
The Horror at Red Hook
squalid brick houses in the Red Hook section of Brooklyn, and the consequent death of
many brave officers, had unseated his nervous equilibrium. He had worked too hard, all
said, it trying to clean up those nests of disorder and violence; certain features were
shocking enough, in all conscience, and the unexpected tragedy was the last straw. This
was a simple explanation which everyone could understand, and because Malone was not
a simple person he perceived that he had better let it suffice. To hint to unimaginative
people of a horror beyond all human conception - a horror of houses and blocks and cities
leprous and cancerous with evil dragged from elder worlds - would be merely to invite a
padded cell instead of a restful rustication, and Malone was a man of sense despite his
mysticism. He had the Celt's far vision of weird and hidden things, but the logician's
quick eye for the outwardly unconvincing; an amalgam which had led him far afield in
the forty-two years of his life, and set him in strange places for a Dublin University man
born in a Georgian villa near Phoenix Park.
And now, as he reviewed the things he had seen and felt and apprehended, Malone was
content to keep unshared the secret of what could reduce a dauntless fighter to a
quivering neurotic; what could make old brick slums and seas of dark, subtle faces a
thing of nightmare and eldritch portent. It would not be the first time his sensations had
been forced to bide uninterpreted - for was not his very act of plunging into the polyglot
abyss of New York's underworld a freak beyond sensible explanation? What could he tell
the prosaic of the antique witcheries and grotesque marvels discernible to sensitive eyes
amidst the poison cauldron where all the varied dregs of unwholesome ages mix their
venom and perpetuate their obscene terrors? He had seen the hellish green flame of secret
wonder in this blatant, evasive welter of outward greed and inward blasphemy, and had
smiled gently when all the New-Yorkers he knew scoffed at his experiment in police
work. They had been very witty and cynical, deriding his fantastic pursuit of unknowable
mysteries and assuring him that in these days New York held nothing but cheapness and
vulgarity. One of them had wagered him a heavy sum that he could not - despite many
poignant things to his credit in the Dublin Review - even write a truly interesting story of
New York low life; and now, looking back, he perceived that cosmic irony had justified
the prophet's words while secretly confuting their flippant meaning. The horror, as
glimpsed at last, could not make a story - for like the book cited by Poe's Germany
authority, 'es lässt sich nicht lesen - it does not permit itself to be read.'
II
To Malone the sense of latent mystery in existence was always present. In youth he had
felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow
and exile had turned his gaze in darker directions, and he had thrilled at the imputations
of evil in the world around. Daily life had fur him come to be a phantasmagoria of
macabre shadow-studies; now glittering and leering with concealed rottenness as in
Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as
in the subtler and less obvious work of Gustave Doré. He would often regard it as
merciful that most persons of high Intelligence jeer at the inmost mysteries; for, he
argued, if superior minds were ever placed in fullest contact with the secrets preserved by
ancient and lowly cults, the resultant abnormalities would soon not only wreck the world,