on the roofs of their eye sockets, flowed in the lines about their mouths, filled
the ridges furrowing foreheads. One woman rubbed her ear and coughed. One man punched the bottom
of his pockets.
Katin looked down over lots of heads.
Somebody was jostling forward. Still playing, the Mouse looked up.
Blind Dan lurched out, stopped, then staggered in the syrynx's fire.
"Hey, come on, get out of there -- "
"Come on, old man, move -- "
"We can't see what the kid's making -- "
In the middle of the Mouse's creation, Dan swayed, head wagging.
file:///F|/rah/Samuel%20R.%20Delaney/Delany,%20Samuel%20R%20-%20Nova.TXT (10 of 146) [8/27/03 11:45:15 PM]
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file:///F|/rah/Samuel%20R.%20Delaney/Delany,%20Samuel%20R%20-%20Nova.TXT\NOVA--SAMUELR.DELANY--August,1968ApassionforvengeancedroveCaptainLorqVonRaytodarewhatnomorta\lhadeverdone--tosailthroughthesplinteringcoreofadisintegratingsun.VonRay'sobsessiondrewaimlesssoulsintothevortexofhismadness--\wanderi...

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