to determine without any true frame of reference.” Johann suddenly brightened. “But it
doesn’t matter if today is really your birthday, or not,” he said. “Because we are going to
celebrate anyway ... Wait here for a moment, I’ll be right back.”
Johann dashed out of the main cave and turned left, into the plaza where the
perpetual fire burned. Around behind the fire, in a barricaded alcove beside one of the
smaller caves, he had hidden all of Maria’s birthday presents in a decorated wheelbarrow
He removed the barricade, grabbed the handles of the wheelbarrow, and drove it back to
the entrance to the cave.
“All right, young lady;” he said. “It’s time for your presents.”
Maria stepped out into the artificial daylight. She removed the decorative fabric
fiom the top of the wheelbarrow and began rummaging through her new toys. Each of
them had been painstakingly created by Johann during the weeks before her birthday
from materials that he had collected from the island and the lake. There was a new; larger
abacus, several pieces of furniture for the tiny houses in their make-believe city on the
sand beside the lake, a pair of small carved dogs, new costumes for both the Siegfried and
Brunhild marionettes that Johann used to illustrate his Wagnerian stories, and three
human figurines, about twenty centimeters high, two men and a woman, wearing robes
that covered their bodies from just below the neck down to their ankles.
The delighted little girl held the three figurines close to her face, so that she could
see them more clearly “This must be Brother Ravi,” she said after a moment’s exaniuna-
non. Johann nodded. “And these two are Sister Nuba and BrotherJose.”
Maria carried the figurines into the cave and placed them on a shelf that had been
built against the wall behind her bed. On that same shelf were eight other human figu-
rines, the tallest of which bore a striking resemblance toJohann. Maria surveyed her
collection with satisfaction.
“I have them all now;” she said. “You, Mother, Father, Sister Vivien, Kwame,
Anna, Fernando, and Satoko, and now these three.” She spun around and ran back toward
Johann, literally jumping into his arms this time. “Thanks again, Johann,” she said. “I
could not have asked for better presents."
In a few seconds she wriggled out of his arms and returned to the wheel-barrow to
pull out the carved dogs and the doll furniture. “Come on,” she said, running off toward
the lake. “Let’s go play—we can eat the cake later, after lunch.”
Johann followed her down the path toward the water.
ON THE SAND beside the lake what had originally been built as a small town,
named Potsdam after Johann’s boyhood home, had now grown into an extended ciw Con-
struction on their city in the sand had been ongoing for over a year by the time Johann
and Maria celebrated her eighth birthday Their play together in Potsdam offered Jo-hams
a perfect means of introducing the girl to a wide range of human endeavors and activities
that would have been utterly foreign to her otherwise. The concepts of family, marriage,
divorce, school, work, money, and other items that would have been familiar to any
normal eight-year-old on Earth meant nothing to Maria, who had never seen any human
beings other than Johann. She was fascinated by his descriptions of the daily lives of the
people in their tiny houses, descriptions which Johann, who lacked a fertile imagination,
drew completely from his own childhood memories of the people who lived on his block
in Kiezstrasse in Potsdam.
Potsdam was Maria’s favorite play activity, and time with Johann on the sand in
and around their city was often her reward for outstanding performance during the
morning school lessons that the girl tolerated only because they were so important to
Johann. Maria had little or no interest in spelling, or multiplication tables, or Earth
geography, but she did her lessons brilliantly so that she could spend more time sitting
beside Johann on the beach and creating a new school complex, or a shopping center, or a