rounded forearm and her lovely face, exaggerating the breadth of her forehead and the
perfect cut of her lips, emphasising the extraordinary bloom of her complexion. Her
anxiety for the crumpet did away with the usual reserve of her expression; she had her
younger sister's trick of showing the tip of her tongue when she was concentrating, and
this, with so high a degree of beauty, gave her an absurdly touching appearance. He
looked at her with great complacency, feeling an odd constriction at his heart, a feeling
without a name: she was engaged to be married to his particular friend, Captain Aubrey of
the Navy; she was his patient; and they were as close as a man and a woman can be
where there is no notion of gallantry between them - closer, perhaps, than if they had
been lovers, He said, 'This is an elegant crumpet, Sophie, to be sure: but it must be the
last, and I do not recommend another for you, my dear, either. You are getting too fat. You
were quite haggard and pitiful not six months ago; but the prospect of marriage suits you, I
find. You must have put on half a stone, and your complexion. . . Sophie, why do you
thread, transpierce another crumpet? Who is that crumpet for? For whom is that crumpet,
say?'
'It is for me, my dear. Jack said I was to be firm
- Jack loves firmness of character. He said that Lord Nelson. . .'
Far, far over the still and almost freezing air came the sound of a horn on Polcary Down.
They both turned to the window. 'Did they kill their fox, I wonder, now?' said Stephen. 'If
Jack were home, he would know, the animal.'
'Oh, I am so glad he is not out there on that wicked
great bay,' said Sophia. 'It always managed to get him off, and I was always afraid he
would break his leg, like young Mr Savile. Stephen, will you help me draw the curtain?'
'I low she has grown up,' said Stephen privately. And aloud, as he looked out of the
window, holding the cord in one hand, 'What is the name of that tree? The slim exotic,
standing Ofl the lawn?'
'We call it the pagoda-tree. It is not a real pagoda-tree, but that is what we call it. My uncle
Palmer, the traveller, planted it; and he said it was very like.'
As soon as she had spoken Sophia regretted it - she regretted it even before the sentence
was out, for she knew where the word might lead Stephen's mind.
These uneasy intuitions are so often right: to anyone who had the least connection with
India the pagoda-tree must necessarily be associated with those parts. Pagodas were
small gold coins resembling its leaves, and shaking the pagoda-tree meant making an
Indian fortune, becoming a nabob - a usual expression. Both Sophia and Stephen were
concerned with India, because Diana Villiers was said to be there, with her lover and
indeed keeper Richard Canning. Diana was Sophia's cousin, once her rival for the
affections of Jack Aubrey, and at the same time the object of Stephen's eager, desperate
pursuit - a dashing young woman of surprising charms and undaunted firmness of
character, who had been very much part of their lives until her elopement with Mr
Canning. She was the black sheep of the family, of course, the scabbed ewe, and in
principle her name was never mentioned at Mapes; yet it was surprising how much they
knew about her movements and how great a place she occupied in their thoughts.