Terry Pratchett - Discworld 23 - Carpe Jugulum

Terry Pratchett: Carpe Jugulum

v1.0 (24-apr-2001) Scanned, layout and proofreading by 4i Publications

Terry Pratchett: Carpe Jugulum

v1.0 (24-apr-2001) Scanned, layout and proofreading by 4i Publications

Through the shredded black clouds a fire moved like a dying star, falling back to earth

–the earth, that is, of the Discworld–-

–but unlike any star had ever done before, it sometimes managed to steer its fall, sometimes rising,

sometimes twisting, but inevitably heading down.

Snow glowed briefly on the mountain slopes when it crackled overhead.

Under it, the land itself started to fall away. The fire was reflected off walls of blue ice as the light

dropped into the beginnings of a canyon and thundered now through its twists and turns.

The light snapped off. Something still glided down the moonlit ribbon between the rocks.

It shot out of the canyon at the top of a cliff, where meltwater from a glacier plunged down into a distant

pool.

Against all reason there was a valley here, or a network of valleys, clinging to the edge of the mountains

before the long fall to the plains. A small lake gleamed in the warmer air. There were forests. There were

tiny fields, like a patchwork quilt thrown across the rocks.

The wind had died. The air was warmer.

The shadow began to circle.

Far below, unheeded and unheeding, something else was entering this little handful of valleys. It was hard

to see exactly what it was; furze rippled, heather rustled, as if a very large army made of very small

creatures was moving with one purpose.

The shadow reached a flat rock that offered a magnificent view of the fields and wood below, andthere

the army came out from among the roots. It was made up of very small blue men, some wearing pointy

blue caps but most of them with their red hair uncovered. They carried swords. None of them was more

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than six inches high.

They lined up and looked down into the new place and then, weapons waving, raised a battle cry. It

would have been more impressive if they'd agreed on one before, but as it was it sounded as though

every single small warrior had a battle cry of his very own and would fight anyone who tried to take it

away from him.

'Nac mac Feegle!'

'Ach, stickit yer trakkans!'

'Gie you sich a kickin'!'

'Bigjobs!'

'Dere c'n onlie be whin t'ousand!'

'Nac mac Feegle wha hae!'

'Wha hae yersel, ya boggin!'

The little cup of valleys, glowing in the last shreds of evening sunlight, was the kingdom of Lancre.

From its highest points, people said, you could see all the way to the rim of the world.

It was also said, although not by the people who lived in Lancre, thatbelow the rim, where the seas

thundered continuously over the edge, their home went through space on the back of four huge elephants

that in turn stood on the shell of a turtle that was as big as the world.

The people of Lancre had heard of this. They thought it sounded about right. The world was obviously

flat, although in Lancre itself the only truly flat places were tables and the top of some people's heads,

and certainly turtles could shift a fair load. Elephants, by all accounts, were pretty strong too. There didn't

seem any major gaps in the thesis, so Lancrastians left it at that.

It wasn't that they didn't take an interest in the world around them. On the contrary, they had a deep,

personal and passionate involvement in it, but instead of asking, 'Why are we here?' they asked, 'Is it

going to rain before the harvest?'

A philosopher might have deplored this lack of mental ambition, but only if he wasreally certain about

where his next meal was coming from.

In fact Lancre's position and climate bred a hardheaded and straightforward people who often excelled

in the world down below. It had supplied the plains with many of their greatest wizards and witches and,

once again, the philosopher might have marvelled that such a four-square people could give the world so

many successful magical practitioners, being quite unaware that only those with their feet on rock can

build castles in the air.

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And so the sons and daughters of Lancre went off into the world, carved out careers, climbed the

various ladders of achievement, and always remembered to send money home.

Apart from noting the return addresses on the envelope, those who stayed didn't think much about the

world outside.

The world outside thought about them, though.

The big flat-topped rock was deserted now, but on the moor below, the heather trembled in a v-shape

heading towards the lowlands.

'Gin's a haddie!'

'Nac mac Feegle!'

There are many kinds of vampires. Indeed, it is said that there are as many kinds of vampires as there

are types of disease.[1]And they're not just human (if vampires are human. All along the Ramtops may be

found thebelief that any apparently innocent tool, be it hammer or saw, willseek blood if left unused for

more than three years. In Ghat they believe, in vampire water-melons, although folklore is silent about

what they believe about vampire watermelons. Possibly they suck back.

Two things have traditionally puzzled vampire researchers. One is: why do vampires have so much

power ? Vampires're so easy to kill, they point out. There aredozens of ways to despatch them, quite

apart from the stake through the heart, which also works on normal people so if you have any stakes left

over you don't have to waste them. Classically, they spent the day in some coffin somewhere, with no

guard other than an elderly hunchback who doesn't look all that spry, and should succumb to quite a

small mob. Yet just one can keep a whole community in a state of sullen obedience . . .

The other puzzle is: why are vampires always so stupid? As if wearing evening dress all day wasn't an

undead giveaway, why do they choose to live in old castles which offer so much in the way of ways to

defeat a vampire, like easily torn curtains and wall decorations that can readily be twisted into a religious

symbol? Do theyreally think that spelling their name backwards fools anyone?

A coach rattled across the moorlands, many miles away from Lancre. From the way it bounced over the

ruts, it was travelling light. But darkness came with it.

The horses were black, and so was the coach, except for the coat of arms on the doors. Each horse had

a black plume between its ears;there was a black plume at each corner of the coach as well. Perhaps

these caused the coach's strange effect of travelling shadow. It seemed to be dragging the night behind it.

On the top of the moor, where a few trees grew out of the rubble of a ruined building, it creaked to a

halt.

The horses stood still, occasionally stamping a hoof or tossing their heads. The coachman sat hunched

over the reins, waiting.

Four figures flew just above the clouds, in the silvery moonlight. By the sound of their conversation

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someone was annoyed, although the sharp unpleasant tone to the voice suggested that a better word

might be 'vexed'.

'You let it getaway!' This voice had a whine to it, the voice of a chronic complainer.

'Itwas wounded, Lacci.'This voice sounded conciliatory, parental, but with just a hint of a repressed

desire to give the first voice a thick ear.

'I reallyhate those things. They're so . . . soppy!'

'Yes, dear. A symbol of a credulous past.'

'If I could burn like that I wouldn't skulk around just looking pretty. Why do they do it?'

'It must have been of use to them at one time, I suppose.'

'Then they're . . . what did you call them?'

'An evolutionary cul-de-sac, Lacci. A marooned survivor on the seas of progress.'

'Then I'm doing them a favour by killing them?'

'Yes, that is a point. Now, shall-'

'After all, chickens don't burn,' said the voice called Lacci. 'Not easily, anyway.'

'We heard you experiment. Killing them first might have been a good idea.' This was a third voice –

young, male, and also somewhat weary with the female. It had 'older brother' harmonics on every

syllable.

'What's the point in that?'

'Well, dear, it would have been quieter.'

'Listen to your father, dear.' And this, the fourth voice, could only be a mother's voice. It'd love the other

voices whatever they did.

'You'reso unfair!’

'We did let you drop rocks on the pixies, dear. Life can't be all fun.'

The coachman stirred as the voices descended through the clouds. And then four figures were standing a

little way off. He clambered down and, with difficulty, opened the coach door as they approached.

'Most of the wretched things got away, though,' said Mother.

'Never mind, my dear,' said Father.

'I really hate them. Are they a dead end too?' said Daughter.

'Not quite dead enough as yet, despite your valiant efforts. Igor! On to Lancre.'

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The coachman turned.

'Meth, marthter.'

'Oh, for the last time, man . . . is that any way to talk?'

'It'th the only way I know, marthter,' said Igor.

'And I told you to take the plumes off the coach, you idiot.'

The coachman shifted uneasily.

'Gotta have black plumeth, marthter. It'thtradithional.'

'Remove them at once!' Mother commanded. 'Whatwill people think?'

'Yeth, mithtreth.'

The one addressed as Igor slammed the door and lurched back around to the horse. He

removed the plumes reverentially and placed them under his seat.

Inside the coach the vexed voice said, 'Is Igor an evolutionary dead end too, Father?'

'We can but hope, dear.'

'Thod,' said Igor to himself, as he picked up the reins.

The wording began:

'You are cordially invited. . .'

. . . and was in that posh runny writing that was hard to read but ever so official.

Nanny Ogg grinned and tucked the card back on the mantelpiece. She liked the idea of 'cordially'. It had

a rich, a thick and above all analcoholic sound.

She was ironing her best petticoat. That is to say, she was sitting in her chair by the fire while one of her

daughters-in-law, whose name she couldn't remember just at this moment, was doing the actual work.

Nanny was helping by pointing out the bits she'd missed.

It was a damn good invite, she thought. Especially the gold edging, which was as thick as syrup.

Probably not real gold, but impressively glittery all the same.

'There's a bit there that could do with goin' over again, gel,' she said, topping up her beer.

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'Yes, Nanny.'

Another daughter-in-law, whose name she'd certainly be able to recall after a few seconds' thought, was

buffing up Nanny's red boots. A third was very carefully dabbing the lint off Nanny's best pointy hat, on

its stand.

Nanny got up again and wandered over to open the back door. There was little light left in the sky now,

and a few rags of cloud were scudding over the early stars. She sniffed the air. Winter hung on late up

here in the mountains, but there was definitely a taste of spring on the wind.

A good time, she thought. Best time, really. Oh, she knew that the year started on Hogswatchnight,

when the cold tide turned, but thenew year started now, with green shoots boring upwards through the

last of the snow. Change was in the air, she could feel it in her bones.

Of course, her friend Granny Weatherwax always said you couldn't trust bones, but Granny

Weatherwax said a lot of things like that all the time.

Nanny Ogg closed the door. In the trees at the end of her garden, leafless and scratchy against the sky,

something rustled its wings and chattered as a veil of dark crossed the world.

In her own cottage a few miles away the witch Agnes Nitt was in two minds about her new pointy hat.

Agnes was generally in two minds about anything.

As she tucked in her hair and observed herself critically in the mirror she sang a song. She sang in

harmony. Not, of course, with her reflection in the glass, becausethat kind of heroine will sooner or later

end up singing a duet with Mr Blue Bird and other forest creatures and then there's nothing for it but a

flamethrower.

She simply sang in harmony with herself. Unless she concentrated it was happening more and more these

days. Perdita had rather a reedy voice, but she insisted on joining in.

Those who are inclined to casual cruelty say that inside a fat girl is a thin girl and a lot of chocolate.

Agnes's thin girl was Perdita.

She wasn't sure how she'd acquired the invisible passenger. Her mother had told her that when she was

small she'd been in the habit of blaming accidents and mysteries, such as the disappearance of a bowl of

cream or the breaking of a prized jug, on 'the other little girl'.

Only now did she realize that indulging this sort of thing wasn't a good idea when, despite yourself,

you've got a bit of natural witchcraft in your blood. The imaginary friend had simply grown up and had

never gone away and had turned out to be a pain.

Agnes disliked Perdita, who was vain, selfish and vicious, and Perdita hated going around inside Agnes,

whom she regarded as a fat, pathetic, weak-willed blob that people would walk all over were she not so

steep.

Agnes told herself she'd simply invented the name Perdita as some convenient label for all those thoughts

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and desires she knew she shouldn't have, as a name for that troublesome little commentator that lives on

everyone's shoulder and sneers. But sometimes she thought Perdita had created Agnes for something to

pummel.

Agnes tended to obey rules. Perdita didn't. Perdita thought that not obeying rules was somehowcool .

Agnes thought that rules like 'Don't fall into this huge pit of spikes' were there for a purpose. Perdita

thought, to take an example at random, that things like table manners were a stupid and repressive idea.

Agnes, on the other hand, was against being hit by flying bits of other people's cabbage.

Perdita thought a witch's hat was a powerful symbol of authority. Agnes thought that a dumpy girl should

not wear a tall hat, especially with black. It made her look as though someone had dropped a

liquorice-flavoured ice-cream cone.

The trouble was that although Agnes was right, so was Perdita. The pointy hat carried a lot of weight in

the Ramtops. People talked to the hat, not to the person wearing it. When people were in serious trouble

they went to a witch.[2]

You had to wear black, too.Perdita liked black. Perdita thought black was cool. Agnes thought that

black wasn't a good colour for the circumferentially challenged . . . oh, and that 'cool' was a dumb word

used only by people whose brains wouldn't fill a spoon.

Magrat Garlick hadn't worn black and had probably never in her life said 'cool' except when

commenting on the temperature.

Agnes stopped examining her pointiness in the mirror and looked around the cottage that had been

Magrat's and was now hers, and sighed. Her gaze took in the expensive, gold-edged card on the

mantelpiece.

Well, Magrat had certainly retired now, and had gone off to be Queen and if there was ever any doubt

about that then there could be no doubt today. Agnes was puzzled at the way Nanny Ogg and Granny

Weatherwax still talked about her, though. They were proud (more or less) that she'd married the King,

and agreed that it was the right kind of life for her, but while they never actually articulated the thought it

hung in the air over their heads in flashing mental colours:Magrat had settled for second prize.

Agnes had almost burst out laughing when she first realized this, but you wouldn't be able to argue with

them. They wouldn't even see that therecould be an argument.

Granny Weatherwax lived in a cottage with a thatch so old there was quite a sprightly young tree

growing in it, and got up and went to bed alone, and washed in the rain barrel. And Nanny Ogg was the

mostlocal person Agnes had ever met. She'd gone off to foreign parts, yes, but she always carried

Lancre with her, like a' sort of in-visible hat. But they took it for granted that they were top of every tree,

and the rest of the world was there for them to tinker with.

Perdita thought that being a queen was just about the best thing you could be.

Agnes thought the best thing you could be was far away from Lancre, and good second best would be

to be alone in your own head.

She adjusted the hat as best she could and left the cottage.

Witches never locked their doors. They never needed to.

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As she stepped out into the moonlight, two magpies landed on the thatch.

The current activities of the witch Granny Weatherwax would have puzzled a hidden observer.

She peered at the flagstones just inside her back door and lifted the old rag rug in front of it with her toe.

Then she walked to the front door, which was never used, and did the same thing there. She also

examined the cracks around the edges of the doors.

She went outside. There had been a sharp frost during the night, a spiteful little trick by the dying winter,

and the drifts of leaves that hung on in the shadows were still crisp. In the harsh air she poked around in

the flowerpots and bushes by the front door.

Then she went back inside.

She had a clock. Lancrastians liked clocks, although they didn't bother much about actualtime in any

length much shorter than an hour. If you needed to boil an egg, you sang fifteen verses of 'Where Has All

The Custard Gone?' under your breath. But the tick was a comfort on long evenings.

Finally she sat down in her rocking chair and glared at the doorway.

Owls were hooting in the forest when someone came running up the path and hammered on the door.

Anyone who hadn't heard about Granny's iron self-control, which you could bend a horseshoe round,

might just have thought they heard her give a tiny sigh of relief.

'Well, it's about time-' she began.

The excitement up at the castle was just a distant hum down in the mews. The hawks and falcons sat

hunched on their perches, lost in some inner world of stoop and updraught. There was the occasional

clink of a chain or flutter of a wing.

Hodgesaargh the falconer was getting ready in the tiny room next door when he felt the change in the air.

He stepped out into a silent mews. The birds were all awake, alert,expectant. Even King Henry the

eagle, whom Hodgesaargh would only go near at the moment when he was wearing full plate armour,

was peering around.

You got something like this when there was a rat in the place, but Hodgesaargh couldn't see one.

Perhaps it had gone.

For tonight's event he'd selected William the buzzard, who could be depended upon. All Hodgesaargh's

birds could be depended upon, but more often than not they could be depended upon to viciously attack

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him on sight. William, however, thought that she was a chicken, and she was usually safe in company.

But even William was paying a lot of attention to the world, which didn't often happen unless she'd seen

some corn.

Odd, thought Hodgesaargh. And that was all.

The birds went on staring up, as though the roof simply was not there.

Granny Weatherwax lowered her gaze to a red, round and worried face.

'Here, you're not-' She pulled herself together. 'You're the Wattley boy from over in Slice, aren't you?'

'Y'g't. . .' The boy leaned against the doorjamb and fought for breath. 'You g't–-'

'Just take deep breaths. You want a drink of water?'

'You g't t'–'

'Yes, yes, all right. Justbreathe . . .'

The boy gulped air a few times.

'You got to come to Mrs Ivy and her baby missus!'

The words came out in one quick stream.

Granny grabbed her hat from its peg by the door and pulled her broomstick out of its lodging in the

thatch.

'I thought old Mrs Patternoster was seeing to her,' she said, ramming her hatpins into place with the

urgency of a warrior preparing for sudden battle.

'She says it's all gone wrong miss!'

Granny was already running down her garden path.

There was a small drop on the other side of the clearing, with a twenty-foot fall to a bend in the track.

The broom hadn't fired by the time she reached it but she ran on, swinging a leg over the bristles as it

plunged.

The magic caught halfway down and her boots dragged across the dead bracken as the broom soared

up into the night.

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The road wound over the mountains like a dropped ribbon. Up here there was always the sound of the

wind.

The highwayman's horse was a big black stallion. It was also quite possibly the only horse with a ladder

strapped behind the saddle.

This was because the highwayman's name was Casanunda, and he was a dwarf. Most people thought of

dwarfs as reserved, cautious, law-abiding and very reticent on matters of the heart and other vaguely

connected organs, and this was indeed true of almost all dwarfs. But genetics rolls strange dice on the

green baize of life and somehow the dwarfs had produced Casanunda, who preferred fun to money and

devoted to women all the passion that other dwarfs reserved for gold.

He also regarded laws as useful things and he obeyed them when it was convenient. Casanunda

despised highwaymanning, but it got you out in the fresh air of the countryside, which was very good for

you, especially when the nearby towns were lousy with husbands carrying a grudge and a big stick.

The trouble was that no one on the road took him seriously. He could stop the coaches all right, but

people tended to say, 'What? I say, it's a lowwayman. What up? A bit short, are you? Hur, hur, hur,' and

he would be forced to shoot them in the knee.

He blew on his hands to warm them, and looked up at the sound of an approaching coach.

He was about to ride out of his meagre hiding place in the thicket when he saw theother highwayman

trot out from the wood opposite.

The coach came to a halt. Casanunda couldn't hear what transpired, but the highwayman rode around to

one of the doors and leaned down to speak to the occupants . . .

. . . and a hand reached out and plucked him off his horse and into the coach.

It rocked on its springs for a while, and then the door burst open and the highwayman tumbled out and

lay still on the road.

The coach moved on . . .

Casanunda waited a little while and then rode down to the body. His horse stood patiently while he

untied the ladder and dismounted.

He could tell the highwayman was stone dead. Living people are expected to have some blood in them.

The coach stopped at the top of a rise a few miles further on, before the road began the long winding fall

towards Lancre and the plains.

The four passengers got out and walked to the start of the drop.

The clouds were rolling in behind them but here the air was frosty clear, and the view stretched all the

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Terry Pratchett - Discworld 23 - Carpe Jugulum

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