Chuck Palahniuk - Choke

VIP免费
2024-12-07 0 0 646.66KB 138 页 5.9玖币
侵权投诉
CHOKE
by Chuck Palahniuk
________________________________________
Copyright © 2001 by Chuck Palahniuk
Anchor ISBN: 0-385-72092-0
Book design by Dana Leigh Treglia
eBook scanned & proofed by Binwiped 11-21-02
Chapter 1
IF YOU'RE GOING TO READ THIS, DON'T BOTHER.
After a couple pages, you won't want to be here. So forget it. Go away. Get out while
you're still in one piece.
Save yourself.
There has to be something better on television. Or since you have so much time on
your hands, maybe you could take a night course. Become a doctor. You could make
something out of yourself. Treat yourself to a dinner out. Color your hair.
You're not getting any younger.
What happens here is first going to piss you off. After that it just gets worse and
worse.
What you're getting here is a stupid story about a stupid little boy. A stupid true life
story about nobody you'd ever want to meet. Picture this little spaz being about waist
high with a handful of blond hair, combed and parted on one side. Picture the icky little
shit smiling in old school photos with some of his baby teeth missing and his first adult
teeth coming in crooked. Picture him wearing a stupid sweater striped blue and yellow, a
birthday sweater that used to be his favorite. Even that young, picture him biting his
dickhead fingernails. His favorite shoes are Keds. His favorite food, fucking corn dogs.
Imagine some dweeby little boy wearing no seat belt and riding in a stolen school
bus with his mommy after dinner. Only there's a police car parked at their motel so the
Mommy just blows on past at sixty or seventy miles an hour.
This is about a stupid little weasel who, for sure, used to be about the stupidest little
rat fink crybaby twerp that ever lived.
The little cooz.
The Mommy says, "We'll have to hurry," and they drive uphill on a narrow road,
their back wheels wagging from side to side on the ice. In their headlights the snow looks
blue, spreading from the edge of the road out into the dark forest.
Picture this all being his fault. The little peckerwood.
The Mommy stops the bus a little ways back from the base of a rock cliff, so the
headlights glare against its white face, and she says, "Here's as far as we're going to get,"
and the words come boiling out as white clouds that show how big inside her lungs are.
The Mommy sets the parking brake and says, "You can get out, but leave your coat
in the bus."
Picture this stupid runt letting the Mommy stand him right in front of the school bus.
This bogus little Benedict Arnold just stands looking into the glare of the headlights, and
lets the Mommy pull the favorite sweater off over his head. This wimpy little squealer
just stands there in the snow, half naked, while the bus's motor races, and the roar echoes
off the cliff, and the Mommy disappears to somewhere behind him in the night and the
cold. The headlights blind him, and the motor noise covers any sound of the trees
scraping together in wind. The air is too cold to breathe more than a mouthful at a time so
this little mucous membrane tries to breathe twice as fast.
He doesn't run away. He doesn't do anything.
From somewhere behind him, the Mommy says, "Now whatever you do, don't turn
around."
The Mommy tells him how there used to be a beautiful girl in ancient Greece, the
daughter of a potter.
Like every time she gets out of jail and conies back to claim him, the kid and the
Mommy have been in a different motel every night. They'll eat fast food for every meal,
and just drive all day, every day. At lunch today, the kid tried to eat his corn dog while it
was still too hot and almost swallowed it whole, but it got stuck and he couldn't breathe
or talk until the Mommy charged around from her side of the table.
Then two arms were hugging him from behind, lifting him off his feet, and the
Mommy whispered, "Breathe! Breathe, damn it!"
After that, the kid was crying, and the entire restaurant crowded around.
At that moment, it seemed the whole world cared what happened to him. All those
people were hugging him and petting his hair. Everybody asked if he was okay.
It seemed that moment would last forever. That you had to risk your life to get love.
You had to get right to the edge of death to ever be saved.
"Okay. There," the Mommy said as she wiped his mouth, "now I've given you life."
The next moment, a waitress recognized him from a photograph on an old milk
carton, and then the Mommy was driving the evil little squealer back to their motel room
at seventy miles an hour.
On the way back, they'd got off the highway and bought a can of black spray paint.
Even after all their rushing around, where they've arrived is the middle of nowhere in
the middle of the night.
Now from behind him, this stupid kid hears the rattle of the Mommy shaking the
spray paint, the marble inside the can knocking from end to end, and the Mommy says
how the ancient Greek girl was in love with a young man.
"But the young man was from another country and had to go back," the Mommy
says.
There's a hissing sound, and the kid smells spray paint. The bus motor changes
sounds, clunks, running faster now and louder, and the bus rocks a little from tire to tire.
So the last night the girl and her lover would be together, the Mommy says, the girl
brought a lamp and set it so it threw the lover's shadow on the wall.
The hiss of spray paint stops and starts. There's a short hiss, after that a longer hiss.
And the Mommy says how the girl traced the outline of her lover's shadow so she
would always have a record of how he looked, a document of this exact moment, the last
moment they would be together.
Our little crybaby just keeps looking straight into the headlights. His eyes water, and
when he shuts them he can see the light shining, red, right through his eyelids, his own
flesh and blood.
And the Mommy says how the next day, the girl's lover was gone, but his shadow
was still there.
Just for a second, the kid looks back to where the Mommy is tracing the outline of
his stupid shadow against the cliff face, only the boy's so far away that his shadow falls a
head taller than the mother. His skinny arms look big around. His stubby legs stretch
long. His pinched shoulders spread wide.
And the Mommy tells him, "Don't look. Don't move a muscle or you'll ruin all my
work."
And the doofus little tattletale turns to stare into the headlights.
The can of spray paint hisses, and the Mommy says that before the Greeks, nobody
had any art. This was how painting pictures was invented. She tells the story of how the
girl's father used the outline on the wall to model a clay version of the young man, and
that's the way sculpture was invented.
For serious, the Mommy told him, "Art never comes from happiness."
Here is where symbols were born.
The kid stands, shivering now in the glare, trying to not move, and the Mommy
keeps working, telling the huge shadow how someday it will teach people everything that
she's taught it. Someday it will be a doctor saving people. Returning them to happiness.
Or something better than happiness: peace.
It'll be respected.
Someday.
This is even after the Easter Bunny turned out to be a lie. Even after Santa Claus and
the Tooth Fairy and Saint Christopher and Newtonian physics and the Niels Bohr model
of the atom, this stupid, stupid kid still believed the Mommy.
Someday, when he's grown up, the Mommy tells the shadow, the kid will come back
here and see how he's grown into the exact outline she'd planned for him this night.
The kid's bare arms shake with the cold.
And the Mommy said, "Control yourself, damn it. Hold still or you'll ruin
everything."
And the kid tried to feel warmer, but no matter how bright they were, the headlights
didn't give off any heat.
"I need to make a clear outline," the Mommy said. "If you tremble, you'll turn out all
blurred."
It wasn't until years later, until this stupid little loser was through college with honors
and he'd busted his hump to get into the University of Southern California School of
Medicine—until he was twenty-four years old and in his second year of medical school,
when his mother was diagnosed and he was named as her guardian—it wasn't until then
that it dawned on this little stooge that growing strong and rich and smart was only the
first half of your life story.
Now the kid's ears ache with the cold. He feels dizzy and hyperventilated. His little
stool-pigeon chest is all dimpled chicken skin. His nipples are pinched up by the cold into
hard red pimples, and the little ejaculate tells himself: For real, I deserve this.
And the Mommy says, "Try to at least stand up straight."
The kid rolls his shoulders back and imagines the headlights are a firing squad. He
deserves pneumonia. He deserves tuberculosis.
See also: Hypothermia.
See also: Typhoid fever.
And the Mommy says, "After tonight, I'm not going to be around to nag you."
The bus motor idles, putting out a long tornado of blue smoke.
And the Mommy says, "So hold still, and don't make me spank you."
And sure as hell, this little brat deserved to get spanked. He deserved whatever he
got. This is the deluded little rube who really thought the future would be any better. If
you just worked hard enough. If you just learned enough. Ran fast enough. Everything
would turn out right, and your life would amount to something.
The wind gusts and dry grains of snow scatter down from the trees, each flake
stinging against his ears and cheeks. More snow melts between the laces of his shoes.
"You'll see," the Mommy says. "This will be worth a little suffering."
This would be a story he could tell his own son. Someday.
The ancient girl, the Mommy tells him, she never saw her lover ever again.
And the kid is stupid enough to think a picture or a sculpture or a story could
somehow replace anybody you love.
And the Mommy says, "You have so much to look forward to."
It's hard to swallow, but this is the stupid, lazy, ridiculous little kid who just stood
shaking, squinting into the glare and the roar, and who thought the future would be so
bright. Picture anybody growing up so stupid he didn't know that hope is just another
phase you'll grow out of. Who thought you could make something, anything, that would
last forever.
It feels stupid even to remember this stuff. It's a wonder he's lived this long.
So, again, if you're going to read this, don't.
This isn't about somebody brave and kind and dedicated. He isn't anybody you're
going to fall in love with.
Just so you know, what you're reading is the complete and relentless story of an
addict. Because in most twelve-step recovery programs, the fourth step makes you take
inventory of your life. Every lame, suck-ass moment of your life, you have to get a note-
book and write it down. A complete inventory of your crimes. That way, every sin is
right at your fingertips. Then you have to fix it all. This goes for alcoholics, drug abusers,
and overeaters, as well as sex addicts.
This way you can go back and review the worst of your life any time you want.
Because supposedly, those who forget the past are condemned to repeat it.
So if you're reading this, to tell the truth, it's really none of your business.
That stupid little boy, that cold night, all of this will just become more of the stupid
shit to think about during sex, to keep from shooting your load. If you're a guy.
This is the weak little suck-ass whose mommy said, "Just hold on a little while
longer, just try a little harder and everything will be all right."
Hah.
The Mommy who said, "Someday, this will be worth all our effort, I promise."
And this little dickwad, this stupid stupid little sucker, he stood there this whole time
shaking, half naked in the snow, and really believed somebody could even promise
something so impossible.
So if you think this is going to save you . . .
If you think anything is going to save you . . .
Please consider this your final warning.
Chapter 2
IT'S DARK AND STARTING TO RAIN when I get to the church, and Nico's waiting for
somebody to unlock the side door, hugging herself in the cold.
"Hold on to these for me," she says and hands me a warm fistful of silk.
"Just for a couple hours," she says. "I don't have any pockets." She's wearing a jacket
made of some fake orange suede with a bright orange fur collar. The skirt of her flower-
print dress shows hanging out. No pantyhose. She climbs up the steps to the church door,
her feet careful and turned sideways in black spike heels.
What she hands me is warm and damp.
It's her panties. And she smiles.
Inside the glass doors, a woman pushes a mop around. Nico knocks on the glass,
then points at her wristwatch. The woman dunks the mop back in a bucket. She lifts the
mop and squeezes it. She leans the mop handle near the doorway and then fishes a ring of
keys out of her smock pocket. While she's unlocking the door, the woman shouts through
the glass.
"You people are in Room 234 tonight," the woman says. "The Sunday school room."
By now, more people are in the parking lot. People walk up the steps, saying hi, and
I stash Nico's panties in my pocket. Behind me, other people hustle the last few steps to
catch the door before it swings shut. Believe it or not, you know everybody here.
These people are legends. Every single one of these men and women you've heard
about for years.
In the 1950s a leading vacuum cleaner tried a little design improvement. It added a
spinning propeller, a razor-sharp blade mounted a few inches inside the end of the
vacuum hose. Inrushing air would spin the blade, and the blade would chop up any lint or
string or pet hair that might clog the hose.
At least that was the plan.
What happened is a lot of these men raced to the hospital emergency room with their
dicks mangled.
At least that's the myth.
That old urban legend about the surprise party for the pretty housewife, how all her
friends and family hid in one room, and when they burst out and yelled "Happy birthday"
they found her stretched out on the sofa with the family dog licking peanut butter from
between her legs . . .
Well, she's real.
The legendary woman who gives head to guys who are driving, only the guy loses
control of his car and hits the brakes so hard the woman bites him in half, I know them.
Those men and women, they're all here.
These people are the reason every emergency room has a diamond-tipped drill. For
tapping a hole through the thick bottoms of champagne and soda bottles. To relieve the
suction.
These are the people who come waddling in from the night, saying they tripped and
fell on the zucchini, the lightbulb, the Barbie doll, the billiard balls, the struggling gerbil.
See also: The pool cue.
See also: The teddy bear hamster.
They slipped in the shower and fell, bull's-eye, on a greased shampoo bottle. They're
always being attacked by a person or persons unknown and assaulted with candles, with
baseballs, with hard-boiled eggs, flashlights, and screwdrivers that now need removing.
Here are the guys who get stuck in the water inlet port of their whirlpool hot tub.
Halfway down the hallway to Room 234, Nico pulls me against the wall. She waits
until some people have walked past us and says, "I know a place we can go."
Everybody else is going into the pastel Sunday school room, and Nico smiles after
them. She twirls one finger next to her ear, the international sign language for crazy, and
she says, "Losers." She pulls me the other way, toward a sign that says Women.
Among the folks in Room 234 is the bogus county health official who calls to quiz
fourteen-year-old girls about the appearance of their vagina.
Here's the cheerleader who gets her stomach pumped and they find a pound of
sperm. Her name is Lou Ann.
The guy in the movie theater with his dick stuck through the bottom of a box of
popcorn, you can call him Steve, and tonight his sorry ass is sitting around a paint-stained
table, squeezed into a child's plastic Sunday school chair.
All these people you think are a big joke. Go ahead and frigging laugh your frigging
head off.
These are sexual compulsives.
All these people you thought were urban legends, well, they're human. Complete
with names and faces. Jobs and families. College degrees and arrest records.
In the women's room, Nico pulls me down onto the cold tile and squats over my hips,
digging me out of my pants. With her other hand, Nico cups the back of my neck and
pulls my face, my open mouth, into hers. Her tongue wrestling against my tongue, she's
wetting the head of my dog with the pad of her thumb. She's pushing my jeans down off
my hips. She lifts the hem of her dress in a curtsey with her eyes closed and her head
tilted a little back. She settles her pubes hard against my pubes and says something
against the side of my neck.
I say, "God, you're so beautiful," because for the next few minutes I can.
And Nico pulls back to look at me and says, "What's that supposed to mean?"
And I say, "I don't know." I say, "Nothing, I guess." I say, "Never mind."
The tile smells disinfected and feels gritty under my butt. The walls go up to an
acoustical tile ceiling and air vents furry with dust and crud. There's that blood smell
from the rusty metal box for used napkins.
"Your release form," I say. I snap my fingers. "Did you bring it?"
Nico lifts her hips a little and then drops, lifts and settles herself. Her head still back,
her eyes still closed, she fishes inside the neckline of her dress and brings out a folded
square of blue paper and drops it on my chest.
I say, "Good girl," and take the pen clipped on my shirt pocket.
A little higher each time, Nico lifts her hips and sits down hard. Grinding a little
front to back. With a hand planted on the top of each thigh, she pushes herself up, then
drops.
"Round the world," I say. "Round the world, Nico."
She opens her eyes maybe halfway and looks down at me, and I make a stirring
motion with the pen, the way you'd stir a cup of coffee. Even through my clothes, I'm
getting the grid of the tile engraved in my back.
"Round the world, now," I say. "Do it for me, baby."
And Nico closes her eyes and gathers her skirt around her waist with both hands. She
settles all her weight on my hips and swings one foot over my belly. She swings the other
foot around so she's still on me, but facing my feet.
"Good," I say and unfold the blue paper. I spread it flat against her round humped
back and sign my name at the bottom, on the blank that says sponsor. Through her dress,
you can feel the thick back of her bra, elastic with five or six little wire hooks. You can
feel her rib bones under a thick layer of muscle.
Right now, down the hall in Room 234 is the girlfriend of your best friend's cousin,
the girl who almost died banging herself on the stick shift of a Ford Pinto after she ate
Spanish fly. Her name is Mandy.
There's the guy who snuck into a clinic in a white coat and gave pelvic exams.
There's the guy who always lies in his motel room, naked on top of the covers with
his morning boner, pretending to sleep until the maid walks in.
All those rumored friends of friends of friends of friends . . . they're all here.
The man crippled by the automatic milking machine, his name is Howard.
The girl hanging naked from the shower curtain rod, half dead from autoerotic
asphyxiation, she's Paula and she's a sexaholic.
Hello, Paula.
Give me your subway feelers. Your trench coat flashers.
The men mounting cameras inside the lip of some women's room toilet bowl.
The guy rubbing his semen on the flaps of deposit envelopes at automatic tellers.
All the peeping toms. The nymphos. The dirty old men. The restroom lurkers. The
handballers.
All these sexual bogeymen and -women your mom warned you about. All those
scary cautionary tales.
"We're all here. Alive and unwell.
This is the twelve-step world of sexual addiction. Compulsive sexual behavior.
Every night of the week, they meet in the back room of some church. In some community
center conference room. Every night, in every city. You even have virtual meetings on
the Internet.
My best friend, Denny, I met him at a sexaholics meeting. Denny had got up to the
point where he needed to masturbate fifteen times a day just to break even. Anymore, he
could barely make a fist, and he was worried about what all that petroleum jelly might do
to him, long term.
He'd considered changing to some lotion, but anything made to soften skin seemed to
be counterproductive.
Denny and all these men and women you think are so horrible or funny or pathetic,
here's where they all let their hair down. This is where we all go to open up.
Here are prostitutes and sex criminals out on a three-hour release from their
minimum-security jail, elbow to elbow with women who love gang bangs and men who
give head in adult bookstores. The hooker reunites with the John here. The molester faces
the molested.
Nico brings her big white ass almost to the top of my dog and bangs herself down.
Up and then down. Riding her guts tight around the length of me. Pistoning up and then
slamming down. Pushing off against my thighs, the muscles in her arms get bigger and
bigger. My thighs under each of her hands go numb and white.
"Now that we know each other," I say, "Nico? Would you say you liked me?"
She turns to look back over her shoulder at me, "When you're a doctor, you'll be able
to write prescriptions for anything, right?"
That's if I ever go back to school. Never underestimate the power of a medical
degree for getting you laid. I bring my hands up, each hand open against the stretched
smooth underside of each thigh. To help lift her, I figure, and she twines her cool soft
fingers through mine.
Sleeved tight around my dog, without looking back, she says, "My friends bet me
money that you're already married."
I hold her smooth white ass in my hands.
"How much?" I say.
I tell Nico that her friends might be right.
The truth is, every son raised by a single mom is pretty much born married. I don't
know, but until your mom dies it seems like all the other women in your life can never be
more than just your mistress.
In the modern Oedipal story, it's the mother who kills the father and then takes the
son. And it's not as if you can divorce your mother.
Or kill her.
And Nico says, "What do you mean all the other women? Jeez, how many are we
talking about?" She says, "I'm glad we used a rubber."
For a complete list of sexual partners, I'd have to check my fourth step. My moral
inventory notebook. The complete and relentless history of my addiction.
That's if I ever go back and complete the damn step.
For all those people in Room 234, working on their twelve steps in a sexaholics
meeting is a valuable important tool for understanding and recovering from . . . well, you
get the idea.
For me, it's a terrific how-to seminar. Tips. Techniques. Strategies for getting laid
you never dreamed of. Personal contacts. When they tell their stories, these addict people
are frigging brilliant. Plus there's the jail girls out for their three hours of sex addict talk
therapy.
Nico included.
Wednesday nights mean Nico. Friday nights mean Tanya. Sundays mean Leeza.
Leeza sweats yellow with nicotine. You can almost put your hands around her waist since
her abs are rock-hard from coughing. Tanya always smuggles in some rubber sex toy,
usually a dildo or a string of latex beads. Some sexual equivalent of the prize in a box of
cereal.
The old rule about how a thing of beauty is a joy forever, in my experience, even the
most beauteous thing is only a joy for about three hours, tops. After that, she'll want to
tell you all about her childhood traumas. Part of meeting these jail girls is its so sweet to
look at your watch and know she'll be behind bars in half an hour.
It's a Cinderella story, only at midnight she turns back into a fugitive.
It's not that I don't love these women. I love them just as much as you'd love a
magazine centerfold, a fuck video, an adult website, and for sure, for a sexaholic that can
be buckets of love. And it's not that Nico loves me much, either.
This isn't so much romance as it is opportunity. You put twenty sexaholics around a
table, night after night, and don't be surprised.
Plus the sexaholic recovery books they sell here, it's every way you always wanted to
get laid but didn't know how. Of course, all this is to help you realize you're a sex junkie.
It's delivered in a kind of "if you do any of the following things, you may be an al-
coholic" checklist. Their helpful hints include:
Do you cut the lining out of your bathing suit so your genitals show through?
Do you leave your fly or blouse open and pretend to hold conversations in glass
telephone booths, standing so your clothes gap open with no underwear inside?
Do you jog without a bra or athletic supporter in order to attract sexual partners?
My answer to all the above is, Well, I do now!
Plus, being a pervert here is not your fault. Compulsive sexual behavior is not about
always getting your dick sucked. It's a disease. It's a physical addiction just waiting for
the Diagnostic Statistical Manual to give it a code of its own so treatment can be billed to
medical insurance.
The story is even Bill Wilson, a founder of Alcoholics Anonymous, couldn't
overcome the sex monkey on his back, and spent his sober life cheating on his wife and
filled with guilt.
The story is that sex addicts become dependent on a body chemistry created by
constant sex. Orgasms flood the body with endorphins that kill pain and tranquilize you.
Sex addicts are really addicted to the endorphins, not the sex. Sex addicts have lower
natural levels of monoamine oxidase. Sex addicts really crave the peptide
phenylethylamine that might be triggered by danger, by infatuation, by risk and fear.
For a sex addict, your tits, your dick, your clit or tongue or asshole is a shot of
heroin, always there, always ready to use. Nico and I love each other as much as any
junkie loves his fix.
Nico bears down hard, bucking my dog against the front wall of her insides, using
two wet fingers on herself.
I say, "What if that cleaning woman walks in?"
And Nico stirs me around inside herself, saying, "Oh yeah. That would be so hot."
Me, I can't help imagining what kind of a big shining butt print we're going to polish
into the waxed tile. A row of sinks look down. Fluorescent lights flicker, and reflected in
the chrome pipes under each sink you can see Nico's throat is one long straight tube, her
head thrown back, eyes closed, her breath panting out at the ceiling. Her big flower-print
breasts. Her tongue hangs off to one side. The juice coming off her is scalding hot.
To keep from triggering I say, "What all did you tell your folks about us?"
And Nico says, "They want to meet you."
I think about the perfect thing to say next, but it doesn't really matter. You can say
anything here. Enemas, orgies, animals, admit to any obscenity, and nobody is ever
surprised.
In Room 234, everybody compares war stories. Everybody takes their turn. That's the
first part of the meeting, the check-in part.
After that they'll read the readings, the prayer things, they'll discuss the topic for the
night. They'll each work on one of the twelve steps. The first step is to admit you're
powerless. You have an addiction, and you can't stop. The first step is to tell your story,
all the worst parts. Your lowest lows.
The problem with sex is the same as with any addiction. You're always recovering.
You're always backsliding. Acting out. Until you find something to fight for, you settle
for something to fight against. All these people who say they want a life free from sexual
compulsion, I mean forget it. I mean, what could ever be better than sex?
For sure, even the worst blow job is better than, say, sniffing the best rose . . .
watching the greatest sunset. Hearing children laugh.
I think that I shall never see a poem as lovely as a hot-gushing, butt-cramping, gut-
hosing orgasm.
Painting a picture, composing an opera, that's just something you do until you find
the next willing piece of ass.
The minute something better than sex comes along, you call me. Have me paged.
None of these people in Room 234 are Romeos or Casanovas or Don Juans. These
aren't Mata Haris or Salomes. These are people you shake hands with every day. Not
ugly, not beautiful. You stand next to these legends on the elevator. They serve you
coffee. These mythological creatures tear your ticket stub. They cash your paycheck.
They put the Communion wafer on your tongue.
In the women's room, inside Nico, I cross my arms behind my head.
For the next I don't know how long, I've got no problems in the world. No mother.
No medical bills. No shitty museum job. No jerk-off best friend. Nothing.
I feel nothing.
To make it last, to keep from triggering, I tell Nice's flowered backside how beautiful
she is, how sweet she is and how much I need her. Her skin and hair. To make it last.
Because this is the only time I can say it. Because the moment this is over, we'll hate each
other. The moment we find ourselves cold and sweating on the bathroom floor, the
moment after we both come, we won't want to even look at each other.
The only person we'll hate more than each other is ourselves.
These are the only few minutes I can be human.
Just for these minutes, I don't feel lonely.
And riding me up and down, Nico says, "So when do I get to meet your mom?"
And, "Never," I say. "That's impossible, I mean."
And Nico, her whole body clenched and jacking me with her boiling wet insides, she
says, "She in prison or a loony bin or something?"
Yeah, for a lot of her life.
Ask any guy about his mom during sex, and you can delay the big blast forever.
And Nico says, "So is she dead now?"
And I say, "Sort of."
摘要:

CHOKEbyChuckPalahniuk________________________________________Copyright©2001byChuckPalahniukAnchorISBN:0-385-72092-0BookdesignbyDanaLeighTregliaeBookscanned&proofedbyBinwiped11-21-02Chapter1IFYOU'REGOINGTOREADTHIS,DON'TBOTHER.Afteracouplepages,youwon'twanttobehere.Soforgetit.Goaway.Getoutwhileyou'res...

展开>> 收起<<
Chuck Palahniuk - Choke.pdf

共138页,预览10页

还剩页未读, 继续阅读

声明:本站为文档C2C交易模式,即用户上传的文档直接被用户下载,本站只是中间服务平台,本站所有文档下载所得的收益归上传人(含作者)所有。玖贝云文库仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对上载内容本身不做任何修改或编辑。若文档所含内容侵犯了您的版权或隐私,请立即通知玖贝云文库,我们立即给予删除!
分类:外语学习 价格:5.9玖币 属性:138 页 大小:646.66KB 格式:PDF 时间:2024-12-07

开通VIP享超值会员特权

  • 多端同步记录
  • 高速下载文档
  • 免费文档工具
  • 分享文档赚钱
  • 每日登录抽奖
  • 优质衍生服务
/ 138
客服
关注