Fred Saberhagen - Berserker 05 - The Ultimate Enemy

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Saberhagen, Fred - The Ultimate Enemy
THE ULTIMATE
ENEMY
THE BERSERKER SERIES
By
Fred Saberhagen
CONTENTS
The Smile
Pressure
The Annihilation of Angkor Apeiron
Inhuman Error
Some Events at the Templar Radiant
Starsong
Smasher
The Game
Wings out of Shadow
THE ULTIMATE ENEMY
Copyright © 1979 by Fred Saberhagen
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Saberhagen, Fred - The Ultimate Enemy
All rights reserved. No part of this book may be reproduced in any
form or by any means, except for the inclusion of brief quotations in
a review, without permission in writing from the publisher.
All characters in this book are fictitious. Any resemblance to actual
persons, living or dead, is purely coincidental.
An ACE Book
Cover art by Michael Whelan
First Ace printing: September 1979
Manufactured in the United States of America
ACKNOWLEDGMENTS
THE SMILE: Copyright © 1977, Algol Magazine. First appeared in
Algol,. Summer/Fall 1977.
PRESSURE: Copyright © 1967, Galaxy Publishing Corp. First
appeared (as "Berserker's Prey") in Worlds of If, June 1977.
THE ANNIHILATION OF ANGKOR APEIRON: Copyright © 1974,
UPD Publishing Corp. First appeared in Galaxy, Feb. 1975.
INHUMAN ERROR: Copyright © 1974, Conde Nast Publications,
Inc. First appeared in Analog, Oct. 1974.
SOME EVENTS AT THE TEMPLAR RADIANT: Copyright © 1979,
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Saberhagen, Fred - The Ultimate Enemy
Fred Saberhagen. First appeared in Destinies, May-Aug. 1979.
STARSONG: Copyright © 1967, Galaxy Publishing Corp. First
appeared in Worlds of If. Jan. 1968.
SMASHER: Copyright © 1978, Mercury Press Inc. First appeared in
The Magazine of Fantasy and Science Fiction, Aug. 1978.
THE GAME: Copyright © 1977, Fred Saberhagen. First appeared in
The Flying Buffalo's Favorite Magazine, May-June 1977.
WINGS OUT OF SHADOW: Copyright © 1974, UPD Publishing
Corp. First appeared in Worlds of If, March-April 1974.
Once more I, Third Historian of the Carmpan race, thankful to
Earth-descended humans for their defense of my world and of
many worlds, have recorded for them a series of my visions.
Relatively unfettered by time or space, my mind has roamed
the Galaxy in past and future to gather pieces of the truth of
the great war of life against unliving death. What I have set
down is far from the whole truth of that war, yet it is true.
Most of the higher intellects of the galaxy will shrink from war,
even when survival depends upon it absolutely. Yet from the
same matter that supports their lives, came the berserkers.
Were their Builders uniquely evil? Would that it were so…
____________________
THE SMILE
The berserker attack upon the world called St. Gervase had ended
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Saberhagen, Fred - The Ultimate Enemy
some four standard months before the large and luxurious private
yacht of the Tyrant Yoritomo appeared amid the ashclouds and
rainclouds that still monotonized the planet's newly lifeless sky.
From the yacht a silent pair of waspish-looking launches soon began
a swift descent, to land on the denuded surface where the planet's
capital city had once stood.
The crews disembarking from the launches were armored against hot
ash and hot mud and residual radiation. They knew what they were
looking for, and in less than a standard hour they had located the
vaulted tunnel leading down, from what had been a sub-basement of
the famed St. Gervase Museum. The tunnel was partially collapsed in
places, but still passable, and they followed its steps downward,
stumbling here and there on debris fallen from the surface. The battle
had not been completely one-sided in its early stages, and scattered
amid the wreckage of the once-great city were fragments of berserker
troop-landers and of their robotic shock-troops. The unliving metal
killers had had to force a landing, to neutralize the defensive field
generators, before the bombardment could begin in earnest.
The tunnel terminated in a large vault a hundred meters down. The
lights, on an independent power supply, were still working, and the
air conditioning was still trying to keep out dust. There were five
great statues in the vault, including one in the attached workshop
where some conservator or restorer had evidently been treating it.
Each one was a priceless masterwork. And scattered in an almost
casual litter throughout the shelter were paintings, pottery, small
works in bronze and gold and silver, the least a treasure to be envied.
At once the visitors radioed news of their discovery to one Who
waited eagerly in the yacht hovering above. Their report concluded
with the observation that someone had evidently been living down
here since the attack. Beside the workshop, with its power lamp to
keep things going, there was a small room that had served as a
repository of the Museum's records. A cot stood in it now, there had
been food supplies laid in, and there were other signs of human
habitation. Well, it was not too strange that there should have been a
few survivors, out of a population of many millions.
The man who had been living alone in the shelter for four months
came back to find the landing party going busily about their work.
"Looters," he remarked, in a voice that seemed to have lost the
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Saberhagen, Fred - The Ultimate Enemy
strength for rage, or even fear. Not armored against radiation or
anything else, he leaned against the terminal doorway of the battered
tunnel, a long-haired, unshaven, once-fat man whose frame was now
swallowed up in clothes that looked as if they might not have been
changed since the attack.
The member of the landing party standing nearest looked back at him
silently, and drummed fingers on the butt of a holstered handgun,
considering. The man who had just arrived threw down the pieces of
metallic junk he had brought with him, conveying in the gesture his
contempt.
The handgun was out of its holster, but before it was leveled, an
intervention from the leader of the landing party came in the form of
a sharp gesture. Without taking his eyes off the man in the doorway,
the leader at once reopened communication with the large ship
waiting above.
"Your Mightiness, we have a survivor here," he informed the round
face that soon appeared upon the small portable wallscreen. "I
believe it is the sculptor Antonio Nobrega."
"Let me see him at once. Bring him before the screen." The voice of
His Mightiness was inimitable and terrible, and no less terrible,
somehow, because he always sounded short of breath. "Yes, you are
right, although he is much changed. Nobrega, how fortunate for us
both! This is indeed another important find."
"I knew you would be coming to St. Gervase now," Nobrega told the
screen, in his empty voice. "Like a disease germ settling in a
mangled body. Like some great fat cancer virus. Did you bring along
your woman, to take charge of our Culture?"
One of the men beside the sculptor knocked him down. A breathless
little snarl came from the screen at this, and Nobrega was quickly
helped back to his feet, then put into a chair.
"He is an artist, my faithful ones," the screen-voice chided. "We must
not expect him to have any sense of the fitness of things outside his
art. No. We must get the maestro here some radiation treatment, and
then bring him along with us to the Palace, and he will live and work
there as happily, or unhappily, as elsewhere."
"Oh no," said the artist from his chair, more faintly than before. "My
work is done."
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Saberhagen, Fred - The Ultimate Enemy
"Pish-posh. You'll see."
"I knew you were coming…"
"Oh?" The small voice from the screen was humoring him. "And
how did you know that?"
"I heard… when our fleet was still defending the approaches to the
system, my daughter was out there with it. Through her, before she
died, I heard how you brought your own fleet in-system, to watch
what was going to happen, to judge our strength, our chance of
resisting the berserkers. I heard how your force vanished when they
came. I said then that you'd be back, to loot the things you could
never get at in any other way."
Nobrega was quiet for a moment, then lunged from his chair—or
made the best attempt at lunging that he could. He grabbed up a long
metal sculptor's tool and drew it back to swing at Winged Truth
Rising, a marble Poniatowski eleven centuries old. "Before I'll see
you take this—"
Before he could knock a chip of marble loose, he was overpowered,
and put into restraint.
When they approached him again an hour later, to take him up to the
yacht for medical examination and treatment, they found him already
dead. Autopsy on the spot discovered several kinds of slow and
gentle poison. Nobrega might have taken some deliberately. Or he
might have been finished by something the berserkers had left
behind, to ensure that there would be no survivors, as they moved on
to carry out their programmed task of eradicating all life from the
Galaxy.
On his voyage home from St. Gervase, and for several months
thereafter, Yoritimo was prevented by pressing business from really
inspecting his new treasures. By then the five great statues had been
installed, to good esthetic advantage, in the deepest, largest, and best-
protected gallery of the Palace. Lesser collections had been evicted to
make room and visual space for Winged Truth Rising; Lazamon's
Laughing (or Raging] Bacchus; The Last Provocation, by Sarapion;
Lazienki's Twisting Room; and Remembrance of Past Wrongs, by
Prajapati.
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Saberhagen, Fred - The Ultimate Enemy
It chanced that at this time the Lady Yoritomo was at the Palace too.
Her duties, as Cultural Leader of the People, and High Overseer of
Education for the four tributary planets, kept her on the move, and it
often happened that she and her Lord did not see each other for a
month or longer at a time.
The two of them trusted each other more than they trusted anyone
else. Today they sat alone in the great gallery and sipped tea, and
spoke of business.
The Lady was trying to promote her latest theory, which was that
love for the ruling pair might be implanted genetically in the next
generation of people on the tributary worlds. Several experimental
projects had already begun. So far these had achieved little but severe
mental retardation in the subjects, but there were plenty of new
subjects and she was not discouraged.
The Lord spoke mainly of his own plan, which was to form a more
explicit working arrangement with the berserkers. In this scheme the
Yoritomos would furnish the killer machines with human lives they
did not need, and planets hard to defend, in exchange for choice
works of art and, of course, immunity from personal attack. The plan
had many attractive features, but the Lord had to admit that the
difficulty of opening negotiations with berserkers, let alone
establishing any degree of mutual trust, made it somewhat
impractical.
When a pause came in the conversation, Yoritomo had the banal
thought that he and his wife had little to talk about anymore, outside
of business. With a word to her, he rose from the alcove where they
had been sitting, and walked to the far end of the gallery of statues to
replenish the tea pot. For esthetic reasons he refused to allow robots
in here; nor did he want human servitors around while this private
discussion was in progress. Also, he thought, as he retraced his steps,
the Lady could not help but be flattered, and won toward his own
position in a certain matter where they disagreed, when she was
served personally by the hands of one so mighty…
He rounded the great metal flank of The Last Provocation and came
to a dumb halt, in shocked surprise so great that for a moment his
facial expression did not even alter. Half a minute ago he had left her
vivacious and thoughtful and full of graceful energy. She was still in
the same place, on the settee, but slumped over sideways now, one
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Saberhagen, Fred - The Ultimate Enemy
arm extended with its slender, jeweled finger twitching upon the rich
brown carpet. The Lady's hair was wildly disarranged; and small
wonder, he thought madly, for her head had been twisted almost
completely around, so her dead eyes now looked over one bare
shoulder almost straight at Yoritomo. Upon her shoulder and her
cheek were bruised discolorations…
He spun around at last, dropping the fragile masterpiece that held his
tea. His concealed weapon was half-drawn before it was smashed out
of his grip. He had one look at death, serenely towering above him.
He had not quite time enough to shriek, before the next blow fell.
The wind had not rested in the hours since Ritwan's arrival, and with
an endless howl it drove the restless land before it. He could quite
easily believe that in a few years the great pit left by the destruction
of the old Yoritomo Palace had been completely filled. The latest dig
had ended only yesterday, and already the archaeologists' fresh pits
were beginning to be reoccupied by sand.
"They were actually more pirates than anything else," Iselin, the
chief archaeologist, was saying. "At the peak of their power two
hundred years ago they ruled four systems. Ruled them from here,
though there's not much showing on the surface now but this old
sandpile."
"Ozymandias," Ritwan murmured.
"What?"
"An ancient poem." He pushed back sandy hair from his forehead
with a thin, nervous hand. "I wish I'd got here in time to see the
statues before you crated them and stowed them on your ship. You
can imagine I came as fast as I could from Sirgol, when I heard there
was a dig in progress here."
"Well." Iselin folded her plump arms and frowned, then smiled, a
white flash in a dark Indian face. "Why don't you ride with us back to
Esteel system? I really can't open the crates for anything until we get
there. Not under the complicated rules of procedure we're stuck with
on these jointly sponsored digs."
"My ship does have a good autopilot."
"Then set it to follow ours, and hop aboard. When we unpack on
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Saberhagen, Fred - The Ultimate Enemy
Esteel you can be among the first to look your fill. Meanwhile we
can talk. I wish you'd been with us all along, we've missed having a
really first-rate art historian."
"All right, I'll come." They offered each other enthusiastic smiles.
"It's true, then, you really found most of the old St. Gervase
collection intact?"
"I don't know that we can claim that. But there's certainly a lot."
"Just lying undisturbed here, for about two centuries."
"Well, as I say, this was the Yoritomos' safe port. But it looks like no
more than a few thousand people ever lived on this world at any one
time, and no one at all has lived here for a considerable period. Some
intrigue or other evidently started among the Tyrant's
lieutenants—no one's ever learned exactly how or why it started, but
the thieves fell out. There was fighting, the Palace destroyed, the
rulers themselves killed, and the whole thing collapsed. None of the
intriguers had the ability to keep it going, I suppose, with the so-
called Lord and Lady gone."
"Just when was that?"
Iselin named a date.
"The same year St. Gervase fell. That fits. The Yoritomos could have
gone there after the berserkers left, and looted at their leisure. That
would fit with their character, wouldn't it?"
"I'm afraid so… you see, the more I learned of them, the more I felt
sure that they must have had a deeper, more secret shelter than any
that was turned up in the early digs a century ago. The thing is, the
people who dug here then found so much loot they were convinced
they'd found it all."
Ritwan was watching the pits fill slowly in.
Iselin gave his arm a friendly shake. "And—did I tell you? We found
two skeletons, I think of the Yoritomos themselves. Lavishly dressed
in the midst of their greatest treasures. Lady died of a broken neck,
and the man of multiple…"
The wind was howling still, when the two ships lifted off.
Aboard ship on the way to Esteel, things were relaxed and pleasant,
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摘要:

Saberhagen,Fred-TheUltimateEnemyTHEULTIMATEENEMYTHEBERSERKERSERIESByFredSaberhagenCONTENTSTheSmilePressureTheAnnihilationofAngkorApeironInhumanErrorSomeEventsattheTemplarRadiantStarsongSmasherTheGameWingsoutofShadowTHEULTIMATEENEMYCopyright©1979byFredSaberhagenfile:///G|/Program%20Files/eMule/Incomi...

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