
Kate puffed twice and put the thing down. As expected, she felt nothing from it just at first. The few
times that she had tried, in school, nothing at all had happened to her. The few times after that had always
resulted in a pleasant high, with slow onset and letdown. She wouldn't be surprised if it was nothing at all
again tonight; quite likely she was just too keyed up, too nervous, though why she should be . . .
". . . play games in a little while, you know, identities and such." Craig was back at her side, finishing a
statement whose beginning Kate had somehow missed. "And someone else is coming, Sabrina, someone
I want you to meet. I've mentioned you to him, and he's very interested."
"Oh? My Canadian background?"
Craig's eyes were sparkling with some inner amusement under their dark brows. But now his attention
was forced away by someone else, a blondish boy with a loud mouth, who had some interminable
anecdote to tell him, as one insider to another. Craig responded with off-hand but deliberate insults,
which the loud one laughed at foolishly.
Kate almost tripped over the tall girl, then sat down beside her on the thick, burgundy-colored carpet.
"What sort of games is he talking about?" Kate asked. The girl said something Kate couldn't catch. Very
loud music was starting in the next room. The Pointer Sisters?
Upon the wall that Kate was facing there hung an Escher print, the circle of lizards crawling up out of the
flat surface of the drawing-within-the-drawing, crawling up and around an improvised ramp of books and
geometric solids, to ease themselves at last down into the flat again, where in three shades of gray their
bodies formed a tessellated pattern. Kate willed for a moment to lose herself in the intricacies of the plan,
but her mind was too restless.
She looked around abruptly, with the feeling that someone, no one she knew, had just called her real
name: a loud, rude calling in a strange man's voice. But no one else seemed to have noticed it at all. And
the voice seemed to have come, now that she thought about it, directly into her mind, not through her
ears. Dear Kate, she warned herself, neither you nor Sabrina had better smoke any more tonight.
Restlessness pulled her to her feet. A bar-on-a-cart offered bottles and glasses and ice. Shouldn't mix
with the other stuff, but just a taste was not going to do her any harm. In her hand, a glass half-filled with
white wine, she wandered, mocking a slinky tall-model walk, up to a window of very solid, unopenable
glass that looked out far above the endless chains of headlights and taillights of the Drive. Beyond the few
additional streetlamps that were scattered through the park, the lake stretched out to the edge of
everything, a vast black invisibility like death.
One of the nameless boys she had just met came to the window too, ice cubes tinkling in his glass like
Christmas music. God, the shopping she had yet to do. What was she here for, anyway? Trying to prove
a point to Joe, who didn't know where she was, and who, when she told him, would fail to get the—
Her name again, but still unspoken.
Looking down a vista of the apartment's archways, Kate saw a huge, dark-haired man standing gazing
toward her. An early Orson Welles, but harder-faced, in a brown coat made of one of those rich
fake-furs, like her own blue. Or maybe in his case the fur was real. He was standing there as if he had
just arrived, though if her sense of the place was right, he was nowhere near the front entrance.
With a vague feeling that it was important, necessary for her to do so, Kate turned from the window and
walked toward the newcomer. No one else seemed to be paying either of them the least attention. The
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