Maxwell Grant - The Shadow - 027 - The Silent Death

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THE SILENT DEATH
Maxwell Grant
This page copyright © 2002 Blackmask Online.
http://www.blackmask.com
? CHAPTER I. EYES OF EVIL
? CHAPTER II. IN THE PENTHOUSE
? CHAPTER III. THE TRAP ACTS
? CHAPTER IV. THE SHADOW ARRIVES
? CHAPTER V. THE SHADOW DEPARTS
? CHAPTER VI. THE PROFESSOR PLANS
? CHAPTER VII. THE SHADOW LEARNS
? CHAPTER VIII. INTO THE TRAP
? CHAPTER IX. THE NEXT MOVE
? CHAPTER X. CARDONA INTERPOSES
? CHAPTER XI. THE SILENT OFFICE
? CHAPTER XII. THE QUIZ
? CHAPTER XIII. THE VILLAINS MOVE
? CHAPTER XIV. MOBSMEN STRIKE
? CHAPTER XV. THE HAND OF DEATH
? CHAPTER XVI. THE DEATH THAT LURKED
? CHAPTER XVII. THE LAST WORDS
? CHAPTER XVIII. IN THE LABORATORY
? CHAPTER XIX. ZONES OF DEATH
? CHAPTER XX. CARDONA ENTERS
? CHAPTER XXI. TUBES OF DOOM
? CHAPTER XXII. THE SWITCH OF DEATH
? CHAPTER XXIII. THE STORY
CHAPTER I. EYES OF EVIL
THE lights of uptown Manhattan cast a vivid, fantastic glow when viewed from the window of the little
office high in the towering Brinton Building. But the man who stood within the darkness of that
thirtieth-floor room was not concerned with the spectacle of man-made brilliance. His eyes were focused
upon the top stories of a huge apartment building across the street.
The apartment structure was capped by a penthouse, from which a few lights gleamed. One corner of the
penthouse, which rose flush with the sheer wall of the building, was the spot which this unseen observer
found most interesting.
A match glimmered in a cupped hand. As the flame ignited a cigarette, it showed a rough, hardened face.
The match went out, and the watcher puffed his cigarette. As the glowing tip descended from his lips, the
man emitted an evil snarl that went well with his countenance.
A rap at the door. The man by the window flicked his cigarette through the opening. He closed the
window and drew the shade. He hurried to the door and switched on the light just as a second furtive rap
was given. The man within the room opened the door, to admit a hasty visitor.
The new illumination plainly revealed the two men as characters of a strangely different type. The
individual who had been standing in the darkness was short and stocky a ruffian in all save dress. His
well-groomed appearance did not fit his pudge-nosed, hard-lipped countenance, which bore a wicked,
leering smirk.
The arrival, tall and stoop-shouldered, was a gray-haired man who possessed a marked dignity. His
gaunt face showed firmness in spite of declining years. Only in one feature did he resemble the man who
had been waiting in the office. His eyes, like those of the other man, gleamed with cunning and evil.
THE stocky, hard-mannered individual was the first to speak. In a voice which was suave, despite its
harshness, he questioned the visitor's identity.
"You are Thomas Jocelyn?"
"Yes," responded the elderly man, still eyeing his questioner. "You, I presume, are Larry Ricordo?"
"That's me," answered the harsh-voiced man, with a grin. "Sit down and make yourself easy."
Thomas Jocelyn seated himself in a chair beside a table in the center of the room. He leaned solemnly
upon his gold-headed cane and stared at Ricordo.
"Where is Folcroft Urlich?" he inquired.
"The professor will he here soon," replied Ricordo, while lighting another cigarette. "I came early—to
open the office. Plenty of time yet."
Jocelyn contented himself with the one question. He appeared nervous, despite his composed manner.
For several minutes, Ricordo stood expectantly, thinking that the old man intended to make a new
inquiry. Finally, with a gruff laugh, Ricordo slouched into a chair.
"Well," he remarked, "we're all set. We're going to see the wheels run round to-night. Picking this office
was a cinch."
As Jocelyn made no comment, Ricordo desisted after the one attempt to open conversation. He eyed
Jocelyn almost contemptuously, but did nothing to arouse antagonism. When a firm knock sounded at the
door, Ricordo leaped to his feet and went to admit the next visitor.
The newcomer completed an odd triumvirate. He was of medium height, dark-haired and of stern visage.
He wore a small hat, and his hair formed a flowing mop above a bulging forehead. His face, sallow and
hollow-cheeked, resembled a living skull from which a pair of sharp, greenish eyes peered with evil gaze.
This man smiled broadly as he perceived the two already in the room. He threw off his overcoat and
advanced with outstretched hand, his mouth forming an ugly, irregular slit as the smile continued.
"Ah!" croaked the new visitor. "Both here, eh? My friends, Jocelyn and Ricordo. You are both friends by
now, I hope. That is well. We all have much in common."
"Good evening, Urlich," said Jocelyn, in a calm tone.
"Hello, professor," grinned Ricordo. "All set. Want to see the lay?"
"Not yet"—the professor's tone was reproving—"not yet. There is time to spare. It is well that we talk
first."
He seated himself and looked from one man to the other. Leaning back, still smiling, Professor Folcroft
Urlich emitted a cackling laugh of satisfaction. It brought a grin from Ricordo, a nervous shrug from
Jocelyn.
"So," declared Urlich. "We shall see our first plan work, eh? We are obliged to Ricordo, eh, Jocelyn? He
has arranged very well."
"I do not relish it," objected Jocelyn, in a testy tone. "This is not my business, Urlich. I do not disapprove
of death, where it is necessary; but to be a witness -"
Professor Urlich held up his hand by way of interruption. Jocelyn subsided while Ricordo glared
maliciously.
"You can end such qualms, Jocelyn," stated the professor, "and it is well that you should do so at the
start. That is one reason why I have summoned you here to-night. The other is that we may discuss our
plans plainly. I want no misunderstanding later on.
"Death is my idea. To a scientist such as myself, human life is a mass. The ego must be forgotten. What is
one life? Nothing. But one death"—as Urlich paused, the smile writhed snakelike across his lips - "may
mean much to those who live to profit by it.
"Death means millions to the three of us. Millions! Do you understand, Jocelyn? Death paves our
way—and I am the master who provides death. But one who provides death requires human tools.
Ricordo has brought those instruments. Moreover, one who provides death wisely must have a chance
for gain—and you bring that opportunity, Jocelyn."
The dignified man nodded. He chewed his lips thoughtfully; then his eyes lighted as though the talk of gain
had served as inspiration.
PROFESSOR URLICH leered as though he had read the old man's mind.
"That we may all understand," continued Urlich, lowering his evil tones, "I shall recapitulate the desires
which have brought us together. For years I have taken life—seldom the life of human beings, I admit;
but life, just the same. I do not quail at the thought of taking human life. To me, it is experimentation on a
higher plane.
"Ricordo has chosen a career of crime. He is criminal by instinct, shrewd in all his dealings. He knows
how to control and utilize men of the criminal type. Therefore, he is following his inclinations.
"You, Jocelyn, have profited by others' losses. You call yourself a financier. You are actually one who
traffics in the failures of those less fortunate. Your opportunity will be greater now; for where living men
once blocked your schemes, dead men will not."
Jocelyn shuddered at the frank terms, then smiled weakly. Professor Urlich seemed to possess an
insidious influence over the financier— one which caused the man to forget his qualms despite himself.
"Simple plans are most effective." As Professor Urlich proceeded with this statement, he drew a folded
paper from his pocket. "Here is the list which you gave me, Jocelyn. It names more than a dozen
big-moneyed men whose deaths will prove highly profitable to you, and therefore"—Urlich stopped to
stare firmly at the man opposite him— "profitable to myself and Ricordo.
"Your part, Jocelyn, is to simply remind me of the strategic time for any such deaths. The rest lies in my
hands—with the aid of Ricordo. You have named the first man. You will see him die to-night. I trust that
your plans are made with all precaution."
"They are," declared Jocelyn, with a nervous laugh. "If Alfred Sartain dies to-night -"
"- when Alfred Sartain dies tonight," put in Urlich, with his wicked sneer.
"With Sartain eliminated," agreed Jocelyn, "I am sure of an immediate profit of at least five millions. He
has practically agreed to refinance the Universal Chain Stores. I have large proxy holdings in the National
Syndicate and in Amalgamated Stores. If Universal fails to gain the money that it needs, the concern will
go into the hands of the receivers. My stocks will rise -"
"Sartain is the only salvation for Universal?"
"Positively. All depends upon him."
"You will see him die to-night!"
Larry Ricordo was on his feet, rubbing his hands warmly as he heard these words. He swung toward
Jocelyn, to add weight to Professor Urlich's statement.
"You bet Sartain will take the bump," he declared. "Say! Maybe you don't know that I could be the
biggest shot in New York if I'd wanted to stay in the racket. I dropped out because I saw bigger dough
this way—without the chance of getting filled with lead by some other guy's mob.
"I'm supposed to be out in the sticks—too hot for me here. But I've got a couple of real gazebos working
for me. When Sartain comes into that penthouse of his, he'll be covered -"
"One moment," interposed Urlich, staring cold at the gang leader. "I told you that violence would be
unnecessary, Ricordo."
"That's all right, professor," responded Ricordo. "I'm not interfering with whatever plans you've got. Just
playing safe, that's all. Duster Brooks is planted as Sartain's butler."
"That I understood."
"And I've got Slips Harbeck and a couple of gorillas in an apartment on the top floor. They won't move
unless we see that Sartain is going to get away. They'll wait to hear from me."
"Very well," said Professor Urlich. "Nevertheless, your precautions were not needed." Then, to Jocelyn:
"Ricordo is lacking in the technique of murder. During Sartain's absence, the penthouse was renovated.
Ricordo provided a competent supervisor in the person of Duster Brooks, who is acting as Sartain's
butler. Brooks had charge of the work. He is there to-night.
"Alfred Sartain will die—presumably from natural causes—due to my well-planned instructions."
The professor glanced at his watch. He noticed that the time was nearly half past eight. He went to the
wall, and turned out the light; then to the window.
"Come," he ordered through the darkness.
THE other men approached. The curtain raised under Urlich's touch. It was like the lifting of asbestos
before a drama.
Silhouetted before the sparkling glow of the city lay the huge apartment building. The dim lights of the
penthouse were the same as Larry Ricordo had viewed them. The corner was still black, and it was this
spot that the professor indicated.
"There is the studio," he remarked, in a low tone. "It is Sartain's custom to retire there, alone. This will be
his first visit upon his return. He is expected by nine o'clock, with his secretary. The chain-store
representative will call at half past.
"Brooks has given us all the information. The documents are on Sartain's desk for his consideration.
There is no reason why he should depart from his usual custom. It is upon such simple, commonplace
actions that all great deeds of hidden crime should be built.
"Your presence here will inspire your confidence in my powers. Ricordo has already evidenced his
doubts. You, Jocelyn, may also be apprehensive. But as you witness each step, and hear me explain its
cause, you will understand."
The professor's tone had taken on the quiet notes of a scientific lecture. His calloused words brought a
grunted laugh from Larry Ricordo. Thomas Jocelyn shuddered. Nevertheless, the financier stayed as
close to the window as did the gang leader. There was a fascination in that scene across the street.
"You will witness death," repeated Professor Urlich, by way of conclusion. "Death undisturbed; death
unsuspected; death that will be regarded as accidental. Ricordo may trust to guns and violence. I deal
death with silent skill. That is the death that you will see to-night - and which will strike again and again.
Silent death!"
The professor paused. The men by the open window remained motionless. Once more those insidious
words sounded from the lips of Folcroft Urlich.
"Silent death!"
CHAPTER II. IN THE PENTHOUSE
PROFESSOR URLICH had spoken correctly when he stated that Larry Ricordo had methods different
from his own. The gang lord who served the professor's evil designs was quite as anxious to see Alfred
Sartain die as was Urlich himself. Hence he had taken even more precautions than those that he had
mentioned to his companions.
Besides the gangsters stationed in a vacant apartment beneath the penthouse, there were others outside
the apartment building. They were there to see that nothing might disturb the scene above; to interfere
with the entrance of any other than Sartain, his secretary, and the chain-store delegate who had to-night's
appointment.
Thus, when Alfred Sartain alighted from a taxi outside the building, at precisely ten minutes of nine, he
was covered by slouching, hidden watchers. The millionaire was accompanied by one man, obviously his
secretary, who lugged a pair of suitcases. The doorman saluted as they entered, and helped the secretary
with his burdens.
When the elevator reached the penthouse level, Sartain rang the bell at the entrance. He was admitted by
a quiet-faced, middle-aged man in uniform. The secretary followed.
"Good evening, sir," said the butler, in a pronounced English accent. "It is good to see you return."
"It's good to get back, Brooks," said Sartain, with a smile.
The millionaire was a brusque man of fifty years. He gave his coat and hat to the butler, and strolled
about the living room. He stopped and sniffed the air.
"Paint," he remarked.
"Yes, sir," responded Brooks. "The penthouse was renovated during your absence, sir."
"Of course," laughed Sartain. "I had forgotten it. The old place looks fine, Brooks. You were here to see
that they did it right, weren't you?"
"Yes, sir. The studio was done over also. By the way, sir, I placed all your correspondence upon the
desk. Mr. Broderick called to make sure about his appointment. He was very anxious, over the
telephone, sir."
"Yes, he would be," smiled Sartain. "I must go in the studio immediately. You, Hunnefield"—to the
secretary—"can receive Mr. Broderick. I shall ring for you when I am ready to interview him."
Brooks opened a door at the far end of the living room. It showed a hallway, beyond that an opened
doorway. Brooks stepped nimbly ahead of Sartain, and entered the far room. He turned on the light. The
millionaire walked in and glanced about admiringly.
THE studio had been redecorated to perfection. The walls were painted with a mural design in gold leaf.
The large window, with its small panes of glass, had fresh paint upon its heavy iron framework. Sartain
glanced toward the skylight, high in the sloping roof.
"Very nice, Brooks," was his compliment.
A large radiator was hissing softly in the corner of the room. Sartain did not appear to notice the sound.
He sat down at the desk and began to examine a stack of envelopes. Brooks stood at the door.
Hunnefield appeared beyond him.
"That is all, sir?" questioned the butler, as the secretary approached.
"Yes," returned the millionaire. "I do no wish to be disturbed. You may close the door, Brooks."
The butler drew the door shut and turned toward Hunnefield. The natural action had blocked the
secretary's entrance. Now that Alfred Sartain was ensconced in his studio, Hunnefield decided not to
enter. He walked back into the living room with the butler. Brooks closed the second door as they
passed.
When the secretary had crossed the living room, Brooks threw a quick glance toward two objects. One
was a bell in the corner. It was silenced by a small plug of rubber placed between the clapper and the
bell itself. This was the spot where a summons from Sartain's room might be heard.
Brooks smiled. That plug made a ring impossible. But one quick, deft twist would remove it. That action
would come later.
Brooks also glanced toward a telephone in the corner. There was a switch beneath it. Pressed home, that
switch connected up with the telephone in the studio. It was not quite tight now. A slight press would do
the trick. That, too, would come later. At present, Alfred Sartain was completely isolated from outside
communication.
Brooks glanced at his watch. Thirty minutes was the time allotted. Then these details could be quietly
arranged. Brooks had little work to do. He smiled. With Hunnefield here, his actions would be accounted
for; and Broderick would arrive later. The sooner the better.
Brooks was to gain the pleasure of admitting the expected visitor very shortly. For at the precise moment
that the butler lounged across the living room, a man entered the lobby on the street floor far blow.
This visitor to the apartment building was a tall man who wore a light-brown overcoat and a gray hat. He
carried a large brief case in his hand. He stopped to speak to the doorman. In a quiet monotone, he put
the query:
"Is Mr. Alfred Sartain at home?"
A chance lounger in the lobby caught the question. It was one of "Slips" Harbeck's men—an underling of
Larry Ricordo's trusted lieutenant. That man was very anxious to hear the rest of the conversation
between the doorman and the stranger.
"I believe that Mr. Sartain is here," replied the doorman. "I can call the penthouse and tell him that you
have arrived. What is the name, sir?"
"Broderick. Howard Broderick. I have an appointment."
The lounger strolled from the lobby. Howard Broderick was the name of the one person who was to
have uninterrupted entrance to Sartain's domain.
The doorman put through a call. He received word to admit the visitor. He ushered the man with the brief
case to the elevator. A few minutes later, the visitor stepped forth at the entrance to the penthouse. He
rang the bell, and Brooks opened the door.
THE butler bowed and admitted the early arrival. He stared rather closely at the stranger. There was
something about the man's appearance that troubled the false butler. Broderick's face had a cold,
chiseled expression, and his eyes, as they glanced across the room, were firm and keenly observant.
"Mr. Sartain is expecting me."
The visitor's voice chilled Brooks. It also attracted the attention of Hunnefield, who was seated in a chair,
reading. The secretary leaped to his feet and approached the stranger.
"Ah, you are Mr. Broderick?" he questioned. "Mr. Sartain did not expect you so early. You will have to
wait, sir, until he rings for you to be admitted."
"You can tell him that I am here?"
"No, I am afraid not. He is going over papers at present; and he will notify us as soon as he is free."
Hat in hand, but with coat still on his shoulders, the tall visitor had moved easily across the room. He was
facing the door that barred the way to Sartain's studio.
As he turned, his keen eyes spotted the bell against the wall. They also saw the telephone. Then they
were turned toward the secretary.
In one sweeping glance, this person had noted the facts that so greatly concerned Brooks; but the false
butler had not fully realized its keenness.
"I must wait, then," remarked the visitor, with a placid smile. "Very well, I shall do so. Admirable place
that Mr. Sartain has here. Excellent view."
He was strolling across the room as he spoke. He stopped by a pair of French doors that led out to a
veranda. With an easy, natural gesture, he turned the knob and glanced out into the night, toward the
twinkling lights of Manhattan.
"Quite all right?" he questioned.
"To step outside?" responded Hunnefield. "Certainly, Mr. Broderick. I shall call you when we hear from
Mr. Sartain, unless you come in before that."
"A delightful breeze," observed the tall man quietly. "Thank you for your courtesy."
He stepped to the veranda as he finished the sentence, leaving the door half opened behind him.
Hunnefield dropped back into his chair. Brooks smiled and went about trivial duties. The presence of the
visitor had made the false butler feel ill at ease. He was just as glad that Broderick had stepped out upon
the veranda.
The glance of the keen eyes toward the telephone and the bell—it still disturbed Brooks. But with
Broderick temporarily out of sight, the butler was glad that the visitor had come. He remained just within
the French window, occasionally speaking to Hunnefield. Broderick would prove useful, perhaps, later
this evening. He, like the secretary, would be a good witness to the unfortunate accident that was
destined to befall Alfred Sartain.
But Brooks did not actually step out to the veranda himself. He merely took it for granted that Howard
Broderick was still there. Hence he did not see the strange metamorphosis that occurred beyond the
French window.
THE man who had introduced himself as Howard Broderick had carried his brief case, absent-mindedly
tucked beneath his arm. Alone, in the darkness, he became suddenly busy with the compact satchel.
Stooping, he opened it by the rail of the veranda. Out came objects, invisible in the gloom.
The gray hat dropped from the head that wore it. The light overcoat dropped from arms and shoulders.
Other garments took their place. A long black cloak, a dark, broad-brimmed slouch hat—these formed
Howard Broderick's new attire. The other garments went quickly into the brief case, which deft hands
deposited against the wall of the penthouse.
A figure raised itself beside the rail. Barely discernible in the glow from the metropolis, it formed the
sinister, ghostly shape of a tall being clad entirely in black. Even the hands of this weird phantom were
now covered with black gloves. The only spots of light that showed were two blazing eyes that flashed
from beneath the brim of the slouch hat.
Howard Broderick's part was ended. This visitant's statement of identity had been false. No longer
guised as a man—instead, a fantastic creature of darkness—he had become The Shadow!
Sinister foe of crime, amazing master of the night, The Shadow had arrived at the spot where death was
stalking. His tall, eerie shape was rising higher as it poised upon the broad rail of the veranda. Long arms,
stretched upward, gripped the projecting slope of the roof.
The figure of The Shadow swung outward. It poised over nothingness; then swung upward. Unyielding
hands drew the lithe body to the safety above.
The Shadow, unseen, his form now but a mass of moving blackness along the steep incline, was scaling
the sloping roof of the penthouse, bound upon a precarious mission which involved the life of a man
already doomed to die!
CHAPTER III. THE TRAP ACTS
THE watchers high in the Brinton Building were studying the penthouse scene with renewed interest.
Their evil eyes were upon the corner window, where light had now replaced the former blackness.
Beyond the framework of the studio window, plainly visible through the small panes of glass, sat Alfred
Sartain. The millionaire was busy at his desk.
While Thomas Jocelyn and Larry Ricordo stared in silence, Professor Folcroft Urlich spoke in low,
continued tones, still maintaining his lecture style.
"Our man is in the trap," he explained. "As yet, he has not experienced its effects. That time is coming
shortly. Here is the means whereby we may study him more closely."
The professor drew a pair of opera glasses from his coat and focused them upon the scene across the
street. He tendered the glasses to Jocelyn, who drew nervously away. Ricordo, however, seized them
eagerly.
The former gang lord laughed gruffly as he gained a close-up view of the doomed man within the studio.
He noticed a perplexed look that appeared upon Sartain's face. Then the millionaire stepped from the
field of vision as he suddenly arose from his desk. Ricordo passed the glasses back to Urlich.
"He has noticed the noise from the radiator," decided the professor, as the three men watched Sartain go
toward the corner. "The noise is due to the air-dry attachment which is now being used on many
radiators. These devices were installed throughout the penthouse, during the renovation."
While Sartain was stooping by the radiator, the professor continued his theme.
"The air-dry attachment," he explained, "is a commercial device which is designed to remove moisture
from the atmosphere. By experimenting with these articles, I learned that they could be adjusted so that
they consume oxygen very rapidly. Sartain does not know it, but that piece of mechanism is sucking the
life-giving element from the air in his studio."
"What if he detaches it?" inquired Jocelyn, in a weak voice.
"He cannot," responded the professor. "It is firmly fixed in place. He might manage to smash it, if he
understood its purpose. But he simply considers it as a noise-making nuisance. He will decide to forget
it."
Professor Urlich's statement was proven when Sartain went back to the desk. Nevertheless, the
millionaire continued to glance impatiently toward the corner. They saw his hand press a button upon the
desk.
"He is ringing for some one to attend to the radiator," observed Urlich. "The call will not be answered.
Brooks has plugged the bell. Neither he nor the secretary will hear it."
A FEW minutes passed; then the watchers saw Sartain raise his hand to his forehead. Ricordo, taking the
opera glasses, observed that the millionaire's face seemed a trifle pale. Professor Urlich chuckled as
Sartain again pressed the button on his desk.
"He wonders why no one comes," remarked the scientist. "It is not the noise of the radiator now. Sartain
is beginning to feel a faintness, due to the lack of oxygen in the atmosphere. He will go to the window
next."
The prediction proved true. Sartain went to the window and tried to open it. He tussled with the fastening
to no avail. The framework would not yield.
"It is firmly fastened," stated Urlich. "Jammed into place, by the painters. He will give it up. Watch him go
to the door."
Alfred Sartain staggered momentarily as he crossed the room. The effort at the window had weakened
him. He tried the knob of the door, and tugged furiously. The portal failed to open.
"That knob is ingeniously arranged," explained Urlich. "This is the first time that the door has been shut
since it was fixed. It will not turn the heavy latch at present. After some one opens the door from the
other side—as Brooks or the secretary will do later on—the action from the outside will make the inner
knob function perfectly. There will be no clew—after Sartain is dead."
The millionaire seemed groggy. Urlich chuckled. Ricordo looked on in admiration. He was gaining a great
respect for Urlich's ingenuity. Jocelyn, trembling, but fascinated, put an anxious question.
"Suppose that he breaks the windowpanes?" asked the financier. "If he realizes that he needs air?"
"That will be next," lectured Professor Urlich. "It will prove futile"— the scientist paused as they saw
Sartain stride unsteadily toward the window— "because the original panes were all removed during the
renovation. The new ones are all of bullet-proof glass."
Sartain had seized a large book. They watched him throw it at the window. The volume rebounded from
a pane. The millionaire hurled a small ash stand. It, too, dropped back.
Lifting a chair, the trapped man began to pound at the barrier. The iron framework and the panels of
special glass withstood his effort. Sartain staggered back to the desk, almost on the verge of collapse.
"He is nearing the end of his resources," observed the scientist, taking the opera glasses from Ricordo.
"Ah—he is using the telephone. That, too, will be futile."
Sartain, leaning on the desk, had the receiver to his ear. The line was dead. He was joggling the hook
with his other hand and anxiously listening while he tried to establish connection with the operator. A
queer chortle came from Urlich's lips.
"What is the matter?" questioned Jocelyn.
"Nothing," answered the professor. "I am merely glad that we came here to-night. Sartain's present
actions have given me an excellent idea. This is but one death, Jocelyn. There will be others, and some
may be emergencies. What I have just seen has given me an inspiration - a sure way to deal death even
though I prefer the silence that we are viewing now -"
The speaker stopped suddenly as Sartain fell across the desk. Ricordo laughed hoarsely. Jocelyn
gasped. They saw Sartain roll sidewise and rest with his back slouched against the desk, his eyes staring
upward.
"The end is near," announced Professor Urlich. "The oxygen supply has not only decreased; the room
also contains a considerable quantity of carbon dioxide. That gas—which we emit when breathing—will
not sustain life.
"Should Sartain lose his hold upon the desk and fall to the floor, the end will come more rapidly.
However, it is well within my expected schedule. Our victim is doomed. There is no possible source from
which he can gain fresh air."
摘要:

THESILENTDEATHMaxwellGrantThispagecopyright©2002BlackmaskOnline.http://www.blackmask.com?CHAPTERI.EYESOFEVIL?CHAPTERII.INTHEPENTHOUSE?CHAPTERIII.THETRAPACTS?CHAPTERIV.THESHADOWARRIVES?CHAPTERV.THESHADOWDEPARTS?CHAPTERVI.THEPROFESSORPLANS?CHAPTERVII.THESHADOWLEARNS?CHAPTERVIII.INTOTHETRAP?CHAPTERIX.T...

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