Stephen King - Umney's Last Case

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Stephen King "Umney's Last Case"
The rains are over. The hills are still green and in the valley across the Hollywood
hills you can see snow on the high
mountains. The fur stores are advertising their annual sales. The call houses that
specialize in sixteen-year-old virgins
are doing a land-office business. And in Beverly Hills the jacaranda trees are
beginning to bloom.
Raymond Chandler, The Little Sister
I. The News from Peoria.
It was one of those spring mornings so L.A.-perfect you keep expecting to see that
little trademark
symbol--(R)--stamped on it somewhere. The exhaust of the vehicles passing on Sunset
smelled faintly of oleander, the
oleander was lightly perfumed with exhaust, and the sky overhead was as clear as a
hardshell Baptist's conscience.
Peoria Smith, the blind paperboy, was standing in his accustomed place on the corner
of Sunset and Laurel, and if that
didn't mean God was in His heaven and all was jake with the world, I didn't know what
did.
Yet since I'd swung my feet out of bed that morning at the unaccustomed hour of 7:30
a.m., things had felt a little
off-kilter, somehow; a tad woozy around the edges. It was only as I was shaving --or
at least showing those pesky
bristles the razor in an effort to scare them into submission--that I realized part
of the reason why. Although I'd been
up reading until at least two, I hadn't heard the Demmicks roll in, squiffed to the
earlobes and trading those snappy
one-liners that apparently form the basis of their marriage.
Nor had I heard Buster, and that was maybe even odder. Buster, the Demmicks' Welsh
Corgi, has a high-pitched bark
that goes through your head like slivers of glass, and he uses it as much as he can.
Also, he's the jealous type. He lets
loose with one of his shrill barking squalls every time George and Gloria clinch, and
when they aren't zinging each
other like a couple of vaudeville comedians, George and Gloria usually are clinching.
I've gone to sleep on more than
one occasion listening to them giggle while that mutt prances around their feet going
yarkyarkyark and wondering how
difficult it would be to strangle a muscular, medium-sized dog with a length of
piano-wire. Last night, however, the
Demmicks' apartment had been as quiet as the grave. It was passing strange, but a
long way from earth-shattering; the
Demmicks weren't exactly your perfect life-on-a-timetable couple at the best of
times.
Peoria Smith was all right, though--chipper as a chipmunk, just as always, and he'd
recognized me by my walk even
though it was at least an hour before my usual time. He was wearing a baggy CalTech
sweatshirt that came down to his
thighs and a pair of corduroy knickers that showed off his scabby knees. His hated
white cane leaned casually against
the side of the card-table he did business on.
``Say, Mr. Umney! Howza kid?''
Peoria's dark glasses glinted in the morning sunlight, and as he turned toward the
sound of my step with my copy of the
L.A. Times held up in front of him, I had a momentary unsettling thought: it was as
if someone had drilled two big
black holes into his face. I shivered the thought off my back, thinking that maybe
the time had come to cut out the
before-bedtime shot of rye. Either that or double the dose.
Hitler was on the front of the Times, as he so often was these days. This time it was
something about Austria. I thought,
and not for the first time, how at home that pale face and limp forelock would have
looked on a post-office bulletin
board.
``The kid is just about okay, Peoria,'' I said. ``In fact, the kid is as fine as
fresh paint on an outhouse wall.''
I dropped a dime into the Corona box resting atop Peoria's stack of newspapers. The
Times is a three-center, and
over-priced at that, but I've been dropping that same chip into Peoria's change-box
since time out of mind. He's a good
kid, and making good grades in school--I took it on myself to check that last year,
after he'd helped me out on the
Weld case. If Peoria hadn't shown up on Harris Brunner's houseboat when he did, I'd
still be trying to swim with my
feet cemented into a kerosene drum, somewhere off Malibu. To say I owe him a lot is
an understatement.
In the course of that particular investigation (Peoria Smith, not Harris Brunner and
Mavis Weld), I even found out the
kid's real name, although wild horses wouldn't have dragged it out of me. Peoria's
father took a permanent
coffee-break out a ninth-floor office window on Black Friday, his mother's the only
white frail working in that goofy
Chinese laundry down on La Punta, and the kid's blind. With all that, does the world
need to know they hung Francis on
him when he was too young to fight back? The defense rests.
If anything really juicy happened the night before, you almost always find it on the
front page of the Times, left side,
just below the fold. I turned the newspaper over and saw that a bandleader of the
Cuban persuasion had suffered a heart
attack while dancing with his female vocalist at The Carousel in Burbank. He died an
hour later at L.A. General. I had
some sympathy for the maestro's widow, but none for the man himself. My opinion is
that people who go dancing in
Burbank deserve what they get.
I opened to the sports section to see how Brooklyn had done in their doubleheader
with the Cards the day before. ``How
about you, Peoria? Everyone holding their own in your castle? Moats and battlements
all in good repair?''
``I'll say, Mr. Umney! Oh, boy!''
Something in his voice caught my attention, and I lowered the paper to take a closer
look at him. When I did, I saw
what a gilt-edged shamus like me should have seen right away: the kid was all but
busting with happiness.
``You look like somebody just gave you six tickets to the first game of the World
Series,'' I said. ``What's the buzz,
Peoria?''
``My mom hit the lottery down in Tijuana!'' he said. ``Forty thousand bucks! We're
rich, brother! Rich!''
I gave him a grin he couldn't see and ruffled his hair. It popped his cowlick up, but
what the hell. ``Whoa, hold the
phone. How old are you, Peoria?''
``Twelve in May. You know that, Mr. Umney, you gave me a polo-shirt. But I don't see
what that has to do with--''
``Twelve's old enough to know that sometimes people get what they want to happen
mixed up with what actually does
happen. That's all I meant.''
``If you're talkin about daydreams, you're right--I do know all about em,'' Peoria
said, running his hands over the back
of his head in an effort to make his cowlick lie down again, ``but this ain't no
daydream, Mr. Umney. It's real! My
Uncle Fred went down and picked up the cash yest'y afternoon. He brought it back in
the saddlebag of his Vinnie! I
smelled it! Hell, I rolled in it! It was spread all over my mom's bed! Richest
feeling I ever had, let me tell you--
forty-froggin-thousand smackers!''
``Twelve may be old enough to know the difference between daydreams and what's real,
but it's not old enough for that
kind of talk,'' I said. It sounded good--I'm sure the Legion of Decency would have
approved two thousand per
cent--but my mouth was running on automatic pilot, and I barely heard what was coming
out of it. I was too busy
trying to get my brain wrapped around what he'd just told me. Of one thing I was
absolutely positive: he'd made a
mistake. He must have made a mistake, because if it was true, then Peoria wouldn't be
standing here anymore when I
came by on my way to my office in the Fulwider Building. And that just couldn't be.
I found my mind returning to the Demmicks, who for the first time in recorded history
hadn't played any of their
big-band records at full volume before retiring, and to Buster, who for the first
time in recorded history hadn't greeted
the sound of George's latchkey turning in the lock with a fusillade of barks. The
thought that something was off-kilter
returned, and it was stronger this time.
Meanwhile, Peoria was looking at me with an expression I'd never expected to see on
his honest, open face: sulky
irritation mixed with exasperated humor. It was the way a kid looks at a windbag
uncle who's told all his stories, even
the boring ones, three or four times.
``Ain't you picking up on this newsflash, Mr. Umney? We're rich! My mom ain't going
to have to press shirts for that
damned old Lee Ho anymore, and I ain't going to have to sell papers on the corner
anymore, shiverin when it rains in
the winter and havin to suck up to those nutty old bags who work down at Bilder's. I
can quit actin like I died and went
to heaven every time some blowhard leaves me a nickel tip.''
I started a little at that, but what the hell--I wasn't a nickel man. I left Peoria
seven cents, day in and day out. Unless I
was too broke to afford it, of course, but in my business an occasional stony stretch
comes with the territory.
``Maybe we ought to go up to Blondie's and have a cup of java,'' I said. ``Talk this
thing over.''
``Can't. It's closed.''
``Blondie's? The hell you say!''
But Peoria couldn't be bothered with such mundane stuff as the coffee shop up the
street. ``You ain't heard the best, Mr.
Umney! My Uncle Fred knows a doctor up in Frisco--a specialist--who thinks he can do
something about my eyes.''
He turned his face up to mine. Below the cheaters and his too-thin nose, his lips
were trembling. ``He says it might not
be the optic nerves after all, and if it's not, there's an operation . . . I don't
understand all the technical stuff, but I could
see again, Mr. Umney!'' He reached out for me blindly . . . well, of course he did.
How else could he reach out? ``I
could see again!''
He clutched at me, and I gripped his hands and squeezed them briefly before pushing
them gently away. There was ink
on his fingers, and I'd been feeling so good when I got up that I'd put on my new
chalk worsted. Hot for summer, of
course, but the whole city is air- conditioned these days, and besides, I was feeling
naturally cool. I didn't feel so cool
now. Peoria was looking up at me, his thin and somehow perfect newsboy's face
troubled. A little breeze--scented
with oleander and exhaust--ruffled his cowlick, and I realized that I could see it
because he wasn't wearing his tweed
cap. He looked somehow naked without it, and why not? Every newsboy should wear a
tweed cap, just like every
shoeshine boy should wear a beanie cocked way back on his head.
``What's the matter, Mr. Umney? I thought you'd be happy. Jeepers, I didn't have to
come out here to this lousy corner
today, you know, but I did--I even got here early, because I kinda had an idea you'd
get here early. I thought you'd be
happy, my mom hittin the lottery and me gettin a chance at an operation, but you
ain't.'' Now his voice trembled with
resentment. ``You ain't!''
``Yes I am,'' I said, and I wanted to be happy--part of me did, anyway--but the bitch
of it was that he was mostly
right. Because it meant things would change, you see, and things weren't supposed to
change. Peoria Smith was
supposed to be right here, year in and year out, with that perfect cap of his tilted
back on hot days and pulled down low
on rainy ones, so that the raindrops dripped off the bill. He was always supposed to
be smiling, was never supposed to
say ``hell'' or ``frogging,'' and most of all, he was supposed to be blind.
``You ain't!'' he said, and then, shockingly, he pushed his card- table over. It fell
into the street, papers flapping
everywhere. His white cane rolled into the gutter. Peoria heard it go and bent down
to get it. I could see tears coming
out from beneath his dark glasses and go rolling down his pale, thin cheeks. He
started groping for the cane, but it had
fallen near me and he was going the wrong way. I felt a sudden strong urge to haul
off and kick him in his blind
newsboy's ass.
Instead, I bent over, got his stick, and tapped him lightly on the hip with it.
Peoria turned, quick as a snake, and snatched it. Out of the corner of my eye I could
see pictures of Hitler and the
recently deceased Cuban bandleader flapping all over Sunset Boulevard--a bus bound
for Van Ness snored through a
little drift of them, leaving a bitter tang of diesel fumes behind. I hated the way
those newspapers looked, fluttering
here and there. They looked messy. Worse, they looked wrong. Utterly and completely
wrong. I fought another urge, as
strong as the first one, to grab Peoria and shake him. To tell him he was going to
spend the morning picking up those
newspapers, and I wasn't going to let him go home until he'd gotten every last one.
It occurred to me that less than ten minutes ago, I'd been thinking that this was the
perfect L.A. morning--so perfect it
deserved a trademark symbol. And it had been, dammit. So where had things gone wrong?
And how had it happened so
fast?
No answers came, only an irrational but powerful voice from inside, telling me that
the kid's mother couldn't have won
the lottery, that the kid couldn't stop selling newspapers, and that, most of all,
the kid couldn't see. Peoria Smith was
supposed to be blind for the rest of his life.
Well, it's got to be something experimental, I thought. Even if the doctor up in
Frisco isn't a quack, and he probably is,
the operation's bound to fail.
And, bizarre as it sounds, the thought calmed me down.
``Listen,'' I said, ``we got off on the wrong foot this morning, that's all. Let me
make it up to you. We'll go down to
Blondie's and I'll buy you breakfast. What do you say, Peoria? You can dig into a
plate of bacon and eggs and tell me
all ab--''
``Fuck you!'' he shouted, shocking me all the way down to my shoes. ``Fuck you and
the horse you rode in on, you cheap
gumshoe! You think blind people can't tell when people like you are lying through
their teeth? Fuck you! And keep
your hands off me from now on! I think you're a faggot!''
That did it--no one calls me a faggot and gets away with it, not even a blind
newsboy. I forgot all about how Peoria
had saved my life during that Mavis Weld business; I reached for his cane, meaning to
take it away from him and
whack him across the keister with it a few times. Teach him some manners.
Before I could get it, though, he hauled off and slammed the cane's tip into my lower
belly--and I do mean lower. I
doubled up in agony, but even while I was trying to keep from howling with pain, I
was counting my blessings; two
inches lower still and I could have quit peeping for a living and gotten a job
singing soprano in the Palace of the Doges.
I made a quick, reflexive grab for him anyway, and he brought the cane down on the
back of my neck. Hard. It didn't
break, but I heard it crack. I figured I could finish the job when I caught him and
ran it into his right ear. I'd show him
who was a faggot.
He backed away from me as if he'd caught my brainwave, and threw the cane into the
street.
``Peoria,'' I managed. Maybe it still wasn't too late to catch sanity by the
shirttail. ``Peoria, what the hell's wrong
with--''
``And don't call me that!'' he screamed. ``My name's Francis! Frank! You're the one
who started calling me Peoria!
You started it and now everyone calls me that and I hate it!''
My watering eyes doubled him as he turned and fled across the street, heedless of
traffic (of which there was currently
none, luckily for him), hands held out in front of him. I thought he would trip over
the far curb--was looking forward
to it, in fact--but I guess blind people must keep a pretty good set of topographical
survey maps in their heads. He
jumped onto the sidewalk as nimbly as a goat, then turned his dark glasses back in my
direction. There was an
expression of crazed triumph on his tear-streaked face, and the dark lenses looked
more like holes than ever. Big ones,
as if someone had hit him with two large-caliber shotgun rounds.
``Blondie's is gone, I toldja!'' he screamed. ``My mom says he upped and ran away
with that redhead floozy he hired
last month! You should be so lucky, you ugly prick!''
He turned and went running up Sunset in that strange way of his, with his splayed
fingers held out in front of him.
People stood in little clusters on both sides of the street, looking at him, looking
at the papers fluttering in the street,
looking at me.
Mostly looking at me, it seemed.
This time Peoria--well, okay, Francis--made it as far as Derringer's Bar before
turning to deliver one final salvo.
``Fuck you, Mr. Umney!'' he screamed, and ran on.
_______________________________________________________________________
II. Vernon's Cough.
I managed to pull myself erect and make my way across the street. Peoria, aka Francis
Smith, was long gone, but I
wanted to put those blowing newspapers behind me, too. Looking at them was giving me
a headache that was somehow
worse than the ache in my groin.
On the far side of the street I stared into Felt's Stationery as if the new Parker
ball-point pen in the window was the
most fascinating thing I'd ever seen in my life (or maybe it was those sexy
imitation- leather appointment books).
After five minutes or so--time enough to commit every item in the dusty show-window
to memory--I felt capable of
resuming my interrupted voyage up Sunset without listing too noticeably to port.
Questions circled in my mind the way mosquitoes circle your head at the drive-in in
San Pedro when you forget to
bring along an insect stick or two. I was able to ignore most of them, but a couple
got through. First, what the hell had
gotten into Peoria? Second, what the hell had gotten into me? I kept slapping at
these uncomfortable queries until I got
to Blondie's City Eats, Open 24 Hrs, Bagels Our Specialty, on the corner of Sunset
and Travernia, and when I got that
far, they were driven out in a single wallop. Blondie's had been on that corner for
as long as I could remember--the
sharpies and the hustlers and the hipsters and the hypes going in and going out, not
to mention the debs, the dykes, and
the dopes. A famous silent-movie star was once arrested for murder as he was coming
out of Blondie's, and I myself
had concluded a nasty piece of business there not so long ago, shooting a coked-up
fashion-plate named Dunninger who
had killed three hopheads in the aftermath of a Hollywood dope party. It was also the
place where I'd said goodbye to
the silver-haired, violet-eyed Ardis McGill. I'd spent the rest of that lost night
walking in a rare Los Angeles fog
which might have only been behind my eyes . . . and trickling down my cheeks, by the
time the sun came up.
Blondie's closed? Blondie's gone? Impossible, you would have said-- more likely that
the Statue of Liberty should
have disappeared from her barren lick of rock in New York Harbor.
Impossible but true. The window which had once held a mouth-watering selection of
pies and cakes was soaped over,
but the job had been done indifferently, and I could see a nearly empty room through
the stripes. The lino looked filthy
and barren. The grease-darkened blades of the overhead fans hung down like the
propellers of crashed airplanes. There
were a few tables left, and six or eight of the familiar red-upholstered chairs piled
on them with the legs sticking up,
but that was all . . . except for a couple of empty sugar- shakers tumbled in one
corner.
I stood there trying to get it into my head, and it was like trying to get a big sofa
up a narrow flight of stairs. All that
life and excitement, all that late-night hustle and surprise--how could it be ended?
It didn't seem like a mistake; it
seemed like a blasphemy. For me Blondie's had summed up all the glittering
contradictions that surround L.A.'s
essentially dark and loveless heart; I had sometimes thought Blondie's was L.A. as I
had known it over the last fifteen
or twenty years, only drawn small. Where else could you see a mobster eating
breakfast at 9:00 p.m. with a priest, or a
diamond-decked glamorpuss sitting on a counter-stool next to a grease-monkey
celebrating the end of his shift with a
hot cup of java? I suddenly found myself thinking of the Cuban bandleader and his
heart attack again, this time with
considerably more sympathy.
All that fabulous starry City of Lost Angels life--do you get it, chum? Are you
picking up this newsflash?
The sign hung in the door read CLOSED FOR RENOVATIONS, REOPENING SOON, but I didn't
believe it. Empty
sugar-shakers lying in the corner do not, in my experience, indicate renovations in
progress. Peoria had been right:
Blondie's was history. I turned away and went on up the street, but now I walked
slowly and had to consciously order
my head to stay up. As I approached the Fulwider Building, where I've kept an office
for more years than I like to think
about, an odd certainty gripped me. The handles of the big double doors would be
wrapped up in a thick tow-chain and
held with a padlock. The glass would be soaped over in indifferent stripes. And there
would be a sign reading CLOSED
FOR RENOVATIONS, REOPENING SOON.
By the time I reached the building, this nutty idea had taken over my mind with the
force of a compulsion, and not even
the sight of Bill Tuggle, the rummy CPA from the third floor, going inside could
quite dispel it. But seeing is
believing, they say, and when I got to 2221, I saw no chain, no sign, and no soap on
the glass. It was just the Fulwider,
the same as ever. I went into the lobby, smelled the familiar odor--it reminds me of
the pink cakes they put in the
urinals of public men's rooms these days--and glanced around at the same ratty palm
trees overhanging the same faded
red tile floor.
Bill was standing next to Vernon Klein, world's oldest elevator operator, in Car 2.
In his frayed red suit and ancient
pillbox hat, Vernon looks like a cross between the Philip Morris bellboy and a rhesus
monkey which has fallen into an
industrial steam-cleaning machine. He looked up at me with his mournful basset-hound
eyes, which were watering
from the Camel pasted in the middle of his mouth. His peepers should have gotten used
to the smoke years ago; I
couldn't remember ever having seen him without a Camel parked in that same position.
Bill moved over a little, but not far enough. There wasn't room enough in the car for
him to move far enough. I'm not
sure there would have been room in Rhode Island for him to move far enough. Delaware,
maybe. He smelled like
bologna which has spent a year or so marinating in cheap bourbon. And just when I
thought it couldn't get any worse, he
belched.
``Sorry, Clyde.''
``Well, you certainly ought to be,'' I said, waving the air in front of my face as
Vern slid the gate across the front of the
car and prepared to fly us to the moon . . . or at least to the seventh floor. ``What
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StephenKing"Umney'sLastCase"Therainsareover.ThehillsarestillgreenandinthevalleyacrosstheHollywoodhillsyoucanseesnowonthehighmountains.Thefurstoresareadvertisingtheirannualsales.Thecallhousesthatspecializeinsixteen-year-oldvirginsaredoingaland-officebusiness.AndinBeverlyHillsthejacarandatreesarebegin...

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