Herbert, Frank - The White Plague

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2024-12-19 0 0 795.47KB 554 页 5.9玖币
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PRECEDE
There's a lust for power in the Irish as there is in every people, a
lusting after the Ascendancy where you can tell others how to behave.
It has a peculiar shape with the Irish, though. It comes of having
lost our ancient ways -- the simpler laws, the rath and the family at
the core of society. Romanized governments dismay us. They always
resolve themselves into widely separated Ascendants and Subjects, the
latter being more numerous than the former, of course. Sometimes
it's done with great subtlety as it was in America, the slow
accumulations of power, law upon law and all of it manipulated by an
elite whose monopoly it is to understand the private language of
injustice. Do not blame the Ascendants. Such separation requires
docile Subjects as well. This may be the lot of any government,
Marxist Russians included. There's a peculiar human susceptibility
you see when you look at the Soviets, them building an almost exact
copy of the czarist regimes: the same paranoia, the same secret
police, the same untouchable military, and the murder squads, the
Siberian death camps, the lid of terror on creative imagination,
deportation for the ones who cannot be killed off or bought off.
It's like some terrible plastic memory sitting there in the dark of
our minds, ready on the instant to reshape itself into primitive
patterns the moment the heat touches it. I fear for the shape of
things which may come from the heat of O'Neill's plague. Truly, I
fear, for the heat is great.
-- Fintan Craig Doheny
right hand drive customary in Ireland. John Roe O Neill would
remember the driver's brown-sweatered right arm resting on the car's
windowsill in the cloud-filtered light of that Dublin afternoon. A
nightmare capsule of memory, it excluded everything else in the
scene; just the car and that arm.
Several other surviving witnesses commented on a crumpled break in
the Ford's left front wing. The break had begun to rust.
Speaking from her hospital bed, one witness said: "The break was a
jagged thing and I was afraid someone would be cut if they brushed
against it."
Two of those who recalled seeing the car come out of Lower Leeson
Street knew the driver casually, but only from his days in postal
uniform. He was Francis Bley, a retired postman working part-time as
a watchman at a building site in Dun Laoghaire. Bley left for work
early every Wednesday, giving himself time to run a few errands and
then pick up his wife, Tessie. On that one day each week, Tessie
spent the morning doing "light secretarial" for a betting shop in
King Street. It was Tessie's habit to spend the rest of the day with
her widowed sister who lived in a remodeled gatehouse off the Dun
Laoghaire bypass "just a few minutes out of his way."
This was a Wednesday. May 20. Bley was on his way to pick up
Tessie.
The Ford's left front door, although appearing undamaged by the
accident that had crumpled the wing, still required a twist of wire
around the doorpost to keep it closed. The door rattled every time
the car hit a bump.
people.
Bley, slight and wrinkled, had that skin-stretched cadaverous look
that is common among certain aged Celts from the south of Ireland.
He wore a soiled brown hat almost the exact shade of his patched
sweater, and he drove with the patient detachment of someone who came
this way often. And if the truth were known, he rather liked being
slowed by the heavy traffic.
It had been cold and wet through most of spring and, while it was
still cloudy, the cloud cover had thinned and there was a feeling
that there might be a break in the weather. Only a few of the
pedestrians carried umbrellas. The trees of St. Stephen's Green on
Bley's right were in full leaf.
As the Ford inched along in the congested traffic, the man watching
for it from a fourth-floor window of the Irish Film Society Building
nodded once in satisfaction.
Right on time.
Bley's Ford had been selected because of this Wednesday punctuality.
There was also the fact that Bley did not garage his car where he and
Tessie lived in Davitt Road. The Ford was parked outside beside a
thick yew hedge, which could be approached from the street along a
path shielded by a parked van. There had been a van parked in this
covering position the previous night. Neighbors had seen it but no
one had thought to comment at the time.
"There were often vehicles parked in that place," one said. "How
were we to know?"
The watcher at the Film Society Building had many names but he had
been born Joseph Leo Herity. He was a small, solidly fleshy man with
traffic just to the left of Herity s window. A white tour bus with
blue-and-red stripes down its side loomed over the small Ford.
Traffic fumes were thick even at the fourth-floor level.
Herity checked Bley's license number to be certain. Yes -- JIA-5028.
Then there was the crumpled left front wing.
The traffic began to inch forward, then stopped once more.
Herity glanced left at the Grafton Street corner. He could see the
signs of the Toy World shop and the Irish Permanent Society on the
ground floor of the red brick building soon to be taken over by the
Ulster Bank. There had been some protest about that, one ragged
march with a few signs, but it had died out quickly. The Ulster Bank
had powerful friends in the government.
Barney and his lot, Herity thought. They think we're ignorant of
their scheme to make a peace with the Ulster boys!
Again, Bley's Ford inched toward the corner, but once more was
stopped. There was heavy foot traffic where Grafton took off from
St. Stephen's Green.
A bald-headed man in a dark blue suit had stopped almost directly
beneath Herity's window and was examining the cinema marquee. Two
young men pushing bicycles threaded their way past the bald-headed
man.
The traffic remained stopped.
Herity looked down at the top of Bley's car. So innocent-looking,
that car. Herity had been one of the two-man team to emerge from the
yew-shrouded van near Bley's parking spot the previous night. In
Herity's hands had been a molded plastic package, which they had
selection team had said. The old bastard should be running a tram.
"What're his politics?" Greaves had asked.
"Who cares about his politics?" Herity had countered. "He's perfect
and he'll be dying for a grand cause."
"The street'll be full of people," Greaves had said. "And there'll
be tourists sure as hell is full of Brits."
"We warned 'em to stop the Ulster boys," Herity had said. Greaves
could be an old woman sometimes! "They know what to expect when they
don't listen to us."
It was settled then. And now Bley's car was inching once more toward
the Grafton Street corner, toward the mass of pedestrians, including
the possible tourists.
John Roe O'Neill, his wife, Mary, and their five-year-old twins,
Kevin and Mairead, could have been classified as tourists, although
John expected to be six months in Ireland while completing the
research called for under his grant from the Pastermorn Foundation of
New Haven, Conn.
"An Overview of Irish Genetic Research."
He thought the title pompous, but it was only a cover. The real
research was into the acceptance of the new genetics by a Roman
Catholic society, whether such a society had taken a position to cope
with the explosive potentials in molecular biology.
The project was much on his mind that Wednesday morning but necessary
preparations required his attention. High on his list was the need
to transfer funds from America to the Allied Irish Bank. Mary wanted
Mary, anxious to be off shopping.
Ireland suited Mary, John thought. She had pale clear skin and dark
blue eyes. Jet-black hair -- "Spanish Hair," her family called it --
framed her rather round face. A sweet face. Irish skin and Irish
features. He bent and kissed her before leaving. It brought a blush
to her face but she was pleased at his show of affection and she gave
him a warm smile as they parted.
John walked away briskly, humming to himself, amused when he
recognized the tune: "Oh What a Beautiful Mornin'."
John's Wednesday appointment for "transfer of foreign funds" was at
two P.M. at the Allied Irish Bank, Grafton and Chatham streets.
There was a sign just inside the bank's entrance, white letters on
black: "Non Branch Customers Upstairs." A uniformed guard led him
up the stairs to the office of the bank manager, Charles Mulrain, a
small, nervous man with tow-colored hair and pale blue eyes behind
gold-framed glasses. Mulrain had a habit of touching the corners of
his mouth with a forefinger, first left side then right, followed by
a quick downward brush of his dark tie. He made a joke about having
his office on the first floor, "what you Americans call the second
floor."
"It is confusing until you catch on," John agreed.
"Well!" A quick touching of lips and tie. "You understand that we'd
normally do this at our main office, but . . ."
"When I called, they assured me it was . . ."
"As a convenience to the customer," Mulrain said. He lifted a folder
from his desk, glanced inside it, nodded. "Yes, this amount . . . if
street a white coated figure with a long handled brush. He stood
outlined against a row of five chimney pots.
Glancing at the closed door of the manager's office, John wondered
how long Mulrain would be. Everything was so damned formal here.
John looked at his watch. Mary would arrive with the children in a
few minutes. They planned to have tea, then John would walk down
Grafton to Trinity College and begin work at the college library --
the real start of his research project.
Much later, John would look back on those few minutes at the bank
manager's "first-floor" window and think how another sequence of
events had been set in motion without his knowledge, an inescapable
thing like a movie film where one frame followed another without ever
the chance to deviate. It all centered around Francis Bley's old car
and a small VHF transmitter in the hands of a determined man watching
from an open window that looked down on that corner where Grafton met
St. Stephen's Green.
Bley, patient as always, eased along at the traffic's pace. Herity,
in his window vantage point, toggled the arming switch of his
transmitter, making sure the antenna wire dangled out over the sill.
As he neared the Grafton corner, the crush of pedestrians forced Bley
to stop and he missed the turn of the traffic light. He heard the
tour bus gain clear of traffic off to his right, trundling off in a
rumble of its heavy diesel. Barricades were being erected on the
building to his left and a big white-on-red sign had been raised over
the rough construction: "This Building to be Remodeled by G.
Tottenham Sons, Ltd." Bley looked to his right and noted the tall
blue-and-white Prestige Cafeteria sign, feeling a small pang of
hunger. The pedestrian isthmus beside him was jammed with people
waiting to cross over to St. Stephen's Green and others struggling to
make a way through the cars stopped on Grafton and blocking Bley's
from Mary s stance that she held the children s hands. A brief break
in the throng allowed John a glimpse of the top of Kevin's head and
the old Ford with the driver's brown-sweatered elbow protruding.
Where is that damned bank manager? John wondered. She'll be here any
minute.
He dropped the heavy lace curtain and looked once more at his wrist-
watch.
Herity, at the open window above and behind Bley, nodded once more to
himself. He stepped back away from the window and toggled the second
switch on his transmitter.
Bley's car exploded, ripped apart from the bottom. The bomb,
exploding almost under Bley's feet, drove him upward with a large
piece of the car's roof, his body crushed, dismembered and scattered.
The large section of roof sailed upward in a slow arc to come
crashing onto the Irish Permanent Society Building, demolishing
chimney pots and slates.
It was not a large bomb as such things went, but it had been expertly
placed. The old car was transformed into jagged bits of metal and
glass -- an orange ball of fire peppered with deadly shrapnel. A
section of the car's bonnet decapitated Mary O'Neill. The twins
became part of a bloody puddle blown against the iron fencing across
the street at St. Stephen's Green. Their bodies were more easily
identified later because they were the only children of that age in
the throng.
Herity did not pause to glance out at his work; the sound told it
all. He tucked the transmitter into a small and worn military green
pack, stuffed an old yellow sweater onto it, strapped the cover and
slung the pack over his shoulder. He left the building by the back
Good God! What was that?
John stumbled to his feet, rejecting the question and the answer that
rumbled through his head like an aftershock of the blast. He brushed
past the bank manager and out the door. His mind remained in shock
but his body found its way down the stairs. He shouldered a woman
aside at the foot of the stairs and lurched out onto the street where
he allowed himself to be carried along by the crowd rushing toward
the area of the blast. There was a smell of burnt iron in the air
and the sound of cries and screams.
Within only a few seconds John was part of a crush being held back by
police and uninjured civilians pressed into service to keep the area
around the explosion clear. John elbowed and clawed his way forward.
"My wife!" he shouted. "I saw her. She was there. My wife and our
children!"
A policeman pinned his arms and swung him around, blocking John's
view of the tangled fabric and bloody flesh strewn across the street.
The groans of the injured, the cries for help and the shouts of
horror drove John into insensate rage. Mary needs me! He struggled
against the policeman.
"Mary! She was right in front of . . ."
"The ambulances are coming, sir! There's help at hand. You must be
still. You cannot go through now."
A woman off to John's left said: "Let me through. I'm a nurse."
This, more than anything else, stopped John's struggles against the
policeman.
were glimpses past the policeman who helped him to a cleared place
against a building across from the green.
"There now, sir," the policeman said. "You'll be taken care of
here." Then to someone else: "I think he was hit by a flying bit;
the bleeding seems to've stopped."
John stood with his back against a scarred brick wall from which the
dust of the explosion still sifted. There was broken glass
underfoot. Through an opening in the crowd to his right he could see
part of the bloody mess at the corner, the people moving and bending
over broken flesh. He thought he recognized Mary's coat behind a
kneeling priest. Somewhere within him there existed an understanding
of that scene. His mind remained frozen, though, frigidly locked
into limited thought. If he allowed himself to think freely, then
events would flow -- time would continue . . . a time without Mary
and the children. It was as though a tiny jewel of awareness held
itself intact within him, understanding, knowing . . . but nothing
else could be allowed to move.
A hand touched his arm.
It was electric. A scream erupted from him -- agonized, echoing down
the street, bringing people whirling around to stare at him. A
photographer's flash temporarily blinded him, shutting off the
scream, but he could still hear it within his head. It was more than
a primal scream. This came from deeper, from some place he had not
suspected and against which he had no protection. Two white-coated
ambulance attendants grabbed him. He felt his coat pulled down,
shirt ripped. There came the prick of a needle in his arm. They
hustled him into an ambulance as an enveloping drowsiness overwhelmed
his mind, sweeping away his memory.
摘要:

PRECEDEThere'salustforpowerintheIrishasthereisineverypeople,alustingaftertheAscendancywhereyoucantellothershowtobehave.IthasapeculiarshapewiththeIrish,though.Itcomesofhavinglostourancientways--thesimplerlaws,therathandthefamilyatthecoreofsociety.Romanizedgovernmentsdismayus.Theyalwaysresolvethemselv...

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