H. Beam Piper - Time Crime

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Time Crime

H. Beam Piper

Table of Contents

Time Crime..........................................................................................................................................................1

H. Beam Piper..........................................................................................................................................1

Part 1........................................................................................................................................................1

Part 2......................................................................................................................................................32

Time Crime

H. Beam Piper

This page formatted 2005 Blackmask Online.

http://www.blackmask.com

Part 1• Part 2•

Produced by Greg Weeks, Sankar Viswanathan, and the Online

Distributed Proofreading Team at http://www.pgdp.net

Transcriber's note.

This etext was produced from Astounding Science Fiction Magazine

February and March 1955. Extensive research did not uncover any

evidence that the copyright on this publication was renewed.

TIME CRIME

BY H. BEAM PIPER

Part 1

First of Two Parts. The Paratime Police had a real headache this time! Tracing one man in a population of

millions is easy−−compared to finding one gang hiding out on one of billions of probability lines!

Illustrated by Freas

[Illustration:]

ASTOUNDING SCIENCE−FICTION

Kiro Soran, the guard captain, stood in the shadow of the veranda roof, his white cloak thrown back to display

the scarlet lining. He rubbed his palm reflectively on the checkered butt of his revolver and watched the four

men at the table.

"And ten tens are a hundred," one of the clerks in blue jackets said, adding another stack to the pile of gold

coins.

"Nineteen hundreds," one of the pair in dirty striped robes agreed, taking a stone from the box in front of him

and throwing it away. Only one stone remained. "One more hundred to pay."

One of the blue−jacketed plantation clerks made a tally mark; his companion counted out coins, ten and ten

and ten.

Dosu Golan, the plantation manager, tapped impatiently on his polished boot leg with a thin riding whip.

Time Crime 1

[Illustration:]

"I don't like this," he said, in another and entirely different language. "I know, chattel slavery's an established

custom on this sector, and we have to conform to local usages, but it sickens me to have to haggle with these

swine over the price of human beings. On the Zarkantha Sector, we used nothing but free wage−labor."

"Migratory workers," the guard captain said. "Humanitarian considerations aside, I can think of a lot better

ways of meeting the labor problem on a fruit plantation than by buying slaves you need for three months a

year and have to feed and quarter and clothe and doctor the whole twelve."

"Twenty hundreds of obus," the clerk who had been counting the money said. "That is the payment, is it not,

Coru−hin−Irigod?"

"That is the payment," the slave dealer replied.

The clerk swept up the remaining coins, and his companion took them over and put them in an iron−bound

chest, snapping the padlock. The two guards who had been loitering at one side slung their rifles and picked

up the chest, carrying it into the plantation house. The slave dealer and his companion arose, putting their

money into a leather bag; Coru−hin−Irigod turned and bowed to the two men in white cloaks.

"The slaves are yours, noble lords," he said.

Across the plantation yard, six more men in striped robes, with carbines slung across their backs, approached;

with them came another man in a hooded white cloak, and two guards in blue jackets and red caps, with

bayoneted rifles. The man in white and his armed attendants came toward the house; the six Calera slavers

continued across the yard to where their horses were picketed.

"If I do not offend the noble lords, then," Coru−hin−Irigod said, "I beg their sufferance to depart. I and my

men have far to ride if we would reach Careba by nightfall. The Lord, the Great Lord, the Lord God Safar

watch between us until we meet again."

Urado Alatana, the labor foreman, came up onto the porch as the two slavers went down.

"Have a good look at them, Radd?" the guard captain asked.

"You think I'm crazy enough to let those bandits out of here with two thousand obus−−forty thousand

Paratemporal Exchange Units−−of the Company's money without knowing what we're getting?" the other

parried. "They're all right−−nice, clean, healthy−looking lot. I did everything but take them apart and inspect

the pieces while they were being unshackled at the stockade. I'd like to know where this

Coru−hin−Whatshisname got them, though. They're not local stuff. Lot darker, and they're jabbering among

themselves in some lingo I never heard before. A few are wearing some rags of clothing, and they have

odd−looking sandals. I noticed that most of them showed marks of recent whipping. That may mean they're

troublesome, or it may just mean that these Caleras are a lot of sadistic brutes."

"Poor devils!" The man called Dosu Golan was evidently hoping that he'd never catch himself talking about

fellow humans like that. The guard captain turned to him.

"Coming to have a look at them, Doth?" he asked.

"You go, Kirv; I'll see them later."

Time Crime

Time Crime 2

"Still not able to look the Company's property in the face?" the captain asked gently. "You'll not get used to it

any sooner than now."

"I suppose you're right." For a moment Dosu Golan watched Coru−hin−Irigod and his followers canter out of

the yard and break into a gallop on the road beyond. Then he tucked his whip under his arm. "All right, then.

Let's go see them."

The labor foreman went into the house; the manager and the guard captain went down the steps and set out

across the yard. A big slat−sided wagon, drawn by four horses, driven by an old slave in a blue smock and a

thing like a sunbonnet, rumbled past, loaded with newly−picked oranges. Blue woodsmoke was beginning to

rise from the stoves at the open kitchen and a couple of slaves were noisily chopping wood. Then they came

to the stockade of close−set pointed poles. A guard sergeant in a red−trimmed blue jacket, armed with a

revolver, met them with a salute which Kiro Soran returned: he unfastened the gate and motioned four or five

riflemen into positions from which they could fire in between the poles in case the slaves turned on their new

owners.

There seemed little danger of that, though Kiro Soran kept his hand close to the butt of his revolver. The

slaves, an even hundred of them, squatted under awnings out of the sun, or stood in line to drink at the

water−butt. They furtively watched the two men who had entered among them, as though expecting blows or

kicks; when none were forthcoming, they relaxed slightly. As the labor foreman had said, they were clean and

looked healthy. They were all nearly naked; there were about as many women as men, but no children or old

people.

"Radd's right," the captain told the new manager. "They're not local. Much darker skins, and different

face−structure; faces wedge−shaped instead of oval, and differently shaped noses, and brown eyes instead of

black. I've seen people like that, somewhere, but−−"

He fell silent. A suspicion, utterly fantastic, had begun to form in his mind, and he stepped closer to a group of

a dozen−odd, the manager following him. One or two had been unmercifully lashed, not long ago, and all

bore a few lash−marks. Odd sort of marks, more like burn−blisters than welts. He'd have to have the

Company doctor look at them. Then he caught their speech, and the suspicion was converted to certainty.

"These are not like the others: they wear fine garments, and walk proudly. They look stern, but not cruel. They

are the real masters here; the others are but servants."

He grasped the manager's arm and drew him aside.

"You know that language?" he asked. When the man called Dosu Golan shook his head, he continued: "That's

Kharanda; it's a dialect spoken by a people in the Ganges Valley, in India, on the Kholghoor Sector of the

Fourth Level."

Dosu Golan blinked, and his face went blank for a moment.

"You mean they're from outtime?" he demanded. "Are you sure?"

"I did two years on Fourth Level Kholghoor with the Paratime Police, before I took this job," the man called

Kiro Soran replied. "And another thing. Those lash−marks were made with some kind of an electric whip. Not

these rawhide quirts the Caleras use."

It took the plantation manager all of five seconds to add that up. The answer frightened him.

Time Crime

Time Crime 3

"Kirv, this is going to make a simply hideous uproar, all the way up to Home Time Line main office," he said.

"I don't know what I'm going to do−−"

"Well, I know what I have to do." The captain raised his voice, using the local language: "Sergeant! Run to

the guardhouse, and tell Sergeant Adarada to mount up twenty of his men and take off after those Caleras who

sold us these slaves. They're headed down the road toward the river. Tell him to bring them all back, and

especially their chief, Coru−hin−Irigod, and him I want alive and able to answer questions. And then get the

white−cloak lord Urado Alatena, and come back here."

"Yes, captain." The guards were all Yarana people; they disliked Caleras intensely. The sergeant threw a

salute, turned, and ran.

"Next, we'll have to isolate these slaves," Kiro Soran said. "You'd better make a full report to the Company as

soon as possible. I'm going to transpose to Police Terminal Time Line and make my report to the

Sector−Regional Subchief. Then−−"

"Now wait a moment, Kirv," Dosu Golan protested. "After all, I'm the manager, even if I am new here. It's up

to me to make the decisions−−"

Kiro Soran shook his head. "Sorry, Doth. Not this one," he said. "You know the terms under which I was

hired by the Company. I'm still a field agent of the Paratime Police, and I'm reporting back on duty as soon as

I can transpose to Police Terminal. Look; here are a hundred men and women who have been shifted from one

time−line, on one paratemporal sector of probability, to another. Why, the world from which these people

came doesn't even exist in this space−time continuum. There's only one way they could have gotten here, and

that's the way we did−−in a Ghaldron−Hesthor paratemporal transposition field. You can carry it on from

there as far as you like, but the only thing it adds up to is a case for the Paratime Police. You had better

include in your report mention that I've reverted to police status; my Company pay ought to be stopped as of

now. And until somebody who outranks me is sent here, I'm in complete charge. Paratime Transposition

Code, Section XVII, Article 238."

The plantation manager nodded. Kiro Soran knew how he must feel; he laid a hand gently on the younger

man's shoulder.

"You understand how it is, Doth; this is the only thing I can do."

"I understand, Kirv. Count on me for absolutely anything." He looked at the brown−skinned slaves, and lines

of horror and loathing appeared around his mouth. "To think that some of our own people would do a thing

like this! I hope you can catch the devils! Are you transposing out, now?"

"In a few minutes. While I'm gone, have the doctor look at those whip−injuries. Those things could get

infected. Fortunately, he's one of our own people."

"Yes, of course. And I'll have these slaves isolated, and if Adarada brings back Coru−hin−Irigod and his gang

before you get back, I'll have them locked up and waiting for you. I suppose you want to narco−hypnotize and

question the whole lot, slaves and slavers?"

The labor foreman, known locally as Urado Alatena, entered the stockade.

"What's wrong, Kirv?" he asked.

Time Crime

Time Crime 4

The Paratime Police agent told him, briefly. The labor foreman whistled, threw a quick glance at the nearest

slaves, and nodded.

"I knew there was something funny about them," he said. "Doth, what a simply beastly thing to happen, two

days after you take charge here!"

"Not his fault," the Paratime Police agent said. "I'm the one the Company'll be sore at, but I'd rather have them

down on me rather than old Tortha Karf. Well, sit on the lid till I get back," he told both of them. "We'll need

some kind of a story for the locals. Let's see−−Explain to the guards, in the hearing of some of the more

talkative slaves, that these slaves are from the Asian mainland, that they are of a people friendly to our people,

and that they were kidnaped by pirates, our enemies. That ought to explain everything satisfactorily."

On his way back to the plantation house, he saw a clump of local slaves staring curiously at the stockade, and

noticed that the guards had unslung their rifles and fixed their bayonets. None of them had any idea, of course,

of what had happened, but they all seemed to know, by some sort of ESP, that something was seriously

wrong. It was going to get worse, too, when strangers began arriving, apparently from nowhere, at the

plantation.

* * * * *

Verkan Vall waited until the small, dark−eyed woman across the circular table had helped herself from one of

the bowls on the revolving disk in the middle, then rotated it to bring the platter of cold boar−ham around to

himself.

"Want some of this, Dalla?" he asked, transferring a slice of ham and a spoonful of wine sauce to his plate.

"No, I'll have some of the venison," the black−haired girl beside him said. "And some of the pickled beans.

We'll be getting our fill of pork, for the next month."

"I thought the Dwarma Sector people were vegetarians," Jandar Jard, the theatrical designer, said. "Most

nonviolent peoples are, aren't they?"

"Well, the Dwarma people haven't any specific taboo against taking life," Bronnath Zara, the dark−eyed

woman in the brightly colored gown, told him. "They're just utterly noncombative, nonaggressive. When I

was on the Dwarma Sector, there was a horrible scandal at the village where I was staying. It seems that a

farmer and a meat butcher fought over the price of a pig. They actually raised their voices and shouted

contradictions at each other. That happened two years before, and people were still talking about it."

"I didn't think they had any money, either," Verkan Vall's wife, Hadron Dalla, said.

"They don't," Zara said. "It's all barter and trade. What are you and Vall going to use for a visible means of

support, while you're there?"

"Oh, I have my mandolin, and I've learned all the traditional Dwarma songs by hypno−mech," Dalla said.

"And Transtime Tours is fitting Vall out with a bag of tools; he's going to do repair work and carpentry."

"Oh, good; you'll be welcome anywhere," Zara, the sculptress, said. "They're always glad to entertain a singer,

and for people who do the fine decorative work they do, they're the most incompetent practical mechanics I've

ever seen or heard of. You're going to travel from village to village?"

Time Crime

Time Crime 5

"Yes. The cover−story is that we're lovers who have left our village in order not to make Vall's former wife

unhappy by our presence," Dalla said.

"Oh, good! That's entirely in the Dwarma romantic tradition," Bronnath Zara approved. "Ordinarily, you

know, they don't like to travel. They have a saying: 'Happy are the trees, they abide in their own place; sad are

the winds, forever they wander.' But that'll be a fine explanation."

Thalvan Dras, the big man with the black beard and the long red coat and cloth−of−gold sash who lounged in

the host's seat, laughed.

"I can just see Vall mending pots, and Dalla playing that mandolin and singing," he said. "At least, you'll be

getting away from police work. I don't suppose they have anything like police on the Dwarma Sector?"

"Oh, no; they don't even have any such concept," Bronnath Zara said. "When somebody does something

wrong, his neighbors all come and talk to him about it till he gets ashamed, then they all forgive him and have

a feast. They're lovely people, so kind and gentle. But you'll get awfully tired of them in about a month. They

have absolutely no respect for anybody's privacy. In fact, it seems slightly indecent to them for anybody to

want privacy."

One of Thalvan Dras' human servants came into the room, coughed apologetically, and said:

"A visiphone−call for His Valor, the Mavrad of Nerros."

Vall went on nibbling ham and wine sauce; the servant repeated the announcement a trifle more loudly.

[Illustration:]

"Vall, you're being paged!" Thalvan Dras told him, with a touch of impatience.

Verkan Vall looked blank for an instant, then grinned. It had been so long since he had even bothered to think

about that antiquated title of nobility−−

"Vall's probably forgotten that he has a title," a girl across the table, wearing an almost transparent gown and

nothing else, laughed.

"That's something the Mavrad of Mnirna and Thalvabar never forgets," Jandar Jard drawled, with what, in a

woman, would have been cattishness.

Thalvan Dras gave him a hastily repressed look of venomous anger, then said something, more to Verkan Vall

than to Jandar Jard, about titles of nobility being the marks of social position and responsibility which their

bearers should never forget. That jab, Vall thought, following the servant out of the room, had been a mistake

on Jard's part. A music−drama, for which he had designed the settings, was due to open here in Dhergabar in

another ten days. Thalvan Dras would cherish spite, and a word from the Mavrad of Mnirna and Thalvabar

would set a dozen critics to disparaging Jandar's work. On the other hand, maybe it had been smart of Jandar

Jard to antagonize Thalvan Dras; for every critic who bowed slavishly to the wealthy nobleman, there were at

least two more who detested him unutterably, and they would rush to Jandar Jard's defense, and in the ensuing

uproar, the settings would get more publicity than the drama itself.

* * * * *

Time Crime

Time Crime 6

In the visiphone booth, Vall found a girl in a green blouse, with the Paratime Police insigne on her shoulder,

looking out of the screen. The wall behind her was pale green striped in gold and black.

"Hello, Eldra," he greeted her.

"Hello, Chief's Assistant: I'm sorry to bother you, but the Chief wants to talk to you. Just a moment, please."

The screen exploded into a kaleidoscopic flash of lights and colors, then cleared again. This time, a man

looked out of it. He was well into middle age; close to his three hundredth year. His hair, a uniform iron−gray,

was beginning to thin in front, and he was acquiring the beginnings of a double chin. His name was Tortha

Karf, and he was Chief of Paratime Police, and Verkan Vall's superior.

"Hello, Vall. Glad I was able to locate you. When are you and Dalla leaving?"

"As soon as we can get away from this luncheon, here. Oh, say an hour. We're taking a rocket to Zarabar, and

transposing from there to Passenger Terminal Sixteen, and from there to the Dwarma Sector."

"Well, Vall, I hate to bother you like this," Tortha Karf said, "but I wish you'd stop by Headquarters on your

way to the rocketport. Something's come up−−it may be a very nasty business−−and I'd like to talk to you

about it."

"Well, Chief, let me remind you that this vacation, which I've had to postpone four times already, has been

overdue for four years," Vall said.

"Yes, Vall, I know. You've been working very hard, and you and Dalla are entitled to a little time together. I

just want you to look into something, before you leave."

"It'll have to take some fast looking. Our rocket blasts off in two hours."

"It may take a little longer; if it does, you and Dalla can transpose to Police Terminal and take a rocket for

Zarabar Equivalent, and transpose from there to Passenger Sixteen. It would save time if you brought Dalla

with you to Headquarters."

"Dalla won't like this," Vall understated.

"No. I'm afraid not." Tortha Karf looked around apprehensively, as though estimating the damage an enraged

Hadron Dalla could do to his office furnishings. "Well, try to get here as soon as you can."

* * * * *

Thalvan Dras was holding forth, when Vall returned, on one of his favorite preoccupations.

"... Reason I'm taking such an especially active interest in this year's Arts Exhibitions; I've become disturbed

at the extent to which so many of our artists have been content to derive their motifs, even their techniques,

from outtime art." He was using his vocowriter, rather than his conversational, voice. "I yield to no one in my

appreciation of outtime art−−you all know how devotedly I collect objects of art from all over paratime−−but

our own artists should endeavor to express their artistic values in our own artistic idioms."

Vall bent over his wife's shoulder.

"We have to leave, right away," he whispered.

Time Crime

Time Crime 7

"But our rocket doesn't blast off for two hours−−"

Thalvan Dras had stopped talking and was looking at them in annoyance.

"I have to go to Headquarters before we leave. It'll save time if you come along."

"Oh, no, Vall!" She looked at him in consternation. "Was that Tortha Karf, calling?" She replaced her plate on

the table and got to her feet.

"I'm dreadfully sorry, Dras," he addressed their host. "I just had a call from Tortha Karf. A few minor details

that must be cleared up, before I leave Home Time Line. If you'll accept our thanks for a wonderful

luncheon−−"

"Why, certainly, Vall. Brogoth, will you call−−" He gave a slight chuckle. "I'm so used to having Brogoth

Zaln at my elbow that I'd forgotten he wasn't here. Wait. I'll call one of the servants to have a car for you."

"Don't bother; we'll take an aircab," Vall told him.

"But you simply can't take a public cab!" The black−bearded nobleman was shocked at such an obscene idea.

"I will have a car ready for you in a few minutes."

"Sorry, Dras; we have to hurry. We'll get a cab on the roof. Good−by, everybody; sorry to have to break away

like this. See you all when we get back."

* * * * *

Hadron Dalla watched dejectedly as the green crags and escarpments of the Paratime Building loomed above

the city in front of them, and began slipping under the aircab. She felt like a prisoner recaptured at the moment

when attempted escape was about to succeed.

"I knew it," she said. "I knew he'd find something. He's trying to break things up between us, the way he did

twenty years ago.'"

Vall crushed out his cigarette and said nothing. That hadn't been true, and she knew it as well as he did. There

had been many other factors involved in the disintegration of their previous marriage, most of them of her

own contribution. But that had been twenty years ago, she told herself. This time it would be different, if

only−−

"Really, Vall, he's never liked me," she went on. "He's jealous of me, I think. You're to be his successor, when

he retires, and he thinks I'm not a good influence−−"

"Oh, rubbish, Dalla! The Chief has always liked you," Vall replied. "If he didn't, do you think he'd always be

inviting us to that farm of his, on Fifth Level Sicily? It's just that this job of ours has no end; something's

always turning up, outtime."

The music that the cab had been playing died away. "Paratime Building, just below," it said, in a light

feminine voice. "Which landing stage, please?" Vall leaned forward and punched at the buttons in front of

him. Something in the cab's electronic brain gave a rapid series of clicks as it shifted from the general

Paratime Building beam to the beam of the Paratime Police landing stage, then it said, "Thank you." The

building below seemed to rotate upward toward them as it settled down. Then the antigrav−field snapped off,

the cab door popped open, and the cab said: "Good−by, now. Ride with me again, sometime."

Time Crime

Time Crime 8

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