Mick Farren - Necrom

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NECROM
Mick Farren
Copyright © 1991 by Mick Farren
e-book ver. 1.0
ISBN 0-345-36185-7
This one's for Susan
"This is funny ..."
—The last words of Doc Holliday
The White Room
JOE GIBSON WASalone in the narrow white bed in the narrow white room in the small but very
expensive clinic. Bursts of hysterical applause blasted from some idiot game show on TV. In the very
expensive clinic, the TV was mounted high on the wall, out of reach, and even if he had stood on a chair
to get to it, it wouldn't have done him any good. The TV was some special hospital number with no
buttons or switches. No channel selector. Nothing. He couldn't even turn it off.
Gibson saw the TV as the key to his situation. In the very expensive clinic his programs were selected
for him. The doctors and the nurses who operated the clinic—the ones he thought of as the people in
white—seemed not to believe that patients were capable of free choice. Gibson had a different view of it:
when a man lost control of his television, he lost his foothold in the world. He wondered if all the patients
in the place got the same TV programs or if each one had a prepared schedule tailored to his or her
emotional profile. Gibson suspected that it was the latter. It was the kind of detail that the customers paid
for in a place like this. He had noticed that he was fed a hell of a lot of game shows, and he wondered
what that said about him.
Not that he thought much about the TV. Most of the time they kept him too doped up to think about
anything. Only in these periods, the half hour or so before the nurse was due to give him his shot, did he
start to get riled by the whole setup. It was only in this half hour that his own memories were at their most
intact. After the shot, the confusion started again, and what he believed he knew for real became
hopelessly jumbled withwhat the nurses and doctors, the people in white, wanted him to believe.
As with so many episodes in his life, it had started with a hangover and a loss of memory of a very
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different kind . . .
Chapter One
JOE GIBSON GROANEDout loud.
"Not again. Oh, God, not again."
It would have been a lie to say that the pain was indescribable. He was able to describe it all too well.
He knew it like the backs of his hands, or maybe like the insides of his eyelids. Over the last few months,
since Desiree had walked out on him, citing cruel and unusual behavior, the pain had been with him more
mornings than not. The morning's suffering followed the evening's excess as surely as day followed night.
His tongue was glued to the roof of his mouth. The knife stabs were working on the nerves at the back of
his eyes, and blood was trying to force its way into a brain that felt like an old dried-out sponge. This
post-alcohol purgatory had become so familiar that it was now routine.
Equally familiar was the sudden elevator drop into the black, empty shaft of no memory, no recall of
getting home or much of what had gone before.
With the drop came the fear. Joe Gibson's head fell back onto the pillow, and he groaned aloud, "Oh,
God, what did I do this time?"
He closed his eyes, hoping in vain for the darkness to return so the awful moment of actually getting up
could be delayed for an hour or so. The darkness refused to oblige. He was on his own with the day.
Not that there was all that much of the day left. The green numerals on the VCR at the foot of the
ridiculously huge bed told him that it was 4:19 in the afternoon. The daylight was all but shot, and his
vampire status safely intact:
Anxiety was the natural aftermath of a drunken blackout. He firmly repeated this litany to himself. Most
of the time the fear was unfounded. Most nights it turned out that he hadn't reallydone anything so
terrible. Maybe he'd stumbled, maybe he'd upset a waitress or a maitre d' or else pissed off a cabdriver.
It was possible that he'd heaped unreasonable abuse on some unfortunate whose only mistake had been
to fall for his rapidly fading legend and have the good grace to ignore the tarnish on his charisma and to
be blind to his public fall from favor. Of course, there had been the other occasions, like the time that he
had stormed into the Plaza, roaring like a psychotic moose, waving a bottle of Jack Daniels and bent on
telling Morgan Luthor, a guest in there at the time, what he thought about him and his stupid twelve-piece
band and his brand-new, big-ass double-platinum, megabit album, He had finished up in jail after that
escapade. His only consolation had been that his notoriety had gained him a cell to himself and he had
managed to come out of the experience with both his boots and anal virginity intact. The media had made
a meal of it, though, and the pictures of him coming out of court, disheveled and once again hung over,
had confirmed to an already convinced music industry that he was washed-up, burned-out, and
uncontrollable. It had been right after the incident at the Plaza that Desiree had left.
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In his more private moments, he tended to forgive himself the Plaza fiasco. It had, after all, been at the
end of a four-day, no-sleep, bourbon-and-Coke jag, and Luthor had made some snide crack about him
onEntertainment Tonight. Worse than that, Gibson had never had anything but contempt for the man's
dumb songs. The fact that they sold zillions of units didn't make them anything other than trite commercial
garbage. And what did the media expect? Where did they get off writing all that stuff about him?Stone
Free particularly could go screw itself. The damn magazine was nothing more than a criminal waste of
trees. When he'd been up there, they'd been down on their knees lapping up every last fleck of his
self-destructive bullshit. Damn it, they had fawned over him as though we were Lucifer incarnate, coming
for to carry them home. Did they really expect him to change his trim just because his career had slipped
a little? They probably resented the fact that he hadn't died five years earlier like some of the others.
There was a pack of Camel Lights and a book of matches in among the debris on the night table. He
shook one out, stuck it between numb lips, and lit it. The matchbook was a garish pink and advertised a
set of phone-sex numbers. "FORthe passion of pain— 1-900-976-LASH.all major credit cards
accepted." And they calledhim degenerate. He inhaled the firstsmoke, started coughing, and knew he
had to sit up immediately. He swung his legs over the side of the bed but was forced to drop his head
between his knees as the coughing escalated to the dry heaves,
"Sweet Jesus Christ!"
When the coughing fit subsided, he examined the floor at his feet. The fur rug had once been pristine
white, but now it was a dirty gray. He had trouble keeping staff. Housekeepers couldn't handle him, and
au pairs ran out screaming and sent for their things later. At the moment, he was reduced to Arthur, the
out-of-work dancer who came in one afternoon a week and disposed of the worst of the wreckage.
Arthur didn't ever get as far as shampooing the rugs. Gibson's clothes were strewn across the floor, lying
where they had fallen. He could see only one of his red snakeskin boots, but otherwise he seemed to
have made it home fairly intact. So far so good. Then he spotted the other clothes mixed in with his: a
laddered black stocking, a leather miniskirt. The sound he made was not so much a groan as a whimper.
"Oh, shit, there's someone here."
He stood up. His head revolted at being elevated so quickly, and a wave of giddiness gripped him. He
gritted his teeth and went into the connecting bathroom, and the reek of stale Scotch. A pair of gold,
high-heeled, slingback sandals sat side by side on the floor, and a broken glass lay in the basin.
"Goddamn it, how the hell did that happen?"
He had no recollection of bringing anyone back with him. The best he could dredge up was a vague
blurred image of leaning on a dark bar staring into a shot of tequila while some woman with a lot of
lipstick and eyeshadow endlessly babbled at him. Was she the owner of the miniskirt and laddered
stockings? All he knew for sure was that there was a strange woman somewhere in his apartment.
Mercifully, she wasn't in the bathroom. He removed the worst of the broken glass and ran the cold tap.
The running water made him want to piss. He took care of that and then swallowed three Advil. As he
splashed the cold water on his face, he realized that he was only assuming that the leather skirt and gold
heels belonged to a woman. It wasn't beyond the realm of possibility that the stranger in the apartment
was some demented transvestite. It wouldn't be the first time. Woman or man, it was a reasonable bet
that whoever it was would be three parts crazy. That was the only kind who seemed to go for him these
days.
He picked up one of the shoes and examined it. It was a size seven. If it did belong to a man, he had tiny
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feet. Did transvestites go in for foot binding? There was still no recall.
He became aware of the smell of coffee. Oh, Christ, she was being domestic. That could bode ill. If she
started cooking anything, he would probably throw up. Something had to be done. He slipped into his
black silk Christian Dior robe. There were dubious stains all down the front, but he was too sick to think
about grooming. He went back into the bedroom and blearily took stock of the room. Where were his
Ray-Bans? A man needed a measure of protection. Outside, on Central Park West, the sun was still up.
Finally he spotted the sunglasses and his missing boot on the floor beside the art-deco dressing table, the
one that Desiree had bought in that place down in SoHo. He picked up the Ray-Bans and clamped them
firmly on the front of his face. Feeling a little more protected, he started down the corridor that led to the
kitchen. The sunglasses made it a little hard to see, but he didn't care. He knew what the apartment
looked like, all twelve, white elephant rooms full of his accumulated junk. He was cultivating a serious
dislike of the apartment that was primarily self-protection. If the IRS had their way, soon he would be
living in a refrigerator carton on Avenue C. He might as well prepare himself for the worst.
She was sitting at the kitchen table with her back to him. She was eating cornflakes and wearing one of
his shirts. Romantic, darling, he thought sourly. Just like in the TV commercials. The bitch hadn't stopped
to think that it might be his last clean shirt. Her hair was an untidy mess of blond curls with the roots
coming in dark, cut in a style favored by heavy-metal babes and porno stars. As he walked in, she
looked around. Her small, rather vapid face wasn't improved by the panda smudges of the previous
night's smeared eye makeup. She definitely wasn't the one who had been babbling at him while he had
meditated on the tequila. Her mouth was set in a small, tight, disagreeable line. She clearly wasn't in
misty-eyed, slack-jawed love with him. There must have been a problem.
"Fuck you, Joe Gibson."
Joe Gibson sighed. There had been a problem. "So what did I do?"
"Not much except swill cognac and abuse me until well after dawn."
Joe Gibson knew that he didn't have the strength to accept a load of guilt before breakfast, particularly
from a woman hecouldn't even remember, Desiree had handed him a lifetime's supply of that kind of shit.
He resorted to blunt rudeness.
"So why don't you leave?"
The woman wasn't going to let go of it. "Do you realize that I used to idolize you?"
That was all he needed. A bloody fan who thought he owed her something for a lifetime of adoration.
She had fastened only two of the buttons on his shirt, and as she twisted round in the chair to face him, he
had a clear and gratuitous view of her left breast. It was a good breast, small and young-girl firm. He was
tempted by that perverse, swamp-thing lust that was the paradox of hangovers. Maybe he should take
her back to bed and lose himself in her warm feminine moisture. Slurpings at the portal, smelling the
smoke and perfume in that hair—although maybe he should brush his teeth first. Then part of him
revolted. Good grief, no! That would only complicate matters. He didn't want to encourage her. It was a
nice fantasy, but it had to remain a fantasy. Next thing he knew, she would be moving in.
"Is that coffee?"
"Do you realize that when I was a kid I thought you and the Holy Ghosts were the next best thing to
God?"
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Gibson peered at the Krups coffeemaker that was dripping happily. "We weren't. We weren't nothing
but a rock 'n' roll band. Be assured of that." Despite himself, he grinned. "We did have our moments,
though."
"How did it all go so wrong?"
That was a good question.
"Maybe too many people thought we were the next best thing to God."
"Be serious."
He poured himself a cup of coffee. "I don't have the energy. Blame it on eight years of Reagan. Just say
no. One way or the other, we fucked up. What did everyone expect? We were the grand fuck-ups.
Nobody played it harder than us and then suddenly it was Perrier and the Jane Fonda workout, ego
enhancement and the Nissan Imperator. It's not easy to be an unreconstructed leftover from the sixties."
On the other side of the kitchen there was a huge, almost life-size photo portrait of him that had been
taken back in the glory days when he and the band had thought they owned the world. His image stared
coldly down at the two of them. Elegant and wasted. Flowing black hair like Charles II, black leather, the
curl of the lip that he had learned from Elvis, shadows under hischeekbones, and arrogant hooded eyes.
Jesus, he had been magnificent. Maybe that was what the girl was seeing. Yesterday's rock princeling,
not today's has-been in a stained silk robe. She looked as though she was working up to tears.
"I would have done anything for you." Maybe he should take her back to bed and damn the
consequences. The coffee was too hot and burned his lip. He cursed and put down the cup. The woman
didn't appear to notice.
"When I saw you in the bar last night I could hardly believe it. It was like a teenage dream come true."
What bar? There had been a great many bars, running one into the next like some dark melting
Rembrandt. It was always the same on the nightwatch. How was he supposed to know what bar? He
couldn't even remember her face.
"So you came home with me and it turned into a grown-up nightmare."
"Why are you so bitter?"
"Honey, I'm not bitter. It's just that my ability to laugh at it all is getting a little threadbare."
"But you've had everything. How can you act the way you do?"
There was a catch in her voice. The tears were very close. To start his day with an emotional disaster
right in his own kitchen was more than he could face. Why me, Lord? He was about to ask her name but
he bit off the question. Maybe he really ought to take her back to bed. It might stop her becoming
hysterical.
"Listen, why don't we go back to bed and try to be nice to each other?"
She didn't exactly jump at the offer. "It's the evening already. Maybe I ought to just go."
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"You've got something to do?"
She shook her head. "No."
"So?"
She was still shaking her head. "This is too weird."
"What is?"
"Ten years ago, I would have killed to be here like this."
Gibson said nothing. The girl looked up at him in the hope that he would somehow bail her out. Finally
she stood up and came toward him. The shirt had fallen open and he could now see both of her breasts.
He put his arms around her. Her body was stiff and reluctant. He steered her back down the corridor,
past the gold records and the photographs, the award plaquesand the posters and all the rest of the trash
that was the tangible backwash of his career. He had to suppress a shudder. The place was a museum, a
home for some rock 'n' roll Addams Family. In the study there was a life-size cardboard cutout of him
posing with his shirt off. There had been a week when copies of that cutout had been in record stores
across three continents. Maybe the best solution would be to let the IRS take the whole wretched mess.
An hour later, they lay naked, side by side in the gloom of the bed, but there was no real contact. She
was propped up on one elbow, staring at his face. Her look was definitely not one of adoration. If
anything, she looked depressed. Perhaps she was holding a solitary wake for the illusions of her youth.
"I think I should go."
Gibson nodded. There was really nothing else to say. She threw back the covers and slid out of bed. He
watched her in silence as she dressed. With her clothes—first the garter belt and the ruined stockings,
then the leather mini, the lace blouse, the chain belt—she assumed a tough sexuality that she wasn't able
to maintain while she was naked. When she started putting on her shoes, he, too, rose and slipped once
more into his robe.
"I'll see you to the door."
She didn't answer. At that moment the phone rang, and Gibson picked it up.
"Could I please speak to Joseph Gibson?"
The voice sounded very old and was strangely accented, possibly South American.
"Could I please speak to Joseph Gibson?"
Gibson was immediately suspicious. "Who is this?"
"My name is Don Carlos Gustavo Casillas."
"This is Joe Gibson, but I'm afraid I don't have a clue who you are."
"That's understandable, Senor Gibson. We have never met."
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"What do you want, Mr. Casillas?"
"I want to talk to you."
"About what?"
The girl signaled that she would see herself out.
Gibson put a hand over the mouthpiece of the phone. "Wait a minute ..."
Either she didn't hear him or she wanted to pass on the farewells. She was gone down the corridor. A
moment later the front door slammed.
"Are you still there, Senor Gibson? "
"Yeah, I'm still here. Someone was just leaving." Gibson didn't know for the life of him why he was
explaining anything to the stranger on the other end of the phone.
"I wish to come and see you."
Gibson was unconsciously shaking his head. "I don't think so. I don't see many people these days."
Casillas was persistent. "This is a matter of some importance."
"I should warn you that I don't have any money anymore."
"Believe me, Senor Gibson, I am not in the least interested in your money. This is something far more
important."
"If you're one of those people who have a scheme to put the band back together for some reunion show,
forget it. It'll never happen. Pretend we're all dead."
"I'm not interested in your band, either."
"So what is your interest?"
"It would be impossible to explain over the phone. I would have to see you in person."
Gibson was shaking his head again.
"No. I really can't go along with that,"
"You might also be in some degree of danger, Senor Gibson."
Joe Gibson was suddenly angry. Who did the old fool think he was? "Are you threatening me?"
"I'm not threatening you, Senor. Quite the reverse. All I want is to meet and talk with you. Might I
suggest I call on you at eight this evening."
"I won't be home at eight."
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"I think by eight you may want to see me. I'll call anyway."
And with that, Don Carlos Gustavo Casillas hung up.
Gibson was left standing, listening to the dial tone. He was not at all happy. First the hangover and now
this. What was he supposed to make of it all? Although he'd initially been angered by the suggestion that
he might be in danger, in retrospect it gave him something to think about. He glanced at the VCR. It was
after six. He had less than two hours to decide what to do about Senor Casillas.
He went into the living room. Here the clutter was much more high-tech—guitars, a computer, a DX7
keyboard. A monolithic bank of recording equipment shared a wall with the big David Hockney nude
drawing of him. He went to the window, parted the curtains a couple of inches, and peered out. A black
helicopter was hovering over the park. For no conscious reason, the helicopter disturbed him. He closed
the curtains again.
It was only a matter of minutes before Gibson made up his mind what he was going to do. He would
pour himself a stiff drink, put the security chain on the door, turn on the TV, and if the doorbell rang at
eight o'clock, he'd ignore it.
The apparition appeared on the TV right after the start of theNBC Nightly News. One moment there
was anchorman Gary Elliot doing the lead-in to a story on corruption in the Justice Department, and the
next he'd been replaced by the face of some weird, cartoon-skull demon, an animated mosaic, like the
wall of an Aztec temple brought to life by Hanna-Barbera. Gibson blinked in amazement.
"Now what the fuck is this?"
His first thought was that it was some arty commercial that he hadn't seen before, cued in at the wrong
place. That was a better idea than wondering if he was losing his mind. The trouble was that even arty
commercials usually had music and a voice-over. The only audio behind the skull was the sound of
labored breathing, as though the thing was suffering from bronchial asthma. Then it spoke to him,
addressing him by name in a high-pitched, wheezing, Mighty Mouse voice.
"Hey, Joe, whattaya know?"
Gibson slowly put down his drink. Now he had to seriously consider the possibility that he was losing it.
DTs? He'd had only a couple of shots. He was aware that he was topping up his blood alcohol from the
night before, but he shouldn't have been that far gone so fast.
"What is this?"
"You're a bit of a mess, Joe."
Gibson couldn't believe it. Could DTs come from the TV? Had someone cut into his cable to try to drive
him crazy? He was suddenly frightened.
"I'm going to quit drinking."
The skull thing's face stretched into an insane grin. The jaw actually detached itself from the upper part of
the skull.
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"Come on, Joe, you say that every morning."
"What the fuck is going on here?"
"Don't worry, Joe, be happy. The tide always turns. It's always darkest before the dawn. That's the
reason for the season. It's just the ebb before the flow, Joe. And you've got a visitor coming. You should
do yourself a favor and talk to him. Way to go, Joe. Have a nice day."
And then the cartoon skull had vanished and NBC was back as if it had never been gone. Gibson stared
uncomprehendingly at the end of the piece on Justice Department corruption. He was terrified. What was
happening to him? On the screen, Gary Elliot had started into a health piece about botulism in pancake
mix. He grabbed for the remote and killed the power. His hands were shaking as he picked up his drink.
Was it him or was the whole world taking get-weird pills? One thing he knew for sure: There was no way
that he was going to open the door to Casillas. He wasn't going to answer the door to anyone,
Gibson should have remembered that it was always a mistake to make hard-and-fast predictions. If he
had learned anything from the way his life had gone, it should have been exactly that. As the clock on the
VCR moved from 7:59 to 8:00, the intercom beeped. Despite his resolve, Gibson pushed the button.
"Mr. Gibson, this is Ramone the doorman."
"What is it, Ramone?"
"You have a visitor, Mr. Gibson."
"Who is it?"
"He says his name is Casillas."
Ramone sounded as though he didn't quite approve of the visitor. Then again Ramone didn't approve of
most of Gibson's visitors.
"Send him up."
Gibson couldn't believe that the words had come out of his mouth. The very last thing he wanted was
some weirdass in his apartment, and yet he seemed to have lost all will to resist. He looked round like a
condemned man seeking a way out of the inevitable. What was happening to him?
Two and a half minutes after Ramone's call, the doorbell rang. The set of chimes that played the first two
bars of Howling Wolf's "Smokestack Lightning" was one of his more absurd rock-star purchases, and
normally he took a childish pleasure in it, but this time the final note was a funeral bell tolling gloomily in
the air. Like a zombie, he stood up and walked to the door. His legs didn't feel as though they even
belonged to him. He took off the chain, snapped back the two deadbolts, and opened the door. The man
standing there looked at least a hundred years old. His face was like an ancient walnut, deeply etched
with a thousand lines and creases. The eyes, however, that looked out from beneath bushy white
eyebrows were bright with a penetrating intelligence. He was not only old but very small, a tiny birdlike
figure in a set of clothes that were totally incongruous not only for a man of his age but for practically
anyone else. It should have belonged to a pachuco zoot-suiter from the early forties. His shoes were
two-tone; his pants wide-cut, draped and pleated; the black coat reached almost to his knees; and his
watch chain hung in a long, three-foot loop. His tie was skinny, and the brim of his hat was wide. When
he removed it, a full head of snow-white hair was revealed, neatly brushed back into an immaculate DA.
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"Mr. Gibson?"
Gibson nodded and held the door wide open. "Please come in, Mr. Casillas."
The old man stepped across the threshold, moving with an energy that also wasn't in keeping with his
apparent years.
"I believe your TV had a word with you earlier."
They had walked through into the kitchen. The odd little man seemed no more real to Gibson than the
thing that had interrupted the NBC news.
"You did that?"
"I felt that I needed to get your attention."
Gibson took a unopened bottle of Scotch from the Welsh dresser. He cracked the seal with a brisk,
businesslike twist and poured himself a large shot. Before he drank it down, he held the glass up to the
light. He had to believe that something was real.
"Are you telling me that you interrupted a network TV broadcast just to get my attention?"
Casillas shook his head. "Believe me, I didn't interrupt anything. I only borrowed the facility. Besides, the
skull was instructed to appear only on your set."
Gibson poured himself a second shot. "Do you want a drink?"
Casillas shook his head a second time. "Alas, I am unable to indulge in alcohol anymore, but please feel
free to do so yourself, as much as you want. I can still enjoy watching a young man drink."
Gibson drank half the shot. "I'm not that young anymore."
"You're but a child from where I stand."
In an attempt to restore some minor normality to the situation, Gibson sat down at the kitchen table and
indicated that Casillas should do the same. There had to be a way to find a point of perspective on all
this, a position from which he could handle what was going on. It wasn't easy, not when faced with
Casillas's preposterous clothes and even more preposterous suggestion that he could alter someone's
television programming at will. And yet the skull had appeared on his TV. Gibson was starting to feel that
it was going to be a long night.
"What exactly is this all about?"
"It is complicated."
Gibson sighed. "You know something? I rather thought that it might be."
"We also have very little time."
"We do?"
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摘要:

NECROMMickFarren Copyright©1991byMickFarrene-bookver.1.0ISBN0-345-36185-7 Thisone'sforSusan "Thisisfunny..."—ThelastwordsofDocHolliday TheWhiteRoom JOEGIBSONWASaloneinthenarrowwhitebedinthenarrowwhiteroominthesmallbutveryexpensiveclinic.BurstsofhystericalapplauseblastedfromsomeidiotgameshowonTV.Inth...

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