George RR Martin - WC 7 - Deadman's hand

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Wildcards VII: Dead Man's HandDead Man's Hand
Book 7 of Wildcards
Edited by George R.R. Martin
ISBN: 0-553-28569-6
Monday July 18, 1988
5:00 A.M.
The trees were moving, though there was no wind.
He did not know how long he had been walking, or how he had gotten to this
place, but he was here, alone, and he was afraid. It was night, a night longer
and darker than any he had ever known. Moonlight painted the landscape in shades
of black and gray, but the moon was obscenely swollen, the color of rotting
flesh. He looked up at it once, and for one awful moment it seemed to pulse. He
knew he must not look again. Whatever he did, he must not look again..
He walked. On and on he walked. The gray, thin grass seemed to clutch at his
bare feet with every step, to slide greasy tendrils between his toes. And the
trees moved. Windless, they moved. Long cruel branches, barren of any leaves,
writhed and twisted as he passed, and whispered secrets he did not want to know.
If he stopped for only a moment, he would hear them clearly, he would
understand. And then, surely, he would go mad. He walked.
Beneath that sickly-sweet moonlight, things that did not bear thinking of woke
and stirred. Vast leathery wings beat against the air, filling the night with
the smell of corruption. Gaunt spider shapes, leprous and rotten, slipped
between the trees just out of sight, their legs rustling softly as they moved,
never seen but never far behind him. Once a long low moan shuddered across the
landscape, growing louder and louder until even the trees grew still and silent
and afraid.
And then, when the feeling of dread was so thick he thought he might choke on
it, he saw the subway kiosk up ahead.
It stood in the middle of the forest, bathed in that awful moonlight, but he
knew it belonged, somehow. He began to run. He seemed to be moving very slowly,
as if each stride took an eon. Slowly the mouth of the kiosk grew. The steps
descending into the dark,. the worn railing, the familiar signs; they called him
home.
Finally he reached the top of the stairs, just when he felt he could run no
farther. There were sounds behind him, but he dared not look around. He started
down the steps, holding the handrail, faint with relief. It seemed as though he
descended a long way. Trains rumbled through dark gulfs far, far below him.
Still he descended. Now he could taste the fear again. The steps twisted around
on themselves, spiraling down and down.
Then, well beneath him, he glimpsed another passenger, descending. He moved
faster, bare feet slapping against the cold stone, down and around, and saw him
again, a big man in a heavy black coat. He tried to call out to him, but here,
in this place, his voice was gone. He ran even faster. He ran until his feet
began to bleed. The steps had grown very narrow.
They opened suddenly, and he stepped out onto a long, narrow platform suspended
over a vast blackness, a darkness that swallowed all light. The other man stood
on the platform. There was something odd about his proportions, something
disturbing about the way he stood there, humped and silent. Then he turned, and
Jay saw its face, a featureless white cone that tapered to a single wet red
tentacle. It lifted its head and began to howl. Jay screamed...
... and woke, shaking, in a dark room that smelled of piss.
"Goddamn," he muttered. His heart sounded like a rock drummer on speed, his
underwear was soaked with sweat, and he'd wet the bed. This had been a bad one.
Jay fumbled for the bedside lamp, and swung his legs off the side of the bed and
sat waiting for the nightmare to recede.
It seemed so real. But it always did. He'd been having the same damned nightmare
since he was a kid. When he'd started waking up screaming twice a week, his
parents banned H. E Lovecraft from the bookshelf and threw away his prized
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collection of E. C. Comics. It didn't help; the dream stayed with him. Sometimes
it went away for months. Then, just when he thought he was rid of it forever, it
would return with a fury, and haunt his sleep night after night. He would be
forty-five this year, and the dream was as vivid as the first time he'd dreamt
it.
It was always the same: the long walk through that nightmarish forest, the old
New York City subway kiosk, the endless descent into the earth, and finally the
cone-faced thing on the platform. Sometimes, just after he woke, Jay thought
that there was more to the dream, that there were parts he was forgetting, but
if that was true, he didn't want to know.
Jay Ackroyd made his living as a private detective. He had a healthy respect for
fear that had saved his life a time or two, but he didn't scare easily, at least
not when he was awake. But he had one secret terror: that some night he would
find himself standing on that platform, and the conefaced thing would turn, and
lift its head, and howl. . . and he wouldn't wake up.
"No fucking thanks," Jay said aloud.
He looked at the clock. A few minutes past five in the morning. No sense trying
to get back to sleep. He was due at the Crystal Palace in less than two hours.
Besides, after one of his dreams, nothing short of cardiac arrest would close
his eyes again.
Jay stripped the bed, bundling sheets, blankets, and underwear in his hamper to
take to the laundromat the next chance he got. He'd be sleeping on Crystal
Palace sheets for the next week or two, however long this gig with Chrysalis
lasted. He hoped like hell the nightmare went away for a little while. He didn't
think Chrysalis would be too thrilled to learn her new bodyguard had a recurring
nightmare that freaked him out so bad that he wet his bed. Especially if she was
in the bed when he wet it. Jay had been hitting on Chrysalis for years, but
she'd never succumbed to his charms. He was hoping this might be his chance. Her
body was so alive. Beneath that transparent skin, you could see the blood
rushing through her veins, the ghostly movement of half-seen muscles, the way
her lungs worked under the bones of her rib cage. And she had great tits, even
if they were mostly invisible.
He opened the window to air out his bedroom, although the odors wafting up the
dingy airshaft to his third-floor walk-up were almost as foul as those in the
room. After a long soak in his clawfoot tub, he dried himself off in a beach
towel decorated with a rather threadbare picture of Opus the Penguin.
In the top drawer of his dresser, Jay found some clean boxer shorts. Black socks
in the drawer below. Then he went to the closet and looked at his suits. He had
a cool white linen number that was fashionably rumpled, a charcoal gray Brooks
Brothers three-piece, a pinstripe from Hong Kong that had been precisely
tailored to his measurements. Hiram Worchester had given him all three. Hiram
was always after Jay to dress better. He'd get more respect, Hiram promised.
He'd get noticed. He might even get girls. The part about the girls tempted him,
but otherwise Jay was having none of it. "Hiram," he had explained, "I'm a PI. I
sit in parked cars and donut shops. I shoot Polaroids through motel windows. I
bribe doormen and hide in bushes. I don't want to be noticed. If they made a
suit out of Holiday Inn wallpaper, I'd buy six of them." But every Christmas
Hiram gave him another goddamned suit.
It looked like it was going to be hot. Jay picked out a short-sleeved white
shirt with a button-down collar, a pair of dark brown slacks to match his hair,
and a tan blazer. No tie. He hated ties.
7:00 A.M.
Brennan woke from a deep, dreamless sleep as the light from the rising sun shone
through the window and touched his face. Jennifer Maloy turned over, murmuring,
as he slipped silently from under the sheet that covered their futon and padded
noiselessly to the chair where his clothes were laid out. He put on shorts,.
T-shirt, and running shoes, and went quietly through the back door that opened
to the outside.
The sun was up, the land was half-awake, wet with dew and alive with the smells
of a clean country morning. Brennan took a deep breath, filling his lungs with
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fresh air as he stretched, unlimbering his body for his daily run.
He jogged to the front of the A-frame house, slipping into a slow trot as he
reached the looping gravel driveway. He turned left at the mouth of the
driveway, scattering the rabbits playing on the front lawn, and passed the sign
that read ARCHER LANDSCAPING AND NURSERY. He felt alive and clean, at peace with
himself and the world at the beginning of another beautiful day.
After his third knock went unanswered, Jay stepped inside the Crystal Palace.
The door wasn't locked. That surprised him. Chrysalis had been expecting
him,yes, but she'd also been expecting trouble. Otherwise why bother to hire a
bodyguard? When you're expecting trouble, you're supposed to lock your doors.
Jay poked his head into the darkened taproom. "Anyone home?" he called softly.
"Chrysalis? Elmo?"
There was no answer. "Real good," he muttered under his breath. No wonder she
needed a bodyguard. He considered turning on the lights, thought better of it,
waited for his eyes to adjust. Slowly the outlines of the familiar room began to
emerge from the gloom. Straight-back chairs upended on small round tables. The
bar along one wall, rows of bottles stacked behind it against a long silver
mirror. Booths across the way. And way in back, set off a little from the rest,
the antique table in the private alcove where Chrysalis herself held court and
sipped her amaretto.
For a moment, in the morning half-light, Jay thought he saw her sitting there,
cloaked in shadow, slim ivory cigarette holder held lightly between skeletal
fingers, smoke coiling lazily through the clear flesh of her throat as she
tossed back her head to smile. "Chrysalis?" he said, walking slowly across the
taproom. But her chair was empty when he reached it.
A strange chill went through him.
That was the moment when Jay Ackroyd knew.
He stood quietly beside the table, listening, remembering what he knew of the
Crystal Palace. Chrysalis lived on the third floor, her chambers crowded with
expensive Victoriana.
Elmo, her dwarf bouncer, lived on the second floor. So did Sascha, the eyeless
telepath who tended bar for her. All the public rooms were on the first floor.
So was her office. Jay decided to start there.
The office was in the back of the building under the stairs. It had a wooden
door, ornately carved, with a crystal doorknob. Jay took a rumpled handkerchief
out of his pocket and turned the knob carefully with two fingers. The door swung
open.
The room was windowless and black, but Jay didn't need eyes to know what he'd
find inside. Death has a smell all its own. The hard coppery scent of blood, the
sweaty stench of fear, the stink of shit. He'd smelled it before. The familiar
miasma was there, waiting for him, and under it all was her perfume.
"Goddamn you," Jay said quietly to no one in particular. He reached over,
handkerchief still in hand, and found the light switch.
Once, this room had had charm. Polished hardwood floors, a gorgeous Oriental
rug, floor-to-ceiling bookcases full of leather-bound first editions, a solid
oak desk older than he was, big leather armchairs that looked as though they
might have come from the world's oldest men's club.
The chairs were shattered, wooden legs cracked and splintered, soft leather
upholstery ripped and torn. Three of the high wooden bookcases had been toppled;
one had been snapped in two. Splinters as long and pale as knives sprang from
where the two halves clung together. Books were scattered everywhere.
Chrysalis lay sprawled on her back across the shattered remains of an armchair,
the leather cushions and broken legs a jumble beneath her. The huge oak desk had
been tipped over across the upper part of her body, hiding her face. She'd been
wearing blue jeans and a plain white blouse. The front of the blouse was
spattered with tiny droplets of blood. Her left leg bent the wrong way at the
knee, and a jagged red piece of shinbone poked through the denim. Jay squatted
by her left hand. He could see her finger bones through the ghostly outlines of
tendons and the smooth, clear skin. All five fingers were shattered, the ring
finger in two places; her crystalline flesh was suffused with the rosy glow of
burst capillaries. Jay took her broken fingers in his own. A faint warmth still
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clung to her body, but she was cooling even as he held her.
After a moment, he released her hand and tried to lift the desk off her. It was
heavy. He grimaced, shoved harder, and righted it with a grunt. Only when the
desk was back against the wall did he look back down at Chrysalis.
Her face was gone.
Her skull hadn't been crushed as much it had been obliterated. The back cushion
of her chair was sticky with dried blood. Bits of mashed brain oozed out between
fragments of bone. Everything was red and wet. A small pool of blood had
gathered under what was left of the chair, soaking into the Oriental rug. Jay
looked up and saw more blood, a faint spray of it across the front of the desk
and low on the walls, around the light socket. The patterned antique wallpaper
was a gloomy purple color, very Victorian; it was hard to see the blood
spatters, but they were there when you looked.
Jay stood up and tried not to feel anything. He'd seen bodies before, more than
he cared to think about, and Chrysalis has been playing dangerous games for a
long, long time. She knew too many secrets. Sooner or later, something like this
was bound to happen.
He studied the position of the body, committing it to memory. It wasn't
Chrysalis now, just dead meat, just evidence. When he'd seen all there was to
see, Jay turned his attention to the rest of the room. That was when he first
noticed the small rectangle of cardboard, lying beside her left thigh.
He moved around her and squatted for a closer look. He didn't touch it. He
didn't have to. There wasn't a drop of blood on it, and it was lying faceup. A
playing card.
The ace of spades.
"Son of a bitch," he said.
He was closing the office door behind him when he heard footsteps on the stairs.
Jay pressed himself against a wall and waited. A moment later, a slender man
with a pencil-thin mustache stepped into the hall. He wore slippers and a silk
dressing gown, and there was an unbroken expanse of pale skin where his eyes
should have been. His head turned slowly until he was looking into the shadows
at Jay. "I can see your mind, Popinjay," he said.
Jay stepped out. "Call the police, Sascha," he said. "And don't call me
Popinjay, dammit."
8:00 A.M.
Brennan leaned into the hill, arms pumping, breath flowing easily, sprinting up
the steep grade near the end of the run that had taken him over forested hills
and through dew-drenched meadows. The route he followed varied, but always ended
at the unpaved county road that led him, sweaty and pleasantly winded, back to
the gravel driveway with ARCHER LANDSCAPING AND NURSERY posted at the entrance.
The driveway looped around a series of gardens that were living advertisements
of his horticultural skills. First was a Japanese miniature hill garden in the
tsukiyama form, then an English shrubbery, and third a traditional flower bed
blooming with a dozen different species of a dozen different hues. The driveway
circled the flower bed and led past two greenhouses-one for tropical foliage,
the other for desert species-and the A-frame house.
Brennan finished his run with a gut-busting sprint that brought him around
behind the A-frame. He took a few minutes to cool down and calm his breathing,
then folded himself comfortably into a meditative posture and gazed out over the
kare sansui, the raked gravel bed rippling like frozen water in the morning
breeze. Nested in the gravel were three rock triads. Brennan spent a timeless
time sunk in the pool of zazen, not studying the rocks, their shadows, or the
patterns of the moss that grew on them, then stood smoothly, relaxed, refreshed
and ready for the day.
He went back into the bedroom that was sparsely furnished with a futon on the
polished wood floor, a comfortable chair with a reading lamp and side table
stacked with books, and a large wicker clothes hamper. Jennifer had gotten out
of bed. He could hear water running in the shower of the connecting bathroom.
Brennan took off his sweat-soaked T-shirt and dropped it in the hamper as he
passed on through to the room that served as a combination living room/office.
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He flicked on the television to get the morning news, then sat at his deck and
fired up the PC to check his schedule.
He watched the television as the computer tracked down the proper file. Most of
the news was devoted to the Democratic National Convention, convening today in
Atlanta. Nothing of substance had happened yet, but the analysis and predictions
already seemed overblown and overdone.
Gregg Hartmann was the favorite, but his nomination would be a struggle,
particularly with the man directly opposite him in political philosophy and
belief-the Reverend Leo Barnett.
Brennan distrusted all politicians, but if he could vote, he would cast his
ballot for Hartmann. The man seemed honest and caring, especially when compared
with the demagogue Barnett.
A lot of jokers were backing Hartmann. The news cameras panned the Atlanta
public parks where they had gathered by the thousands to noisily show the nation
their depth of support for the senator.
Brennan watched a few interviews with the joker on the street, then turned down
the volume on the television set and turned his attention to the computer
screen. He wished .
Hartmann and his joker supporters well, but the day was already getting old and
he had his own worries.
His schedule had come up on the screen, and it promised to be a full day. Archer
Landscaping was in the middle of two jobs. Brennan was building a hill garden
with a tsutai ochi, a miniature waterfall trickling over a bed of emplaced
rocks, for a Japanese-American banker who had just moved into the area, and he
was also constructing a multiterraced shrubbery with a fish pond for a doctor
who lived down the road. Joachim Ortiz, Brennan's foreman, would boss the crew
at the doctor's while he took care of the other job. Japanese gardens were his
personal specialty.
Brennan leaned back in the chair, still mildly surprised at the contentment he
felt as he contemplated the upcoming day. Abandoning death and destruction and
returning to the country to nurture life was the best thing he had ever done. He
felt cleansed, content, and at peace for the first time in years. Sometimes he
felt guilty for setting aside his vendetta against Kien and the Shadow Fist
Society, but over the last few months the guilt had been coming less frequently
and with less intensity.
He took his copy of Sakuteiki, Tachibana Toshisuna's classic treatise on garden
design, from his reference shelf, but before he could look through it to get
some ideas for the new job he stopped to stare at the image of a well-remembered
woman that filled the television screen. He turned up the volume.
" . . mysterious woman known only as Chrysalis was found dead this morning in
the office of her nightclub, the Crystal Palace. The police have so far refused
comment, but an ace of spades found on her body has linked the slaying to the
mysterious bow-and-arrow vigilante known as Yeoman, who was responsible for at
least fifty deaths in 1986 and early 1987."
Brennan was still staring at the screen as Jennifer Maloy walked through the
wall, damp from her shower, carrying two cups of tea.
"What's the matter?" she asked when she saw the expression on his face. "What
happened?"
Brennan turned to her, the coldness back in his eyes, the hardness back on his
face. "Chrysalis is dead."
"Dead?" she echoed, unbelievingly. "Murdered."
"How? By who?" Jennifer asked as she sank down into the chair facing him. She
handed him one of the cups. He took it mechanically and put it aside.
"Report didn't say. But her killer tried to frame me by putting an ace of spades
on the body."
"Frame you? Why?"
Brennan looked at her for the first time. "I don't know. But I'm going to find
out."
"The police-"
"The police think I did it."
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"That's insane," Jennifer said. "We haven't been to the city for over a year."
They'd been so busy that it hadn't seemed that long since Brennan had called off
his vendetta against the Shadow Fist crime lord named Kien and left New York
City with Jennifer. They'd spent some time traveling, some time resting and
healing and learning to love one another, then settled down outside of Goshen, a
small town just north of New York City. Jennifer had begun writing what she
hoped would become the definitive biography of Robert Tomlin. Brennan, weary of
dealing in death, wanting to build rather than destroy, had started a
landscaping business. He found that he had a genuine talent for horticulture,
and Jennifer was happy researching and writing her book. They'd been quite
content with their quiet, peaceful, isolated existence.
"Someone set me up," Brennan said in a low voice. "Who?"
He looked at Jennifer. "Kien."
She leaned back, considering it. "Why?"
Brennan shrugged. "Maybe he found out that Chrysalis knew he was head of the
Shadow Fists. Maybe he thought that he could get rid of her and me at the same
time."
"The police would never find you if we stay here."
"Maybe," Brennan conceded. "But maybe they'll never find Chrysalis's real
killer, either."
"We're building something here," Jennifer said. "We can't just let it go."
Let it go. It should be easy, Brennan told himself, to let the past go, to live
for the present and the future. But he couldn't. Someone had murdered his
ex-lover. He couldn't forget that. And then the murderer had framed him for it.
He couldn't forgive that. .
He stood up. "I'm not letting anything go. I can't." Jennifer just looked at
him. After a moment he turned and went out to the back and unlocked the shed
where he kept his bows and guns. He loaded the van and sat waiting in it for
several minutes, wondering if Jennifer was going to join him.
After a while he started the engine and drove away, alone.
Noon
Maseryk played the good cop, Kant played the bad cop, and both of them deserved
rave reviews. Jay Ackroyd had seen the act before, though. Maseryk was lean and
dark, with intense violet eyes. Kant was a hairless scaled joker with
nictitating membranes and pointed teeth. As Jay ran through his story for the
seventh time, he found himself wondering whether they swapped roles when the
suspect was a joker. He took one look at Kant and decided not to ask.
By lunchtime, even the two detectives had gotten tired of going round the
mulberry bush. "If you're playing games with us, you're going to be real sorry,"
Kant said, showing his incisors.
Jay gave him a who, me? look. "I'm sure Mr. Ackroyd's told us everything he
knows, Harv," Maseryk said. "If you do happen to remember anything else that
might be of use, you'll give us a call." Maseryk gave him his card, Kant told
him not to leave town, and they walked him to the squad room to sign a copy of
his statement.
The precinct house was full of familiar faces. The doorman from the Crystal
Palace was giving a statement to a uniformed cop while a waitress that Chrysalis
has fired last month sobbed loudly in the corner. Other Palace employees waited
on long wooden benches by the window. He recognized three waiters, a dishwasher,
and the guy who played ragtime piano in the Green Room on Thursday nights. But
the most important faces were the ones he didn't see.
Lupo, the relief bartender, sat alone by an unoccupied desk. After he'd dealt
with the paperwork, Jay drifted over. "Can you believe it?" the joker asked.
"What's going to happen to us?" Lupo had deep-set red eyes and a wolfs face.
He'd been shedding; there were hairs all over the shoulders of his denim shirt.
Jay brushed them off. Lupo hardly seemed to notice. "I hear it was you found the
body," he said. "Was it really the ace-of-spades guy?"
"There was a card next to the body," Jay said. "Yeoman," Lupo muttered angrily.
"Son of a bitch. I thought he was gone for good. He used to drink Tullamore Dew.
I served him once or twice."
"Ever see him without the mask?"
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Lupo shook his head. "No. I hope they catch the fucker." His long red tongue
lolled from a corner of his mouth.
Jay looked around the room again. "Where's Elmo?"
"No one's seen him. I heard the cops got a whatchacallit, a APB, out on him."
Kant came up behind them. "Your turn, Lupo," he said, gesturing toward an
interrogation room. He stared at Jay. "You still here."
"I'm going, I'm going," Jay said. "As soon as I use the little cops' room."
Kant told him where to find it. By the time Jay emerged, Kant and Maseryk and
Lupo were off doing their thing. Jay went back to the captain's cubicle and
walked in unannounced.
Captain Angela Ellis was behind the desk, chain-smoking as she scanned a file,
flipping pages like a speed reader. She was a tiny Asian woman with green eyes,
long black hair, and the toughest job in the NYPD. Her immediate predecessor had
been found dead in this office, supposedly of a heart attack, but there were
still people who didn't buy that. The captain before him had been murdered, too.
"So," he asked, "you have a lead on Elmo yet?"
Ellis took a drag on her cigarette and looked at him. It took her a moment to
remember who he was. "Ackroyd," she finally said, with distaste. "I was just
reading your statement."
"There are holes in your story I could drive a truck through." "I can't help
that, it's the only story I've got. What kind of story did you get from Sascha?"
"A short one." Ellis stood and began to pace. "He woke up, sensed a strange mind
in the building, and came downstairs to find you sneaking out of Chrysalis's
office."
"I didn't sneak," Jay said. "I sneak very well, I majored in sneaking in
detective school, but on this particular occasion I didn't happen to be
sneaking. And there's nothing strange about my mind, thank you. So you don't
have a thing on Elmo yet?"
"What do you know about Elmo?" Ellis asked. "Short guy," Jay said.
"Strong guy," Ellis mused. "Strong enough to smash a woman's head into blood
pudding, maybe."
"Real good," Jay said, "only wrong. Elmo was devoted to the lady. Utterly. No
way he'd hurt her."
Her laugh was hard and humorless. "Ackroyd, you may be the world's chief
authority on philandering husbands, but you don't know much about killers. They
don't waste the real atrocities on strangers, they save them for family and
friends." She started to pace again. Ash fell off the end of her cigarette.
"Maybe your friend Elmo was a little too devoted. I heard Chrysalis fucked
around a lot. Maybe he got tired of seeing the parade go in and out of her
bedroom, or maybe he made a pass of his own and she laughed at him."
"You setting up Elmo to take the fall?" he asked.
Ellis paused over her desk just long enough to stub out her cigarette in an
ashtray overflowing with butts. "No one gets set up in this precinct."
"Since when?" Jay asked.
"Since I took over as captain," she told him. She took a pack of Camels out of
her jacket, tapped one out, lit up, and resumed pacing. "You're supposed to be a
detective. Look at the facts." She stopped at the wall long enough to straighten
a framed diploma, then spun back toward him. "Her head looked like a cantaloupe
run over by a semi. Both legs broken, every finger in her left hand snapped, her
pelvis shattered in six places, massive internal hemorrhaging." She jabbed the
cigarette at him for emphasis. "I had a case once, back when I was on the
street, where some Gambione capos went to work on a guy with tire irons. Broke
every bone in his body. Another time I saw what was left of a hooker who'd been
done in by a pimp fried on angel dust. He'd used a baseball bat. Those were
pretty ugly, but they looked a lot better than Chrysalis. Those weren't normal
blows. Nobody's that strong. Nobody but an ace, or a joker with superhuman
strength."
"A lot of people fit that description," Jay pointed out. "Only one of them lived
in the Crystal Palace," Ellis pointed out. She crossed behind the desk, sat
down, opened a file folder. "Elmo was strong enough-"
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"Maybe," Jay said. Elmo was way stronger than a nat, that was true enough, but
there were others who made him look like a ninety-seven-pound weakling. The
Harlem Hammer, Troll, Carnifex, the Oddity, even that golden asshole Jack Braun.
Whether Elmo actually had the raw power to do what had been done to Chrysalis
was a question Jay didn't have the expertise to answer.
Captain Ellis ignored his quibbling. "He also had the opportunity, anytime he
wanted." She began rearranging a stack of files in her OUT basket, dropping ash
on them in the process.
" I don't buy it," Jay said.
"If Elmo is so goddamned innocent, where is he?" Ellis asked, toying with her
stapler. "We searched his room. The bed hadn't been slept in. He hasn't returned
to the Palace. Where'd he go?"
Jay shrugged. "Out." She had him there, but he was damned if he was going to
admit it. "Seems to me you got another candidate who's a lot riper than Elmo."
Captain Angela Ellis slammed down the stapler and blew a long plume of smoke
across the room. 'Ah. Right. The ace-of-spades killer." She didn't sound
impressed. "We're going to find Elmo," she promised, crushing out her cigarette.
'And when we do, five'll get you ten it turns out your dwarf pal dropped that
card. You can buy a deck of playing cards at any five-and-ten. You're supposed
to be a bright boy, Ackroyd. Figure it out for yourself."
"Maybe I will," Jay said.
Angela Ellis didn't like that one bit. Her bright green eyes narrowed as she
stood up. "Lemme make one thing real clear. I don't like PIs. And I don't like
aces. So you can probably guess how I feel about ace PIs. You start getting in
our way on this one, you can just kiss your license good-bye."
"You're beautiful when you're angry," Jay said.
Ellis ignored him. "I don't like bodies cluttering up my precinct either."
"You must be unhappy a lot of the time," Jay said as he headed for the door. He
paused in the doorway to study her little glass-walled cubicle. "This really
where they killed Captain Black?" he asked innocently.
"Yes," she snapped, irritated. Jay figured he'd hit a sore point. Knowing the
NYPD, they probably hadn't even gotten her a new chair. "What the hell are you
doing?" she said.
"Getting a good picture of the place in my head," Jay said. He smiled crookedly
and made his right hand into a gun, three fingers folded down, thumb cocked like
a hammer, index finger pointed at Angela Ellis. "I'm a good boy, Captain. If I
bump into your killer, I'll want to send him right here to you."
She looked puzzled for a moment, then flushed when she remembered what he could
do. "Aces," she muttered. "Get the hell out of here."
He did. Kant and Maseryk were back in the squad room. "Captain on the rag?" Jay
asked as he passed. They exchanged looks and watched him leave. Jay went out the
front door, walked around the block, went back in, and took the steps down to
the basement.
The precinct records were kept in a dimly lit, lowceilinged room next to the
boiler, part of which had been the coal cellar once upon the time. Now it held a
couple of computer consoles, a xerox machine, a wall of overflowing steel filing
cabinets, and one very pale, very short, very nearsighted policeman.
"Hello, Joe," Jay said.
Joe Mo turned around and sniffed at the stale air. He was just under five feet
tall, stooped and potbellied, with a complexion the color of a mushroom. Tiny
pink eyes peered out from behind the largest, thickest pair of tinted spectacles
that Jay had ever seen. White, hairless hands rubbed together nervously. Mo had
been the first joker on the NYPD, and for more than a decade he'd been the only
joker on the NYPD. His appointment, forced through under the banner of
affirmative action during Mayor Hartmann's administration in the early
seventies, had drawn so much fire that the department had promptly hidden him
down in Records to keep him out of public view. Joe hadn't minded. He liked
Records almost as much as he liked basements. They called him Sergeant Mole.
"Popinjay," Mo said. He adjusted his glasses. The milk white of his skin was
shocking against the dark blue of his uniform, and he always wore his cap, night
and day, even indoors. "Is it true?"
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"Yeah, it's true," Jay told him. Mo had been a pariah when he'd joined the
force, even in Fort Freak. No one had wanted to partner him, and he'd been made
unwelcome in the usual cop bars. He'd been doing his off duty drinking in the
Crystal Palace since its doors first opened, paying for every drink in a rather
ostentatious show of rectitude, and collecting ten times his tab under the table
for acting as Chrysalis's eyes and ears in the cophouse.
"I heard you were the one found the body," Joe Mo said. "Nasty business, wasn't
it? Makes you wonder what Jokertown is coming to. You'd think she'd be safe, if
anyone was." He blinked behind the dark, thick lenses. "What can I do for you,
dear boy?"
"I need to see the file on the ace-of-spades killer."
"Yeoman," Joe Mo said.
"Yeoman," Jay Ackroyd repeated thoughtfully. It came back to him then. Yeoman, I
don't care for this, Chrysalis had said with ice in her voice, that night a year
and a half ago when they'd faced off in the darkened taproom of the Palace. She
was always a master of understatement. "I remember," he said.
"Why, there hasn't been a new bow-and-arrow killing in more than a year," Mo
said. "You really think he's the one?"
"I hope not," Jay said. Yeoman had entered the taproom silent as smoke, and
before anyone even noticed him, he'd had a hunting arrow notched and ready. But
Hiram Worchester had stepped in the way in righteous indignation, and Jay had
gotten the drop on the guy. Suddenly Yeoman was gone in a pop of in-rushing air.
Jay Ackroyd was a projecting teleport. When his right hand made a gun, he could
pop his targets anyplace he knew well enough to visualize.
Only he'd sent that fucker Yeoman to the wrong damn place. "I had the
sonofabitch dead to rights, Joe," he said. "I could have popped him right into
the Tombs. Instead I sent him to the middle of the Holland Tunnel, God knows
why." Something about his tone when he'd replied to Chrysalis, maybe, or the
loathing in his eyes when he glanced toward Wyrm, or maybe the fact that he'd
had the decency to hesitate when Hiram stepped forward and blocked his shot. Or
it could have been the girl he had with him, the masked blonde in the string
bikini who seemed so fresh and innocent.
It hadn't been what you call a deliberate, conscious decision; a lot of the time
Jay just went on gut instinct. But if he'd been wrong that night, then Chrysalis
had paid for it with her life. "I really need to see that file," he said.
Joe Mo made a sad little clucking sound. "Why, that file's up on the captain's
desk; Jay. She sent down for it right away, soon as the squeal came in. Of
course, I made a xerox before I sent it up. It always pays to make a xerox.
Sometimes things get misplaced, and you don't want to lose any valuable
documents." He blinked slowly, looked around. "Now where did I put that? It's a
wonder I ever find anything, with my eyes."
The copies were on top of the xerox machine. Jay riffled through the folder,
rolled up the papers and slid them under his blazer, replaced them with two
twenties. "I'm sure you'll sniff them out," he said.
"If not," Joe said, with a wide pink smile, "I can always wait till the captain
returns the originals, and xerox another set." He busied himself with some
filing, but when Jay opened the door to leave, he called out quietly,
"Popinjay." Jay looked back. "What?"
"Find the bastard," Joe Mo said. He took off his tinted specs, and his pale pink
eyes implored. "All of us will help," he promised, and Jay knew he wasn't
talking about the police.
As he drove down Route 17, alone, Brennan was already missing Jennifer. He
couldn't blame her for not accompanying him on a quest to find Chrysalis's
murderer. And it didn't help any that she'd been right. They had a quiet,
beautiful life. Why was he so ready to return to the death waiting him in the
city?
It wasn't, Brennan knew, because he enjoyed the killing and the violence. He'd
rather build a garden than dodge bullets in a stinking, garbage-choked alley. It
all came down to what Jennifer had said about letting things go. He just
couldn't get Chrysalis out of his mind. He didn't think of her often. He was too
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satisfied with his life with Jennifer to dwell morbidly on what might have been
with another woman.
But sometimes at night he'd lie awake with Jennifer asleep beside him and
remember the crystal lady. He'd remember her invisible flesh flushed to a
delicate pink with the passion of their lovemaking, he'd remember her cries and
moves in the dark. He'd remember and wonder what it would've been like if she'd
accepted his offer of protection and love. He would look at Jennifer asleep at
his side and know that he was happy and content, but he would still wonder. The
memory of her was a throbbing ache that wouldn't leave him alone:
He buried the van in the Tomlin International parking lot and caught a taxi to
Manhattan, where he took a room in a cheap but dirty hotel on the fringe of
Jokertown. The first thing to do, he decided, was visit the Crystal Palace. He
slipped on his mask for the first time in over a year and left the hotel
carrying his bow case.
3:00 P.M.
ACE-OF-SPADES KILLER SLAYS JOKERTOWN BARKEEP, the Post screamed.
The Jokertown Cry was less generic. CHRYSALIS MURDERED, it said beside a
two-column picture. The Cry was the only paper in the city that regularly ran
photographs of jokers.
JOKERS DESCEND ON ATLANTA AS DEMOCRATS CONVENE, said the front page of the
Times. Thousands of them had headed south in support of Senator Gregg Hartmann,
the presidential frontrunner. But in this year's crowded Democratic field,
nobody was even close to a majority, and a brokered convention was being
predicted. There were widespread fears of violence should Hartmann be denied the
nomination. Already there were reports of ugly clashes between Hartmann's jokers
and the fundamentalist supporters of Reverend Leo Barnett.
Jay usually ranked politicians right alongside used-car salesmen, pimps, and the
guy who invented pay toilets, but Hartmann did seem to be a breed apart. He'd
met the candidate a few times at the fundraisers Hiram had hosted at Aces High.
Hiram was a big Hartmann supporter, and Jay never could resist the lure of free
food and drink. Senator Gregg seemed intelligent, effective, and compassionate.
If somebody had to be president, it might as well be him. He probably didn't
stand a joker's chance of getting anywhere near the nomination.
The political bullshit took up the whole front page; he couldn't find any
mention of Chrysalis anywhere. Knowing the Times, Jay figured tomorrow's edition
would have a brief obit and that'd be it. Brutal joker murders weren't the kind
of news that's fit to print. That made Jay angriest of all. "How do you know
when a joker's been dead about three days?" the news vendor asked him. His voice
was flat and lifeless, the voice of a man grimly going through a ritual that had
lost its meaning. Jay looked up from the headlines. Jube Benson had been a
fixture on the corners of Hester Street and the Bowery for as long as there had
been a Jokertown. Walrus, they called him. He was a joker himself, three hundred
pounds of greasy blue-black flesh, big curved tusks at the corners of his mouth,
a broad domed skull covered with tufts of stiff red hair. Jube's wardrobe seemed
to consist exclusively of Hawaiian shirts. This afternoon he was wearing a
magenta item in a tasteful pineapple-and-banana print. Jay wondered what Hiram
would say.
Jube knew more joker jokes than anyone else in Jokertown, but this time Jay had
the punch line. "He smells a lot better," he said wearily. "That one's older
than your hat, Walrus." Jube took the battered porkpie hat off his head and
turned it over self-consciously in his thick, three-fingered hands. "I never
made her laugh," he said. "All those years, I came by the Palace every night,
always with a new joke. I never got a single laugh out of her."
"She didn't think being a joker was very funny," said Jay. "You got to laugh,"
Jube said. "What else is there?" He put his hat back on. "I hear you were the
one that found her."
"Word gets around quick," Jay said.
"It gets around quick," Jube agreed.
"She phoned me last night," Jay told him. "She wanted to take me on as a
bodyguard. I asked her how long and she couldn't tell me. Maybe she wouldn't
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摘要：

file:///F|/rah/George%20R.%20R.%20Martin/Martin,%20George%20R.%20R%20-%2\0Wildcards%207%20-%20Dead%20Mans%20Hand.txtWildcardsVII:DeadMan'sHandDeadMan'sHandBook7ofWildcardsEditedbyGeorgeR.R.MartinISBN:0-553-28569-6MondayJuly18,19885:00A.M.Thetreesweremoving,thoughtherewasnowind.Hedidnotknowhowlongheh...

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