
The scrawny little dink behind Playmate kept trying to peek around him. He never stopped talking.
He strengthened his case constantly with remarks like, “Is that him, Play? He ain’t much. From the way
you talked I thought he was gonna be ten feet tall.”
I said, “I am, kid. But I’m not on duty right now.” Cypres Prose had a nasal edge on a cracking
soprano voice that I found extremely irritating. I wanted to clout him upside the head and tell him to
speak Karentine like a man.
Oh, boy! After closer appraisal I saw that Prose wasn’t as old as I’d thought.
Now I knew how he’d survived the Cantard. By being too young to have gone.
Playmate put on a big-eyed, pleading face. “He’s as bright as the sun, Garrett, but not real long on
social skills.”
The boy managed to wriggle past Playmate’s brown bulk. Ah, this child was definitely the sort who
got himself pounded regularly because he just couldn’t get his brilliance wrapped around the notion of
keeping his mouth shut. He just naturally had to tell large, slow-witted, overmuscled, swift-tempered
types that they were wrong. About whatever it was they were wrong about. What would not matter.
I observed, “And the truth shall bring you great pain.”
“You understand.” Playmate sighed.
“But don’t hardly sympathize.” I grabbed the kid as he tried to weasel his million freckles into the
small front room. “Not with somebody who just can’t make the connection between cause and effect
where people are concerned.” I shifted my grip, brought the kid’s right arm up behind his back.
Eventually he recognized a connection between pain and not holding still.
The Goddamn Parrot decided this was the ideal moment to begin preaching, “I know a girl who
lives in a shack . . . ” Playmate’s friend turned red.
I said, “Why don’t we go into my office?” My office is a custodian’s closet with delusions of
grandeur. Playmate is big enough to clog the doorway all by himself. We could manage the kid in there.
If I dragged him inside first.
In passing I noted that my partner had no obvious, immediate interest in participating—beyond
being amused at my expense. Same old story. Everybody takes advantage of Mama Garrett’s favorite
boy.
“In there, Kip!” Playmate is a paragon of patience. This kid, though, was taking him to his limit. He
laid a huge hand on the boy’s shoulder, pinched. That would smart. Playmate can squeeze chunks of
granite into gravel. I turned loose, went and got behind my desk. I like to think I look good back there.
Playmate set Cypres Prose in the client’s chair. He stood behind the kid, one hand always on the
boy’s shoulder, as though the kid might get away if he wasn’t restrained every second. For the time
being, though, the boy was focused. Totally.
He had discovered Eleanor.
She’s the central figure in the painting that hangs behind my desk. That portrays a terrified woman
fleeing from a looming, shadowy manor house that has a lamp burning in one high window. The
surrounding darkness reeks of evil menace. The painting has a lot of dark magic in it. Once upon a time
it had a whole lot more. It helped nail Eleanor’s killer.
At one time, if you were evil enough, you might see your own face portrayed in the shadowy
margins.
Eleanor had poleaxed my young visitor. She startles everyone at first glimpse but this reaction was
exceptional.