Egyptian Myth and Legend (Mackenzie, Donald)

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EGYPTIAN MYTH AND LEGEND
With Historical Narrative, Notes on Race Problems, Comparative Beliefs, etc.
by
Donald Mackenzie
Gresham Publishing Co., London
[1907]
Scanned at sacred-texts.com, April 2002, J. B. Hare, Redactor
PREFACE
In this volume the myths and legends of ancient Egypt are embraced in a
historical narrative which begins with the rise of the great Nilotic civilization and
ends with the Græco-Roman Age. The principal deities are dealt with chiefly at
the various periods in which they came into prominence, while the legends are so
arranged as to throw light on the beliefs and manners and customs of the ancient
people. Metrical renderings are given of such of the representative folk songs and
poems as can be appreciated at the present day.
Egyptian mythology is of highly complex character, and cannot be considered
apart from its racial and historical aspects. The Egyptians were, as a Hebrew
prophet has declared, a "mingled people", and this view has been confirmed by
recent ethnological research: "the process; of racial fusion begun in the Delta at
the dawn of history", says Professor Elliot Smith, "spread through the whole land
of Egypt". In localities the early Nilotic inhabitants accepted the religious beliefs
of settlers, and fused these with their own. They also clung tenaciously to the
crude and primitive tribal beliefs of their remote ancestors, and never abandoned
an archaic conception even when they acquired new and more enlightened ideas;
they accepted myths literally, and regarded with great sanctity ancient ceremonies
and usages. They even
p. iv
showed a tendency to multiply rather than to reduce the number of their gods and
goddesses, by symbolizing their attributes. As a result, we find it necessary to deal
with a bewildering number of deities and a confused mass of beliefs, many of
which are obscure and contradictory. But the average Egyptian was never
dismayed by inconsistencies in religious matters: he seemed rather to be fascinated
by them. There was, strictly speaking, no orthodox creed in Egypt; each
provincial centre had its own distinctive theological system, and the religion of an
individual appears to have depended mainly on his habits of life. "The Egyptian",
as Professor Wiedemann has said, "never attempted to systematize his conceptions
of the different divinities into a homogeneous religion. It is open to us to speak of
the religious ideas of the Egyptians, but not of an Egyptian religion."
In our introduction we deal with the divergent character of some of the ancient
myths so as to simplify the study of a difficult but extremely fascinating subject. It
is shown that one section of the people recognized a Creator like Ptah, who begot
himself and "shaped his limbs" ere he fashioned the Universe, while another
section perpetuated the idea of a Creatrix who gave birth to all things. At the
dawn of history these rival conceptions existed side by side, and they were
perpetuated until the end. It is evident, too, that the theologies which were based
on these fundamental ideas had undergone, ere the fusion of peoples occurred, a
sufficiently prolonged process of separate development to give them a racial, or, at
any rate, a geographical significance. As much is suggested by the divergent ideas
which obtained regarding the world. One section, for instance, had conceived of
land surrounded by sky-supporting mountains, peopled by gods and giants, round
which the sun ass
p. v
galloped to escape the night serpent; another section believed that the world was
embraced by the "Great Circle"--Ocean--and that the Nile flowed from sea to sea;
a third conception was of a heavenly and an underground Nile. There were also
two Paradises--the Osirian and the Ra (sun god's). Osiris judged men according to
their deeds. He was an agricultural deity, and the early system of Egyptian ethics
seems to have had its origin in the experiences enshrined in the text: "Whatsoever
a man soweth that shall he also reap". Admission to the Paradise of the sun cult
was secured, on the other hand, by the repetition of magical formulæ. Different
beliefs obtained also regarding the mummy. In the
Book of the Dead
it would
appear that the preservation of the body was necessary for the continued existence
of the soul. Herodotus, however, was informed that after a period of 3000 years
the soul returned to animate the dead frame, and this belief in transmigration of
souls is illustrated in the Anpu-Bata story, and is connected with a somewhat
similar conception that the soul of a father passed to a son, who thus became "the
image of his sire", as Horus was of Osiris, and "husband of his mother".
Of special interest in this connection are the various forms of the archaic chaos-
egg myth associated with the gods Ptah, Khnûmû, Seb, Osiris, and Ra. As the
European giant hides his soul in the egg, which is within the duck, which is within
the fish, which is within the deer and so on, and Bata hides his soul in the
blossom, the bull, and the tree ere he becomes "husband of his mother", so does
Osiris "hide his essence in the shrine of Amon", while his manifestations include a
tree, the Apis bull, the boar, the goose, and the Oxyrhynchus fish. Similarly when
Set was slain he became a "roaring serpent", a hippopotamus, a crocodile, or a
boar. The souls of Ra,
p. vi
Ptah, and Khnûmû are in the chaos egg like two of the prominent Hindu and
Chinese gods. Other Egyptian deities who are "hidden" include Amon, Sokar, and
Neith. This persistent myth, which appears to have been associated with belief in
transmigration of souls, may be traced even in Akhenaton's religion. We have
"Shu (atmosphere god) in his Aton (sun disk)", and a reference in the famous
hymn to the "air of life" in the "egg". There can be little doubt that the
Transmigration theory prevailed at certain periods and in certain localities in
ancient Egypt, and that the statement made by Herodotus was well founded,
despite attempts to discredit it.
It is shown that the conception of a Creator was associated with that form of earth,
air, and water worship which was perpetuated at Memphis, where the presiding
Deity was the hammer god Ptah, who resembles the Chinese Pan-ku, Indra of the
Aryans, Tarku and Sutekh of Asia Minor, Hercules, Thor, &c. The Creatrix, on
the other hand, was more closely associated with lunar, earth, and water worship,
and appears to have been the principal Deity of the Mediterranean race which
spread into Asia Minor and Europe. In Scotland, for instance, as we show, she is
called Cailleach Bheur, and, like other archaic tribal deities and ghosts, she was
the enemy of mankind. Similarly the Egyptian goddesses Sekhet and Hathor were
destroyers, and Tefnut was goddess of plagues. Even the sun god Ra "produced
calamity after thy (Osiris's) heart", as one of the late temple chants puts it.
In the chapter dealing with animal worship the racial aspect of early beliefs, which
were connected with fixed and definite ceremonies, is illustrated in the Horus-Set
myth. The "black pig" was Set (the devil) in Egypt, pork was "taboo", and the
swineherd was regarded as
p. vii
"an abomination", and not allowed to enter temples. The Gauls and Achæans, on
the other hand, honoured the swineherd and ate pork freely, while in the Teutonic
Valhal and the Celtic (Irish) Paradise, swine's flesh was the reward of heroes. In
Scotland, however, the ancient prejudice against pork exists in localities even at
the present day, and the devil is the "black pig". Professor Sir John Rhys, in his
Celtic Folklore
, records that in Wales the black sow of All-Hallows was similarly
regarded as the devil. Even in parts of Ireland the hatred of pork still prevails,
especially among certain families. This evidence, considered with that afforded by
the study of skull forms, suggests that Mediterranean racial ideas may not yet be
wholly extinct in our own country." Strange to say," writes Mr. R. N. Bradley, in
his recent work on
Malta and the Mediterranean Race
, "it is in these lands remote
from the origin that some of the best indications of the (Mediterranean) race are to
be found." The Gaulish treatment of the boar appears to be Asiatic. Brahma, in
one of the Hindu creation myths, assumes the form of a boar, the "lord of
creatures", and tosses up the earth with his tusks from the primordial deep.
Another myth which seems to havoc acquired a remote racial colouring is the
particular form of the dragon story which probably radiated from Asia Minor.
The hero is represented in Egypt by Horus, with his finger on his lips, in his
character as Harpocrates, as the Greeks named this mysterious form of the god.
The god Sutekh of Rameses II, as we show, was also a dragon slayer. So was
Hercules, who fought with the Hydra, and Thor, who at Ragnarok overcame the
Midgard Serpent. Sigurd, Siegfried, the Teutonic heroes, and the Celtic Finn-
mac-Coul suck a finger or thumb after slaying the dragon, or one of its forms, and
cooking part of it, to
p. viii
obtain "knowledge" or understand "the language of birds". In an Egyptian folk tale
Ahura, after killing the "Deathless Snake", similarly understands "the language of
birds, fishes", &c. Harpocrates appears to be the god Horus as the dragon-slaying
Sutekh, the imported legend being preserved in the Ahura tale of the Empire
period, when Egypt received so many Asiatic immigrants that the facial type
changed as the statuary shows. Professor Elliot Smith considers that while the
early Egyptian was "the representative of his kinsman the Neolithic European . . .
the immigrant population into both Europe and Egypt" represented "two streams
of the same Asiatic folk". Racial myths appear to have followed in the tracks of the
racial drift.
In our historical narrative the reader is kept in touch with the great civilizations of
the Cretans, Hittites, Babylonians, Assyrians, &c., which influenced and were
influenced. by Egypt. Special attention is also devoted to Palestine and the great
figures in Biblical narrative--Joseph, Moses, Isaiah, Jeremiah, Nahum, and the
notable kings of Israel and Judah. There are numerous quotations from the Old
Testament, and especially from the prophets who dealt with the political as well as
the religious problems of their times. To students of the Bible this part of the
volume should make special appeal. It is impossible to appreciate to the full the
power and sagacity of Isaiah's sublime utterances without some knowledge of the
history of ancient Egypt.
DONALD A. MACKENZIE
CONTENTS
CHAP. Page
INTRODUCTION xvii
I. CREATION LEGEND OF SUN WORSHIPPERS 1
II. THE TRAGEDY OF OSIRIS 15
III. DAWN OF CIVILIZATION 30
IV. THE PEASANT WHO BECAME KING 45
V. RACIAL MYTHS IN EGYPT AND EUROPE 62
VI. THE CITY OF THE ELF GOD 77
VII. DEATH AND THE JUDGMENT 87
VIII. THE RELIGION OF THE STONE WORKERS 102
IX. A DAY IN OLD MEMPHIS 116
X. THE GREAT PYRAMID KINGS 131
XI. FOLK TALES OF FIFTY CENTURIES 142
XII. TRIUMPH OF THE SUN GOD 155
XIII. FALL OF THE OLD KINGDOM 171
XIV. FATHER GODS AND MOTHER GODDESSES 185
XV. THE RISE OF AMON 195
XVI. TALE OF THE FUGITIVE PRINCE 207
XVII. EGYPT'S GOLDEN AGE 221
XVIII. MYTHS AND LAYS OF THE MIDDLE KINGDOM 234
XIX. THE ISLAND OF ENCHANTMENT 228
XX. THE HYKSOS AND THEIR STRANGE GOD 252
XXI. JOSEPH AND THE EXODUS 268
XXII. AMON, THE GOD OF EMPIRE 280
XXIII. TALK OF THE DOOMED PRINCE 294
XXIV. CHANGES IN SOCIAL AND RELIGIOUS LIFE 302
XXV. AMENHOTEP THE MAGNIFICENT AND QUEEN TIY 316
XXVI. THE RELIGIOUS REVOLT OF THE POET KING 325
XXVII. THE EMPIRE OF RAMESES AND THE HOMERIC AGE 338
XXVIII. EGYPT AND THE HEBREW MONARCHY 352
XXIX. THE RESTORATION AND THE END 363
PLATES IN COLOR
THE GIRL WIFE AND THE BATA BULL p. 194a
THE FARMER PLUNDERS THE PEASANT p. 194b
SENUHET SLAYS THE WARRIOR OF TONU p. 194c
QUEEN AHMES (WIFE OF THOTHMES I) p. 194d
LURING THE DOOM SERPENT p. 194e
FOWLING SCENE p. 194f
FARM SCENE p. 194g
PASTIME IN ANCIENT EGYPT THREE THOUSAND YEARS AGO p.
194h
PLATES IN MONOCHROME
Facing page
LUNAR, SOLAR, AND EARTH GODS (THOTH, OSIRIS-AH, PTAH, RA, AND SET) 16
OSIRIS, ISIS, AND HORUS 17
SACRED ANIMALS 70
FIGURE OF THE APIS BULL, WITH A KING MAKING OFFERING 71
THE STEP PYRAMID OF SAKKARA 100
JUDGMENT SCENE: WEIGHING THE HEART 101
SERVITORS BRINGING THEIR OFFERINGS 108
"USHEBTIU" FIGURES OF VARIOUS PERIODS 109
A SEATED SCRIBE 124
AN OLD KINGDOM OFFICIAL ("SHEIKH-EL-BELED") 125
THE GREAT PYRAMID OF KHUFU (CHEOPS) 138
KING KHAFRA (IV DYNASTY) 139
NEFERT, A ROYAL PRINCESS OF THE OLD KINGDOM PERIOD 190
THREE TYPICAL "GREAT MOTHER" DEITIES (ISIS, BAST, AND SEKHET) 191
COURTYARD OF AN EGYPTIAN TEMPLE (RESTORED) 238
LOCAL GODS WITH ADDED SOLAR AND OTHER AT TRIBUTES (KHNÛMÛ,
SEBEK, MIN, BES, ANUBIS)
239
EGYPTIAN CHARIOT (FLORENCE MUSEUM) 278
EGYPTIAN KING (SETI I) MOUNTED ON CHARIOT 278
A PLATOON (TROOP) OF EGYPTIAN SPEARMEN 279
DEITIES OF THE EMPIRE PERIOD (AMON-RA, MUT, AND HAPI) 288
RUINS OF THE TEMPLE OF DER-EL-BAHARI, THEBES 289
AMENHOTEP III 326
AMENHOTEP IV (AKHENATON) 327
AKHENATON, HIS QUEEN, AND THEIR CHILDREN 348
MUMMY HEADS OF NOTABLE PHARAOHS (THOTHMES II, RAMESES II.
RAMESES III, SETI I)
349
GREAT SEA AND LAND RAID: PHILISTINE PRISONERS 356
AMON PRESENTING TO SHESHONK LIST OF CITIES CAPTURED IN ISRAEL
AND JUDAH
357
RESTORATION PERIOD DEITIES (PTAH -SOKAR -OSIRIS, IMHOTEP) 374
MUMMY CASES 375
p. xvii
INTRODUCTION
"CLEOPATRA'S NEEDLE", on the Thames Embankment, affords us an
introduction to ancient Egypt, "the land of marvels" and of strange and numerous
deities. This obelisk was shaped from a single block of red granite quarried at
Assouan by order of one of the old Pharaohs; it is 68 feet 5½, inches high, and
weighs 186 tons. Like one of our own megalithic monuments, it is an interesting
relic of stone worship. Primitive man believed that stones were inhabited by
spirits which had to be propitiated with sacrifices and offerings, and, long after
higher conceptions obtained, their crude beliefs survived among their
descendants. This particular monument was erected as a habitation for one of the
spirits of the sun god; in ancient Egypt the gods were believed to have had many
spirits.
The "Needle" was presented to the British Government in 1820, and in 1877-8
was transported hither by Sir Erasmus Wilson at a cost of £10,000. For about
eighteen centuries it had been a familiar object at Alexandria. Its connection with
the famous Queen Cleopatra is uncertain; she may have ordered it to be removed
from its original site on account of its archæological interest, for it was already old
in her day. It was first erected at Heliopolis thirty-two centuries ago. But even
then Egypt was a land of ancient memories; the great Pyramids,
p. xviii
near Cairo, were aged about 500 years, and the Calendar had been in existence for
over fourteen centuries.
Heliopolis, "the city of the sun", is called On in the Bible. It was there that Moses
was educated, and became "mighty in word and in deed". Joseph had previously
married, at On, Asenath, the daughter of Potiphera, a priest of the sun temple, the
site of which, at modern Matarieh, is marked by an erect obelisk of greater
antiquity even than the "Needle". Near by are a holy well and a holy tree, long
invested with great sanctity by local tradition. Coptic Christians and native
Mohammedans still relate that when Joseph and Mary fled with the infant Christ
into Egypt, to escape the fierce King Herod, they rested under the tree, and that
Mary washed in the well the swaddling clothes of the holy child.
When "Cleopatra's Needle" was erected at On, which is also called Beth-
shemesh 1, "the house of the sun god", in the Hebrew Scriptures, the priests
taught classes of students in the temple colleges. For about thirty centuries the
city was the Oxford of Egypt. Eudoxus and Plato, in the course of their travels,
visited the priestly professors and heard them lecture. As ancient tradition has
credited Egypt with the origin of geometry, Euclid, the distinguished
mathematician, who belonged to the brilliant Alexandria school, no doubt also
paid a pilgrimage to the ancient seat of learning. When he was a student he must
摘要:

EGYPTIANMYTHANDLEGENDWithHistoricalNarrative,NotesonRaceProblems,ComparativeBeliefs,etc.byDonaldMackenzieGreshamPublishingCo.,London[1907]Scannedatsacred-texts.com,April2002,J.B.Hare,RedactorPREFACEInthisvolumethemythsandlegendsofancientEgyptareembracedinahistoricalnarrativewhichbeginswiththeriseoft...

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