
or hole. For a mo-ment I was pressed against the wall of the lift; then I found myself
weightless. Constantine glided over my head, twisting and somersaulting at the same
time. I let go of the bar, flailing. The sensation of falling was for a moment terrifying.
My stomach heaved, then settled.
"It's all right," he said. "We're in the forward cone now." The teeth of his smile were
a vivid white. He caught my elbow and swung me onto his back. I gripped fistfuls of
fabric at his shoulders and clung. He grinned sideways at me and kicked off. The
door of the lift hissed open. My eardrums clicked. We skimmed above the floor of a
long tube. Shafts of light stabbed down from small holes or windows above us; my
eyes adjusted quickly to the dimness, not darker, in truth, than indoor lighting. About
three metres high by two wide, the tube ran straight into the distance as far as I could
see. Within it, as we moved along, I noticed many other corridors branching off.
Constantine's foot flicked at a wall and we hurtled into one of these side corridors.
There was a smell of earth and ozone, of plant and animal and machine. Rapidly and
bewilderingly, we passed through a succession of corridors and chambers, within
which I glimpsed machinery and in-struments, gardens hanging in midair, glowing
lights and optical cables, and many people flying or floating or scuttling like
monkeys along tubes or flimsy lad-ders. And what strange people they were, long of
limb and lithe of muscle and wild of hair. Naked as the day they were born, lots of
them; or looking similar, but in bright-coloured skintight suits; others crusted with
stiff sculptured garments, like the camouflage of a leaf insect, or swathed in silky
balloon sleeves and pants. Their indifference to orientation was for me disorient-ing;
looking at their antics I felt a resurgence of unease in my belly.
I closed my eyes, and when I opened them again we had reached our destination.
We floated near the floor of the biggest enclosed space I'd ever been in, apart from
the world itself. The floor was smooth, and ex-tended far ahead of us, and curved
up on either hand like a smaller version of the curve of the world. Up and down had
in a manner been restored. The thing that I craned my neck to look at, from my
vantage on Constantine's back, was unmistakably up. Above us it vanished into
shadows, ahead it stretched and tapered into distance. A thousand or more metres
long, hun-dreds of metres high, it was complex, flanged, fluted and voluted, yet
seemed cast from a single block of metal, ancient and pitted as an iron asteroid.
There was one piece of metal, however, that shone bright and dis-tinct from the rest:
a metre-long rectangle of burnished brass, on which some writing was engraved. We
hung in the still, rust-scented air not an arm's length from it. The inscription was as
follows:
Sunliner But the Sky, My Lady! The Sky!
Forged this day 6 February 10 358 AG.
Constantine reached around and disengaged me from his back. We drifted for a few
minutes, hand in hand.
"I never knew the world had a name," I said.
"I named it," said Constantine.