Patricia McKillip - The Changeling Sea

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The Changeling Sea
Patricia A. McKillip
3S XHTML edition 1.0
scan notes and proofing history
Contents
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BOOKS BY PATRICIA A. MCKILLIP
The Throme of the Erril of Sherill
The House on Parchment Street
The Forgotten Beasts of Eld
The Night Gift
The Riddle-Master of Hed
Heir of Sea and Fire
Harpist in the Wind
Stepping from the Shadows
Moon-Flash
The Moon and the Face
The Changeling Sea
A Jean Karl Book
Atheneum 1988 New York
Copyright © 1988 by Patricia A. McKillip
All rights reserved. No part of this book may be
reproduced or transmitted in any form or by any means,
electronic or mechanical, including photocopying,
recording, or by any information storage and retrieval
system, without permission in writing from the publisher.
Atheneum
Macmillan Publishing Company 866 Third Avenue,
New York, NY 10022
Collier Macmillan Canada, Inc. First Edition Designed
by Eliza Green
Printed in U.S.A. 10 987654321
Library of Congress Cataloging-in-Publication Data
McKillip, Patricia A. The changeling sea/Patricia A.
McKillip.—1st ed.
p. cm. “Jean Karl book.”
Summary: A floor scrubber and a magician try to help a
prince return to his home beneath the sea and help his
half brother, a human trapped in the body of a sea
monster, return to land.
ISBN 0-689-31436-1
[1. Fantasy. 2. Magic—Fiction. 3. Islands—Fiction.] I.
Tide. PZ7.M478678Ch 1988 [Fie]—del9 88-3435 CIP AC
FOR
JEAN KARL
ONE
NO ONE REALLY KNEW where Peri lived the year after the sea
took her father and cast his boat, shrouded in a tangle of fishing
net, like an empty shell back onto the beach. She came home when
she chose to, sat at her mother’s hearth without talking, brooding
sullenly at the small, quiet house with the glass floats her father
had found, colored bubbles of light, still lying on the dusty
windowsill, and the same crazy quilt he had slept under still on the
bed, and the door open on quiet evenings to the same view of the
village and the harbor with the fishing boats homing in on the
incoming tide. Sometimes her mother would rouse herself and cook;
sometimes Peri would eat, sometimes she wouldn’t. She hated the
vague, lost expression on her mother’s face, her weary movements.
Her hair had begun to gray; she never smiled, she never sang. The
sea, it seemed to Peri, had taken her mother as well as her father,
and left some stranger wandering despairingly among her cooking
pots.
Peri was fifteen that year. She worked at the inn beside the
harbor, tending fires, scrubbing floors, cleaning rooms, and running
up and down the kitchen stairs with meals for the guests. The
village was small, poor, one of the many fishing villages tucked into
the rocky folds of the island. The island itself was the largest of
seven scattered across the blustery northern sea, ruled for four
hundred years by the same family.
The king’s rich, airy summer house stood on a high crest of land
overlooking the village harbor. During the months when he was in
residence, the wealthy people of the island came to stay at the inn,
to conduct their business at the king’s summer court, or sometimes
just to catch a glimpse of him riding with his dark-haired son down
the long, glistening beaches. In winter, the inn grew quiet; fishers
came in the evening to tell fish stories over their beers before they
went home to bed. But even then, the innkeeper, a burly,
good-natured man, grew testy if he spotted a cobweb in a high
corner or a sandy footprint on his flagstones. He kept his inn
scoured and full of good smells.
He kept a weather eye on Peri, too, for she had a neglected look
about her. She had grown tall without realizing it; her clothes were
too loose in some places, too tight in others. Her hair, an awkward
color somewhere between pale sand and silt, looked on most days,
he thought, as if she had stood on her head and used it for a mop.
He gave her things from the kitchen, sometimes, at the end of the
day to take home with her: a warm loaf of bread, a dozen mussels,
a couple of perch. But he never thought to ask her where she took
them.
Occasionally her mother, who had simply stopped thinking and
spent her days listening to the ebb and flow of the tide, stirred from
her listening. She would trail a hand down Peri’s tangled, dirty hair
and murmur, “You come and go like a wild thing, child. Sometimes
you’re there when I look up, sometimes you’re not…” Peri would sit
mute as a clam, and her mother’s attention would stray again to
the ceaseless calling of the sea.
Her mother was enchanted, Peri decided. Enchanted by the sea.
She knew the word because the old woman whose house she
stayed in had told her tales of marvels and magic, and had taught
her what to do with mirrors, and bowls of milk, bent willow twigs
buried by moonlight, different kinds of knots, sea water sprinkled
at the tide line into the path of the wind. The old woman’s
enchantments never seemed to work; neither did Peri’s. But for
some odd reason they fascinated Peri, as if by tying a knot in a
piece of string she was binding one stray piece of life to another,
bridging by magic the confusing distances between things.
The old woman had lived alone, a couple of miles from the village,
in a small house built of driftwood. The house sat well back from
the tide against a rocky cliff; it was shielded from the hard winter
winds by the cliff and the thick green gorse that overflowed the
fallow fields and spilled down around its walls. The old woman had
made her living weaving. When Peri was younger, she would come
to sit at the woman’s side and watch the shuttle dart in and out of
the loom. The old woman told stories then, strange, wonderful tales
of a land beneath the sea where houses were built of pearls, and a
constant, powdery shower of gold fell like light through the deep
water from the sunken wrecks of mortals’ ships. She was very old;
her eyes and hair were the fragile silvery color of moonlit sand. One
day, not long after Peri’s father had died, the old woman
disappeared.
She left a piece of work half-finished on her loom, her door open,
and all her odd bits of things she called her “spellbindings” lying on
the shelves. Peri went to her house evening after evening, waiting
for her to return. She never did. The villagers looked for her a little,
then stopped looking. “She was old,” they said. “She wandered out
of her house and forgot her way back.”
“Age takes you that way, sometimes,” the innkeeper told Peri.
“My old granny went out of the house once to take her hoe to be
mended. She came back sitting on a cart tail three days later. She
never did tell us where she finally got to. But the hoe was mended.”
Peri, used to waiting in the empty driftwood house, simply
stayed.
She was fidgety and brusque around people then, anyway, and
there was nothing in the house to remind her of her parents, both
of them lost, in one way or another, to the sea. She could sit on the
doorstep and listen to the tide and glower at the waves breaking
against the great, jagged pillars of rock that stood like two
doorposts just at the deep water. They were the only pieces of stone
cliff left from some earlier time; the sea had nibbled and stormed
and worn at the land, pushed it back relentlessly. It was not
finished, Peri knew; it would wear at this beach, this cliff, until
someday the old woman’s house would be underwater. Nothing was
safe. Sometimes she threw things into the sea that she had
concocted from the old woman’s spellbindings: things that might,
she vaguely hoped, disturb its relentless workings.
“If you hate the sea so now,” Mare asked in wonder one day,
“why don’t you leave?” Mare was a few years older than Peri, and
very pretty. She came to work in the morning, with a private smile
in her eyes. Down at the docks, Peri knew, was a young fisherman
with the same smile coming and going on his face. Mare was tidy
and energetic, unlike Carey, who dreamed that the king’s son would
come to the inn one day and fall in love with her green eyes and
raven tresses. Carey was slow and prone to breaking things. Peri
attacked her work grimly, as if she were going to war armed with a
dust cloth and a coal scuttle.
“Leave?” she said blankly, knee-deep in suds. Mare was watching
her, brows puckered.
“You haven’t smiled in months. You barely talk. You scowl out
the windows at the waves. You could go inland to the farming
villages. Or even to the city. This may be an island, but there are
places on it where you’d never hear the sea.”
Peri’s head twitched, as much away from Mare’s reasonable voice
as from the sound of the running tide. “No,” she said shortly, not
knowing why or why not.
Carey giggled. “Can you imagine Peri in the city?” she said. “With
her short skirts and her hair like a pile of beached kelp?” Peri
glowered at her between two untidy strands of hair.
“No,” Mare sighed. “I can’t. Peri, you really should—”
“Leave me alone.”
“But, girl, you look like—”
“I know what I look like,” Peri said, though she didn’t.
“How will anyone ever fall in love with you looking like that?”
Carey asked. Peri’s glower turned into such an astonished stare
that they both laughed. The innkeeper stuck his head into the
room.
“Work on my time,” he growled. “Laugh on your own.”
They heard him shouting down the kitchen stairs a moment
later. “Crab,” Carey muttered.
“It’s just,” Mare said insistently, “you have such pretty eyes, Peri.
But nobody can see them with your hair like—”
“I don’t want anybody seeing them,” Peri said crossly. “Leave me
alone.”
But later, after she had gone to the driftwood house and made
something full of broken bits of glass and crockery and jagged edges
of shell to throw into the great sea to give it indigestion, she looked
curiously into the old, cracked mirror that the woman had left on
her spellbinding shelf. Gray eyes flecked with gold gazed back at
her from under a spiky nest of hair. She barely recognized her own
face. Her nose was too big, her mouth was pinched. Some stranger
was inhabiting her body, too.
“I don’t care,” she whispered, putting the mirror down. A moment
later she picked it up again. Then she put it down, scowling. She
went outside to a little cave of gorse where the old woman had
found an underground stream wandering toward the sea, and had
dug a hole to trap it. Peri knelt at the lip of the well and dunked
her head in the water.
Shivering and sputtering, she threw more driftwood on the fire,
and sat beside it for an hour, tugging and tugging at her hair with
a brush until all the knots came out of it. By that time it was dry,
but still she brushed it, tired and half-dreaming, until it rose
crackling around her head in a streaky mass of light and dark. She
remembered a long time past, when she was small and the old
woman had brushed her hair for her, singing…
“Come out of the sea and into my heart
My dark, my shining love.
Promise we shall never part,
My dark, my singing love. …”
Peri heard her own voice singing in the silence. She stopped
abruptly, surprised, and heard then the little, silky sounds of the
ebb tide washing against the shore. Her mouth clamped shut. She
put the brush down and picked up a clay ball, prickled like a
pincushion with bent nails and broken pieces of glass. She flung
open the door; firelight ran out ahead of her, down the step onto the
sand. But something on the beach kept her lingering in the
doorway, puzzled.
There was an odd mass on the tide line. Her eyes, adjusting to
moonlight, pieced it together slowly: a horse’s head, black against
the spangled waves, a long, dark cloak glittering here and there
with silver thread, or steel, or pearl… She could not find a face.
Then the sea-watcher sensed her watching. A pale, blurred face
turned suddenly away from the sea to her, where she stood in the
warm light, with her feet bare and her hair streaming away from
her face in a wild, fire-edged cloud down her back.
They stared at one another across the dark beach. A swift, high
breaker made the horse shy. The rider swept the cloak back to free
his arms; again came a moonlit spark of something rich, unfamiliar.
He rode the dark horse out of the sea and Peri closed her door.
“The king came back to the summer house last night,” Carey said
breathlessly the next morning as the girls put on aprons and
collected brooms and buckets in the back room. “I saw his ships in
the harbor.”
Peri, yawning as the apron strings tangled in her fingers, made a
sour noise.
“It’s early,” Mare commented, surprised. “It’s barely spring. The
rainy season isn’t over yet.”
“Prince Kir is with him.”
“How do you know?”
“I asked one of the sailors.” Carey’s eyes shone; she hugged her
bucket, seeing visions. “Think of the clothes and the jewels and the
horses and the men—”
“Think of the work,” Mare sighed, “if they stay from now till
summer’s end.”
“I don’t care.”
“Jewels?” Peri echoed suddenly. Something teased her brain, a
glittering, moonlit darkness…
“Girl, will you wake up?” Mare grabbed Peri’s apron strings, tied
them impatiently. “This place will be full by nightfall.”
There were already strangers in the inn, tracking sand across the
floors, demanding fires, spilling things. By the end of the day, the
girls were almost too tired to talk. The innkeeper met Peri at the
back door and gave her oysters to take home. He studied her, his
brows raised.
“You washed your hair!”
It shouldn’t have been all that surprising, Peri thought irritably,
taking one of the cobbled streets through the village. A moment
later she didn’t care. She was climbing over a low stone wall to slip
burrs into the back pockets of Marl Grey’s fishing trousers, hanging
on his mother’s line. He had called her names a couple of days ago,
laughing at her wild hair, her short skirt. “Let’s see how funny you
look,” Peri muttered, “sitting down in a boat on those.”
Then she went to see her mother.
She didn’t decide to do that; she was just pulled, little by little, on
a disjointed path through the village toward her mother’s house.
She didn’t want to go: She hated the still house at the time of day
when the boats were coming in. No matter how hard she looked,
her father’s small blue boat would not be among them. It would be
idle, empty, moored to the dock as always. And yet she knew she
would look. She opened the gate to her mother’s yard. A hoe leaned
against the wall among a few troubled clods of dirt. Already the
thistles were beginning to sprout.
She went into the house, tumbled the oysters out of her skirt
onto the table, and sat down silently beside the fire. Fish chowder
simmered in a pot hung over the fire. Her mother sat at the
window, gazing at the sunlit harbor. She turned her head vaguely
as the shells hit the table, then her attention withdrew. They both
sat a few moments without moving, without speaking. Then Peri’s
mother lifted one hand, let it fall back into her lap with a faint sigh.
She got up to stir the soup.
“The king is back,” Peri said abruptly, having an uncharacteristic
urge to say something. She even, she discovered in surprise, wanted
to hear her mother’s voice.
“He’s early,” her mother said disinterestedly.
“Are you making a garden?”
Her mother shrugged the question away. The hoe had been
standing up in the weeds for months. Her eyes went to the window;
so did Peri’s.
The sun was hovering above the horizon, setting the water
ablaze. The first of the fishing boats had just entered the harbor;
the rest of them were still caught in the lovely, silvery light. Peri’s
mother drew a soft breath. Her face changed, came gently alive,
almost young again, almost the face Peri remembered.
“That’s what I dreamed about…”
“What?” Peri said, amazed.
“I dreamed I was watching the sun go down. The way it does just
before it dips behind the fog bank, when it burns up the sea and the
clouds, and the fishing boats coming home look like they’re sailing
on light… like they’re coming from a land you could walk to, if you
could step onto the surface of the sea and start walking. It’s a
country beneath the sea, but in my dream I saw the reflection of it,
all pale and fiery in the sunlight… And then the sun went down.”
Peri’s face was scarlet. “There is no country!” she shouted, and
her mother’s secret, dreaming face faded away, became the weary
stranger’s face once more. “There is no magic country in the sea!
Stop watching for it!”
But her mother was already watching again. Peri ran out of the
house, slamming the door so hard that a flock of sea gulls sunning
on the roof wheeled into the air, crying. Her mother’s face in the
window was still as a sleeper’s, hearing nothing in her dreams but
the tide.
TWO
THE NEXT AFTERNOON, Peri climbed the cliff above the old
woman’s house. There was a moon-shaped patch of sand ringed
with gorse at the top; on her days off she could sit in the sunlight
and brood at the sea, yet feel protected from the world within the
green circle. The gorse was beginning to bloom here and there, tiny
golden flowers that made her sneeze. But so far her magic circle
was ungilded.
She wrapped her arms around her knees and watched the white
gulls wheel above the great weather-beaten spires of rock. Clouds
scudded across the sea, making a mysterious weave of light and
shadow on the water beyond the spires. Peri frowned at the
mystery, chewing a thumbnail. What lay beneath the color and the
shadow? Fish? Or some secret world within the kelp that
sometimes floated too near the surface of the sea, disturbing those
who dwelled on land? What would stop it from troubling her
mother? She chewed a fingernail next, then took the finger out of
her mouth and drew a spidery design in the sand.
She studied it critically, then drew another one. Hexes, the old
woman had called them. She had bent soft willow branches into
odd, angular shapes, and then wove webs of thread within them.
Hung in doors and windows, they kept malicious goblins and
irritating neighbors away. They protected cows from being milked
at night by sprites. Perhaps, Peri thought, a few hexes floating
across the sea might trap its strange magic underwater. She would
make them out of tough dried kelp stalk, row out over the deep
water to cast them. She would have to check her father’s boat for
leaks, get new oars, see if the rudder had been cracked. She had not
looked closely at the Sea Urchin since the fishers had cleaned the
sand and seaweed out of it and moored it in the harbor. Someone
had covered it, or it would have sunk under the weight of the heavy
winter rains. It probably dragged a crust of barnacles on its
bottom…
She drew another hex, a crooked, crabbed design. The wind
tossed a gull feather into the circle. She stuck it behind her ear,
then broke off a couple of feet of a wild strawberry runner that was
gliding across the sand, and wove that absently in and out of her
hair. Her dress—her oldest one—barely covered her knees. It was
loose around the waist and so tight in the shoulders the seams
threatened to part. In the gorse circle, it didn’t matter. She
stretched out her legs, burrowed her feet under the warm sand, and
devised another hex.
I wonder, she thought, if I have to say something over them to
make them work. Then she stopped breathing. A feeling skittered
up her backbone. She turned her head slowly, warily, to see who
was watching her.
The dark horseman from the sea gazed up at her, mounted at the
foot of the cliff. She caught her breath, chilled, as if the sea itself
had crept noiselessly across the beach to spill into her circle. Then
she blinked, recognizing him. It was only the young prince out for a
ride in the bright afternoon. The dark horseman was Kir. Kir was
the dark horseman. The phrases turned backward and forward in
her mind as she stared at him. A wave boomed and broke behind
him, flowing across half the beach, seeking, seeking, then dragged
back slowly, powerfully, and, caught in the dark gaze of the rider,
his eyes all the twilight colors of the sea, Peri felt as if the
undertow had caught her.
摘要:

TheChangelingSeaPatriciaA.McKillip3SXHTMLedition1.0scannotesandproofinghistoryContents|1|2|3|4|5|6|7|8|9|10|11|12|13|BOOKSBYPATRICIAA.MCKILLIPTheThromeoftheErrilofSherillTheHouseonParchmentStreetTheForgottenBeastsofEldTheNightGiftTheRiddle-MasterofHedHeirofSeaandFireHarpistintheWindSteppingfromtheSh...

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